Drama

 

The CSI phenomenon has been going strong for many years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style.

Shonda Rhimes had a big hit on her hands with Grey’s Anatomy, so after five years she did what comes naturally in her situation. You spin the success off in the hope that the fans just can’t get enough in just one night. At first it appeared to me she had chosen the wrong character to put out on her own. I mean, I never considered Kate Walsh as Addison to be one of the show’s more compelling characters. The show was presented as what the business calls an imbedded episode on Grey’s.

To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda.

It’s unfortunate that the writers’ strike interrupted the second season of Brothers & Sisters. I was looking forward to finding out if the writers were going to live up to the amazing on camera talent they had speaking their words. What I found was pretty much more of the same, and a quickly eroding patience with the series. I guess the writers had a little more on their mind this year. More’s the pity.

The Godfather films changed storytelling forever. Films before that time, mobster or otherwise, had some very simple but unshakable rules. There was always a fairly clear distinction between the good guys and the bad guys. The good guys always win in the end, and the bad guys always succumb to justice before the final credits. For perhaps the very first time, we were given characters that we knew in our souls were evil men. They killed. They broke laws. They manipulated everyone around them through fear and terrorism to bend to their wills. Somehow, now they are the film’s core heroes, if you will. When Vito is shot, we cheer for Michael, who discards his contempt for his family’s criminal image and comes to his father’s aid.

The character of Charlie Chan was created by writer Earl Derr Biggers in 1925 in the book A House Without A Key. He based the character on real life Honolulu detective Chang Apana. Like the fictional Chan, Apana was a detective of Chinese descent on the island. In the first three films, all based on Biggers novels, the character was played by three different actors. It wasn’t until 1933 that Warner Oland took the part in a long series of films that the character gained his worldwide fame. When Oland died in 1938 the series continued with actor Sidney Toler in the title role.

There are some significant changes in season 4. The interns now have interns of their own. It’s actually a little fresh to see them struggle with circumstances we only recently watched them deal with from the other perspective. All except George, who is forced to repeat after blowing off his final exam to help Izzie. There are also many cast changes. Gone are Washington and the baggage he carried with his gay bashing slur. Also gone is Kate Walsh, as her character has moved on to her own spin-off, Private Practice.

 

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Allison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows.

I love CSI and have been an avid fan from day one. I think it brought a fresh look to the procedural crime dramas that have long ago become just a little stale and predictable. The problem is that the series has gone the Dick Wolf route of branching out so that the final product might be a little diluted. Unlike the Law & Order franchise, each version of CSI has attempted to take on a unique look and style to reflect the location without giving up those elements which are the tradition of the series. CSI: Miami is by far the inferior of these three shows.

A mixture of biopic and musical, this vehicle stars Susan Hayward as Jane Froman, an incredibly popular singing star in the 40s who had to battle back from terrible wounds suffered in a plane crash after her first performance for American troops overseas during WWII. The film begins with Froman’s triumphant comeback, and flashes back to the events leading up to this. The pic is efficiently put together, and Hayward’s lip-synching (Froman dubbed in her own singing) is unusually convincing. But the crash itself is disappointingly undramatic.