Drama

To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching, and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do. Now that her secret is out, she’s not able to continue her work at the DA’s office. Joe’s career is also in jeopardy, so the show is going through some changes here. The strike likely did some damage, so we may never know exactly what was in store.

I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI: Miami is by far the inferior of these three shows. In trying to create a slick glitzy Miami feel, the show has gone the way of style over substance. While the oversaturated colors and bright locations might make for a more visually stunning series, it tends here to overshadow the meat and potatoes of CSI, the stories. I get the impression that the show wants badly to recreate the Miami Vice accomplishment of trend setting fashion and style. Those days are long gone, and CSI has an entirely contrary mission that is weakened weekly by this overboard attempt to look good. The show is also beginning to adopt the 24 style of multi frames for no other reason than they think it looks cool. The show doesn’t respect the audience enough to believe they will buy into the series without all of these high tech distractions. It’s a shame, really, because I had higher hopes for this version of CSI, as I happen to live in Florida. Unfortunately most of CSI: Miami is shot in L.A. with the exception of a few overused establishing shots. Let me tell you, L.A. doesn’t look anything like Miami. Perhaps the show should consider dropping all of the fake glitz and move to location where they can take advantage of the city in a far more realistic way.