Drama

This is another one of Paramount’s half season releases. I’m told the decision is driven by retailers wanting lower price point product, but I don’t find the argument credible. There are plenty of full season releases, and consumer surveys consistently show that’s how the public wants their television shows. Retailers will carry these shows in full seasons just like they do all of the others.

High art it isn’t, but one thing’s for sure: Dynasty is ass-in-seat television. Launched in 1981, the John Forsythe-Linda Evans-Joan Collins starring vehicle crossed lines and took chances few of its contemporaries were willing to take. For several years Dynasty defied conservative conventions with sordid tales of extramarital affairs, catfights, and the hot-button issue of homosexual parenting. It’s this last issue that is featured so prominently in Dynasty – The Third Season, Volume Two.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial.

One of the hardest parts of reviewing DVD’s for this site is getting dropped in to the middle of a show I neither followed nor cared to follow and being told to judge fairly and objectively. Getting one’s bearings can be the toughest part of such a task, but this I will attempt to do with Seventh Heaven – The Seventh Season. As if playing catch-up with only one season to go on isn’t enough, the series hurls character after character at the unsuspecting viewer at a furious pace.

Jean Gabin, in his American debut, plays Bobo, a French sailor who has been knocking around the States for quite some time in the company of Tiny (Thomas Mitchell). Their wandering comes to a stop when, the day after a night of drunken excess that he cannot remember, Bobo sees Anna (Ida Lupino) wading into the waves to commit suicide. He rescues her, and before long the two are living together on the bait barge where he is working, and fall in love. Dark clouds are on the horizon, however. A local man was murdered, and Tiny, resentful that his meal ticket has been taken from him, darkly hints to Anna that Bobo might be responsible, even though he doesn't know it himself.

Working in Hawaii on one of televisions hottest shows in the 1970’s was too good a job for most of the cast and crew of Hawaii Five-0. This meant that there was very little cast turnover for the series in general, and none going into the fourth year. Jack Lord saw his star rise considerably, and while he began to see some serious pay hikes, even he wasn’t about to kill the golden goose.

If you weren’t around in the 1970’s, you might be surprised to find out that film superstar Michael Douglas was once in a television cop show. It was this influential crime drama that allowed Douglas to show off the acting chops that would earn him a spot in the Hollywood elite for decades to come. It didn’t hurt any that he was able to team up with Karl Malden, an undervalued talent in his own right. The two of them literally bring the show to life. 

On the surface it would seem that Linewatch is going to tackle the controversial illegal immigration debate that is going on in the United States these days. At first it seems that’s exactly what’s going on. We meet border patrol officer “Mad Dog” Dixon (Gooding, Jr.) doing patrol in the hotbed of illegal immigration the Southwest. He comes across a group of illegals dead and has a run in with a citizen patrol which acts much like the Minutemen in the media today.

What can I say about Showtime’s huge hit, The L Word? If you don’t already know what this show is about, and I was surprised at the number of people I talked to who didn’t, then I’m pretty sure this isn’t the show for you. Remember the old days when you used to watch Sesame Street and each day the show would be brought to you by a letter and number of the day? Today this review is brought to you by the letter L and the number 5.

After 7 years JAG had pretty much settled in. It’s usually at this time that a show has to shake things up a bit or become somewhat stagnant. I think that JAG took the latter course. I have to believe that much of the creative talent was already working on the NCIS spin-off that was now 2 years away. The characters don’t appear to be taking any risks, and there is a little more of a return to the soap opera elements that began to fade away, making it a better show for some time.