Uncompressed PCM 5.1 (English)

Jimi Hendrix. Carlos Santana. Jimmy Paige. Eddie Van Halen. Slash. These are arguably some of the greatest guitar gods to ever rock the stage. Yet somehow this pantheon feels incomplete. I humbly submit Peter Frampton’s name for inclusion with these mighty warriors of rock. In 1976, the singer released his most successful album — Frampton Comes Alive! — and, according to this Blu-ray’s box, “the best-selling live album in the world.” In 2011-2012, Frampton went on tour in celebration of its 35th anniversary. This concert Blu-ray was filmed over two shows on this tour and features 26 songs. The first 14 are the entirety of Frampton Comes Alive! played front to back, with the remainder of the songs being highlights from his long career all the way through his most recent album, Thank You Mr. Churchill.

At 62, Frampton hasn’t mellowed at all. His vocals and guitar-playing prowess haven’t diminished one bit and blend smoothly with the backing vocals and guitars of Rob Arthur and Adam Lester. Arthur pulls triple-duty, playing keyboards as well. Stanley Sheldon and Dan Wojciechowski anchor the concert on the bass and drums, respectively. An especially cool moment occurs when Frampton invites his son, Julian, to come on stage and sing with him. Julian Frampton performs “Road to the Sun” and “I Don’t Need No Doctor”. I wish he had sung some more, because his energetic voice pairs well with his dad’s epic guitar playing.

It’s a little hard for me to realize it really has been 20 years since Stone Temple Pilots emerged out of the grunge scene with their album Core.  I remember hanging out at my friends house playing Sega Genesis while listening to this tape (yes, cassette tape) over and over with some Pearl Jam and Nirvana thrown in as well.  For me these guys are like moments of time from my past that I’ll always look fondly upon.  Whether it was my first mosh pit or first house party, this was the music that surrounded me.  I feel the need to divulge this simply because no matter how impartial I may try to be, it’s hard to be critical and removed with every review that comes along.

With that being said, I’m going to come out and say I love this performance.  Once I put this in my player, I cranked up the volume and just allowed my ears to ingest this musical delight.  Sure my neighbors may not have been happy after all the sound hits like a punch, but this is what I’ve come to expect from STP.

When Peter Gabriel left the band Genesis to pursue his own solo career, it was the break of a lifetime for the band's drummer, Phil Collins. He took over the front-man duties with style, and before long Genesis was enjoying the most commercial success of their lives. Collins provided the smooth, easy-to-listen-to voice that Gabriel really never had. The tunes were instantly more recognizable and stuck with you for a long time. Of course, that meant that Collins would go out and work on that solo career as well. He didn't quite abandon Genesis and managed to keep both careers on the charts for quite a long time. If anything, the two entities became more and more the same. It's hard to distinguish the band's Invisible Touch from anything Collins released under his own name. No problem, as long as the records were selling. And sell they did.

We haven't heard a ton from Collins in recent years. He's always been there. He's toured under both names a few times in recent years. But the releases became less and less successful. Much of this can be traced to Collins' wish to become a one-man band. The last few CD's were produced in his own home studio with Phil filling in for most of the instruments. The lyrics lost much of their creativity, and it seemed that the British rocker had waded deep into stagnant waters.

The strangely compelling pop-rockers first played publicly in February 1977. Almost exactly 34 years later, the B-52s soared again into their hometown, delivering an exuberant, hit-filled set at the Classic Center in Athens, Ga. Fortunately for concert-party aficionados, the show was captured in high-def, widescreen glory for the Blu-ray winner, The B-52s With the Wild Crowd! Live in Athens, GA. If you’re already a fan of “the world’s greatest party band” (it says so right on the dust jacket), this 96-minute celebration is an obvious must-have. The old new-wavers haven’t lost a step as they crossed one at a time into AARP territory. But even first-time flyers will feel the power generated by the B-52s time-tested crew. This high-energy set kicks off with a driving kickoff of “Pump” and the ever-catchy hook of “Private Idaho.” The pace doesn’t seriously slacken for another 90 minutes of bouncy dance-rock, lively melodies and irresistible harmonies.

While lead singer Fred Schneider takes on key front-man duties, this expertly edited program shows that he’s the captain of a totally talented team. Schneider’s wit as a vocalist and emcee are charmingly apparent here, but we also get time to appreciate Kate Pierson’s far-ranging warble, Cindy Wilson’s rich vocal counterpoints, and Keith Strickland’s stinging guitar riffs. (Strickland was the band’s original drummer, who switched to guitar after the death of founding member Ricky Wilson, Cindy’s brother.)

