Posted in: Disc Reviews by David Annandale on June 24th, 2010
Bill Williamson (Brendan Fletcher) is an angry young man. His boss treats him badly, he can't get good service at the local coffee shop, and his parents are trying, none too subtly or smartly, to get him to move out. He hangs out with a friend who talks a big talk about changing the world, but does nothing. Bill, by contrast, is about to do something: gearing up with so much body armor he becomes a walking tank, he begins a gigantic massacre in town, beginning by blowing up a police station, and going on to gun down anyone who crosses his path. There is, however, rather more method to his madness than might appear.
The indefatigable Uwe Boll here brings us a film that echoes the likes of Falling Down, Targets and Elephant. (And in typically modest fashion, on the commentary track he feels he has improved on Falling Down.) This is one of Boll's better films, blessed by an excellent lead performance by Fletcher, convincing improvised dialogue (which does produce a couple of grammatical howlers, but hey, so does real-life dialogue), and intense hand-held camerawork. There are some genuinely witty moments, too, such as the scene where Bill enters a bingo hall, and is completely ignored by its denizens. Even at a brisk 85 minutes, however, the film doesn't have quite enough plot, and thus the rampage itself feels a bit too long. There is also too much reliance on flash-forwards, which ultimately telegraph the resolution too far ahead. As for that resolution, it isn't without a certain cleverness, but it does tend to muddy the film's social commentary. But social commentary there is, and there is quite a bit to admire about this effort.
Some of the reds are bit too strong, but otherwise the colors are excellent, as are the contrasts, blacks and flesh tones. There are moments where the film shifts to webcam footage, and the difference is clear and convincing. The overall look of the film is rich without venturing too far outside of a realist aesthetic (the exception being a gigantic explosion early on, but as far as the transfer goes, everything still looks very nice). The aspect ratio is the original 2.35:1 anamorphic widescreen.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2010
"You may think this silly, but ever since I can remember I had this urge to be a knight. Not in armor or anything like that. Just in spirit. You know, to help the helpless. To find a wrong and right it. Then somewhere around 13 or 14 it sort of all became an urge to save beautiful damsels in distress. I just wish that somewhere in all of those books I read about knights and dragons they'd have warned me about damsels wearing little straw hats."
Posted in: Disc Reviews by Michael Durr on May 13th, 2010
Many of you probably read my review for Iron Man 1994 Animated Adventures on DVD earlier this week. In that review, I told a story of two very different seasons of Iron Man. Well, Iron Man Armored Adventures is even more different because it deals with Tony Stark as a teenager. There is no telling whether this teenage Tony will be like a younger version of the suave and sophisticated playboy or play out like a mechanized version of Peter Parker from the most recent Spectacular Spider-Man show.
Tony Stark isn’t a typical teenage boy. He spends his days coming up with cutting edge technology that is going to help and change the world. His best friend, Rhodey goes to the local school and helps Tony as needed. Howard Stark is Tony’s father and is the head of Stark Industries. However, there are others within Stark Industries that wish to use the inventions for war rather than peace.
Posted in: Disc Reviews by David Annandale on May 9th, 2010
Having accidentally blinded a singer during a contract killing, hit man extraordinaire Chow Yun-Fat, consumed with guilt, becomes the woman's protector, and seeks redemption by finding some way to restore her sight. Meanwhile, Danny Lee is the plays-by-his-own-rules cop on his trail, and inevitably the two men will find themselves as unlikely allies in gigantically operatic gunfights.
I can remember when John Woo was still a name whispered with reverence by cult film fans, and his films were only available on grey market VHS or import laser disc. In fact, I first saw The Killer on one such disc, in Cantonese with Mandarin subtitles, reading a transcription of a translation, desperately trying to grasp the gist of the action. It was worth the effort, though, for I had never seen action sequences like these. Today, of course, the situation is very different. Woo's films are readily available, Hard-Boiled's sequel is a video game (Stranglehold), and his stylistic characteristics have become clichés. The passage of time and over-familiarity have arguably robbed the film of some of its power, while making the OTT sentimentality harder to take, but the fact remains that this is still a seminal moment in action filmmaking.
