Children’s

This compilation of cartoons takes from different Madeline series', produced from about 1993 to 2001. Each episode is in the half-hour long format, with different title cards, theme songs and narrators, but all following the same format of rhyming narration, and imaginative story lines, songs peppered throughout, and a couple even dipping into the supernatural.

Marvel Superhero cartoons come and they go. For every Spider-Man cartoon, there is an X-Men cartoon, or Wolverine or perhaps even Iron Man gets one. Some of them last more than one season but more often than not they are replaced by shows telling the same stories but in a different style. Marvel Superhero Squad show attempts to break the mold by providing fresh stories with a rather interesting and unique animation style.

I'd like to think that the concepts of what makes a good children's movie is somewhat international. While cultures may vary, kids all over the world are pretty much the same. They look for the same kinds of characteristics in their heroes. While the martial arts film is somewhat cultural, there have been more than enough child-friendly martial arts films for me to conclude that these kinds of acrobatics and old fashioned good kicking-evil's-butt themes work for kids of any nationality. The recent Jackie Chan The Spy Next Door outing is one good example of the genre-crossing martial arts children's movie.

In countries all over the world, there is still the prevalent issue of not being able to read. Even in advanced countries such as the United States, there are reports that suggest that many adults don’t ever pick up another book after leaving college. This reviewer was fortunate enough to have two adults in his life that read to him all the time when he was an infant and thus developed a desire and ability to read very early on. But for those who don’t have that luxury, perhaps they can find entertaining television programs such as Ghostwriter.

In September of 1993, an animated series using the wonders of stop-motion animation was broadcast on ABC. The name of the series was called Bump in the Night. It would run for twenty six episodes, spanning over two seasons. It was created and directed by Ken Pontac and David Bleiman. It also featured the vocal stylings of Jim Cummings, a man perhaps most famous for his Winnie the Pooh performance.

Most of my growing up and living occurred in the 1980’s. From ages five to fifteen, I grew up in an era that was famous to many different types of cartoons. It helped to shape my personality, from bad jokes to that unmistakable sarcasm. So, it was easy to attract me to a cartoon set that showcased odds and ends from that familiar era. Join me as we take a step back in history, a history that hits very close to home.

C.O.P.S aired in 1988, one year after the debut of Robocop, and the future-cop theme and design is clearly influenced by Verhoven's violent satire. As a child I caught onto this influence immediately and a part of me always saw it as derivative (along with some Judge Dredd influence). Watching it now I get an eery knot in my stomach as I realize just how silly and loaded with slapstick this cartoon really is, and yet cannot help but still recognize the design influence of Robocop. Throughout there is this strange paradox of immensely threatening looking characters doing terribly silly things.

"We're back..."

The Chipmunks began life oddly enough as a singing group, of sorts. They were the brainchild of struggling songwriter Ross Bagdasarian and were named after the three chief executives at Liberty records. His own alter ego David Seville’s name came from his World War II Army station in Spain. The Chipmunks first appeared in a 1958 record called The Witch Doctor, but wouldn’t officially become The Chipmunks until later that year when The Chipmunks Christmas Song was released. It is for that Christmas music that I most remember the group

One might have to legitimately ask about the thinking behind this particular children- targeted release. I have to admit that I was a little uncomfortable with the idea of reviewing this film at this particular time. I have two issues that are just unavoidable here:

They both deal with the film's two central stars here. Bindi Irwin is the daughter of famed Crocodile Hunter Steve Irwin. You all remember Steve. He used to approach some of the most dangerous animals on the planet and quite casually tell us just how deadly they were while tempting them to tag him

Anyone who has come here long enough to get to know my likes and dislikes probably knows what a Walt Disney and Mickey Mouse fan I am. The man and the character opened the road for so much of what we have today, from Pixar to Tom and Jerry. But, if you're looking for the kind of cartoons you and I have grown to expect, this one is bound to disappoint you. It's an episode of the current television series Mickey Mouse Clubhouse. It's an animated Sesame Street, however, and not really a cartoon adventure.