Yes formed in 1968 and instantly became a pioneer in the area of progressive rock. The band utilized classical trends and ideas to create epic musical pieces that were often over 10 minutes in length. While that made AM radio success more fleeting, the band was huge at its peak, joining the ranks of Emerson, Lake and Palmer in the genre as one of the most endearing and enduring bands of the era. While there have been many musicians to come and go over the years, the most popular lineup includes Jon Anderson on vocals, Steve Howe on lead guitar, Chris Squire on bass, Alan White on drums and Geoff Downs on keyboards. Certainly, they haven't enjoyed the same amount of success in recent years, yet the band manages to survive in one form or another to this very day.

Eagle Rock Entertainment has given us a chance to drop in on our old friends and see how the last 43 years have treated the band in their Blu-ray release of Yes Symphonic Live. The concert takes place in Amsterdam in 2001 and is part of the band's triumphant tour with a full orchestra. It's something they hadn't really done quite like this before. The tour was intended to promote their latest release Magnification which features the return to the long-form songs and classical roots. It's likely the biggest concert tour the band has given in respect to arrangements and stage presence. They still appear to have a spark even if you won't find Howe or Squire moving about as frantically as they once did. Of all of the band members Anderson appears the least worse for wear and has incredible energy and a voice as strong as you remember from the glory days.

"You unlock this door with the key of imagination. Beyond it is another dimension -- a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into the Twilight Zone."

"The machines rose from the ashes of a nuclear fire. Their war to exterminate mankind had raged for decades, but the final battle would not be fought in the future. It would be fought here in our present... Tonight."

Where were you on Judgment Day?

Rory Gallagher was somewhat of an enigma in the British music scene. While he never did have the breakout hit or career that he worked so hard to achieve, he has managed to develop quite a cult following over his troubled career. His roots went deep into the British blues scene where he first received some notice in the band Taste. But Rory was a force of nature and couldn't be contained in the local scene. He grew up in the small town of Cork in Ireland and managed to fight his way onto a world stage by the time he reached his 20's. His music was a unique blend of blues and hard-edge rock and roll. His voice wasn't ever described as smooth. He belted his words out in screams and shrieks. He was all about the energy, connecting with the audience live far more effectively than he did through his recordings. He was the kind of guitarist that flew across a fret board like a supersonic jet flying over clear calm skies.

Rory Gallagher died of liver failure in 1995. He lived hard, and it obviously took its toll on his heath. He didn't really get into the drug scene, but he could put away the ale. He was a man forever in motion. This concert/documentary from Eagle Rock is a perfect window into the lifestyle and music that was Rory Gallagher.

Michael McDonald has been around for a very long time. In fact, with his white hair and beard McDonald makes a perfect little musical Santa. The man began his career as a backup singer for Steely Dan but made his real fame when he became part of The Doobie Brothers in the 1970's. But by 1982 it was already all over for the super-group. After about 5 years of wall-to-wall hits the group disbanded, and McDonald went out on his own. His first solo album was an almost instant hit. Unfortunately for McDonald and his many fans, he wasn't the most prolific artist and took 9 years to follow up that album. By then times had changed, and he never has quite captured the fame that started with The Doobie Brothers and continued through his early solo career.

While McDonald's solo career hasn't exactly been soaring in the last 20 years, he has found ways to stay in touch with the loyal fan base. Christmas has been kind to the rocker. He has released a couple of Christmas albums with some level of success. He also continues to do Christmas concerts, a tradition that began in his Doobie Brothers days.

When I saw the title for this movie my immediate thoughts went to that old Neil Diamond song of the same name. I don't know why, but I absolutely expected to hear it at some point in the film. So I actually found myself smiling a bit when the first guitar chords for the song began during the opening credits. I was a little disappointed to hear the song, but performed by the Man In Black, Johnny Cash. Not that I dislike Johnny. I just was expected something else. You know the feeling. Did you ever pick up someone else's drink by mistake and sip it, expecting it to be yours? It doesn't matter how much you might actually like what that someone was drinking. It completely throws you and tastes bad for a split second. Well, that's what happened with Solitary Man, the song and the film.

You see, the box art and studio buzz calls this film a sophisticated comedy. It's neither. It's actually quite good for what it is, but the studio's misrepresentation means that I was ready for something entirely different than what I got. That makes it so much harder to give a film a chance. I was all set to laugh. Instead I got a very moody and often dark character study. It took me a bit of a readjustment to finally begin to appreciate the movie for what it was. Michael Douglas can still deliver a solid character study. Here he takes a character that's almost impossible to like, and makes you enjoy it all the way.