Posted in: Disc Reviews by Michael Durr on May 8th, 2010
Volume Five of the Animated Series known as X-Men is now upon us. Included here are the last fourteen episodes that haven't been put on disc for the masses. There is a lot going on in these twenty one minute chunks. There are some good things, bad things, funny things and more confusing things than probably should be in a children's animated show. So let us spend some time, the final time with our beloved mutant friendly superhero group.
The fourth season had left us on a climatic showdown. The four parter: Beyond Good and Evil had showed us some strange alliances as well as X-Men fighting together to save the day. Apocalypse was put away for another day as he could not defeat the mutant superheroes. Peace had come to the planet Earth even though we all the knew that it could not last. So we dive right into the final Volume of the X-Men.
Posted in: Disc Reviews by Michael Durr on May 6th, 2010
Iron Man 2 comes out this week and is set to do fantastic business. Usually I’m a person who waits for movies to hit dvd and blu-ray and I’m already planning to when I can go see this movie. But one of the things I’ve come to appreciate over the years is when a big movie such as Iron Man 2 comes out, there are disc releases that dip into yesteryear and help to get you in the mood. Imagine my surprise when I was asked to review Iron Man: The Complete 1994 Animated Series.
To do this correctly, I really have to break up this synopsis into two parts. There is the first season and the second season. Trust me, they are so different from each other, I’m surprised they were released together. Everything from drawing style to the characters to the way they craft stories is different. It’s a fun ride either way but you’ll certainly prefer one over the other.
Posted in: Disc Reviews by Michael Durr on April 26th, 2010
The first District 13 movie was considered a modern day cult classic. It featured a number of meticulous and daring stunt scenes that were worked without the use of wires or computer generated effects. It was written and produced by Luc Besson famous for Fifth Element & Leon. But would the sequel set in the future 3 years later be able to hold the same interest?
It is France in the year 2013. Gang overlord, Taha Bemamud has been dead for three years leaving chaos in the streets and at the political level. Five territorial gangs are fighting for control and none are willing to back down to usurp control. The government is working on establishing peace and harmony to the troubled sector stationed firmly in the heart of Paris but is having considerable difficulty with the 2 million plus people stationed there.
Posted in: Disc Reviews by William O'Donnell on April 7th, 2010
A young criminal (I assume he's a criminal of some sort) owes a major debt to a Columbian kingpin and he enlists his brother, K, for help. K bumps up a planned armoured car heist by a month in order to help, and the adventure starts there as we see a rag-tag gang pull of said heist and then plan their final moves in a rented warehouse.
Posted in: Disc Reviews by David Annandale on April 7th, 2010
A spaceship crashes. From it emerge a monstrous creature called the Moorwen, and a man, Kainan (Jim Caviezel in Buff Action Mode), who is determined to hunt it down. However, he is promptly captured by vikings and taken to their village, at which point he must convince them of the terrible danger they are in. As it turns out, they don't take much convincing, once the Moorwen attacks.
Analyzing the zeitgeist is always a tricky business. How, for instance, to explain the fact that over the last several years there have been numerous film versions of Beowulf, almost all of the revisionist variety: Eaters of the Dead, Beowulf and Grendel, and now Outlander, to name but three. The newest take has fun with its mix of vikings and SF, and the monster action is good fun. Is anything here groundbreaking? No. But the film keeps its focus on providing the viewer with an exciting ride.
Posted in: Disc Reviews by Michael Durr on March 28th, 2010
Around Thanksgiving of last year, I started to see trailers of a particular movie that quite literally made me laugh out loud. The reason behind it is because I knew with the title of the movie and the obvious plot, there was no way I was not going to review it when it came to dvd & blu-ray. I have a reputation for certain movies, I guess you could say. That movie was Ninja Assassin. Several months later, I am reviewing it for a mass audience. Funny how that works.
An old man and master of tattoos (played by Randall Duk Kim) is filling in an elaborate tattoo on a young gangster named Hollywood (played by Sung Kang)’s back. A henchman brings Hollywood a sealed envelope. The envelope is opened and out spills black sand. The old man is startled. He starts to spin a tale about ninjas and how he saw an envelope just like that before everybody around him was assassinated.