Drama

Slow Burn delivers exactly what the title suggests. A whole lotta slow and a little burn. District Attorney Ford Cole (Liotta) is running for Mayor. He’s got a no nonsense reputation for fighting crime. He’s been locked in a near mortal struggle with crime lord Danny Luden, an elusive criminal who has more than once humiliated Cole in the past. His ace assistant, Nora Timmer (Blalock) has just shot a man she claims attempted to rape her. The story begins to unravel when Luther Pinks (LL Cool J) arrives with an alternate story that paints Timmer in a very bad light. The two tales are told through flashbacks and narrative, and it’s left to the audience to come up with the truth. The only problem is the pacing is erratic and often confusing. After an hour and a half of clichés and snail’s pace plot movement, you find yourself too fatigued to give a crap who is playing who anymore.

Director Peter Bogdanovich has a theory that you can make almost any movie better by cutting the first 20-minutes off of it. Exposition is intended to set-up the background of the characters for the audience, but it usually just ends up slowing things down until the conflict eventually arises. After watching Bug, I would be willing to accept Bogdanovich's argument, and double it.

Bug is the story of a down-on-her-luck waitress (Ashley Judd, doing her best impression of Charlize Theron from Monster) who lives in a cheap motel and works as a waitress in a honky tonk bar in Oklahoma. Her only friend comes by one night to party, and leaves a drifter behind when she leaves for the evening. The drifter turns out to be a pretty interesting character, though clearly of mysterious origins. The two form a quick bond, and as the drifter's pre-existing mental illness starts to present itself, the waitress buys in to his delusions, with disastrous results.

Usually a top young name combined with a recognizable name (or more accurately a recognizable body), brings a film that is somewhat underwhelming or even forgettable for all involved. In the case of Harsh Times, you’ve got Christian Bale, the latest Batman, and Eva Longoria, who stars in Desperate Housewives, appearing in a film about, well I’m not exactly sure.

Written and directed by David Ayer, Bale plays Jim, a former Army Ranger who is trying to find a job in law enforcement in Los Angeles. His friend Mike (Freddy Rodriguez, Lady in the Water) is trying to get a job in the city, but they spend large portions of their days drinking and getting high, while lying to Mike’s girlfriend Sylvia (Longoria) about his job search.

Animal 2 is a direct to video sequel to a direct to video original film. I never saw the first film, but I suspect that you’re brought up to date in this one through some of the dialog. Because I did not see the first, it will not be possible for me to make any comparisons. Obviously the only real reason for this film is to provide a vehicle for Ving Rhames and in that respect it works OK. The story has enough originality to it to make all the street gang and prison clichés bearable, but only minimally. The box art claims this is the “unrated” version, but since there was no theatrical release I have to ask, unrated as compared to what? There are tons of F bombs and N words, but they come mostly in the horrid hip hop soundtrack and less in the dialog, although there’s plenty of “plain talk” there as well. It’s a good thing these guys don’t have to play by the same rules as people like Imus do.

On January 23, 2002 Daniel Pearl, a reporter for the Wall Street Journal, was kidnapped and eventually killed by terrorists while working in Pakistan. A Mighty Heart is based on this true story. The narrative comes from the book of his wife Marianne Pearl. While this is certainly the tragic tale of a murdered reporter, this film is more the story of Marianne and her struggle to locate Pearl in the 10 days from his capture until a video tape surfaced depicting his beheading.

Medium was based on a real person with alleged psychic powers who apparently has helped out various law enforcement agencies in some actual cases. If you’ve seen the series, you might find that hard to believe, and the episodes are obviously fictional adventures and not based on the real Alison Dubois’s experiences. At first glance it might be easy to lump Medium in with Ghost Whisperer or The Dead Zone. Actually there are almost no similarities to any of those shows. Allison does not gain any understanding through touching and while she does see ghosts at times, that aspect of the show has been made to play in only a small percentage of the episodes. Allison accesses her powers through dreams. These nightmares are usually vague and often provide additional clues with each recurring dream. The formula for the show is that she must interpret these images and signs in time to do whatever it is she needs to do.She works as an assistant for the Phoenix District Attorney’s Office, but only the DA and one cop know how she comes across her tips.

The CSI phenomenon has been going strong for 8 years now, and CBS has ridden that wave to become the top network these past couple of years. It all started with the original CSI: Crime Scene Investigator. This Las Vegas show became an instant hit, and three years later we found ourselves in Miami for a spin-off. Two years after basking in the Florida sunshine, Jerry Bruckheimer caught lightning a third time; this time out New York would serve as the setting. While there are ties that bind the three shows to the CSI franchise, each show has a unique style. The cases also serve to distinguish the shows from one another. The leads for the three shows likely give the most character to the series. Gary Sinise as Detective Mac Taylor brings a strength that establishes this show’s credibility from episode one. Taylor is ex-military who lost his wife in the 9/11 attacks. He’s incredibly driven and passionate about bringing down the bad guys, but won’t allow his integrity or that of his lab to be compromised. Also the New York show differs from the original in that the CSI personnel are full fledged cops and not just lab rats working for them. I find I like this version far better than the Miami setting, even though I can relate more to the Florida locations essentially in my own back yard.

Until not very long ago this set was being billed as Jericho: The Complete Series. The show was originally cancelled and later revived through a fan campaign to save the show. It was never a ratings monster, and I must admit that I was never interested enough to watch it even once. Now the DVDs of that first season have arrived, and I’m given my first look at Jericho. My very first impression was that this show was very ambitious from the gate. Perhaps the show’s fatal flaw is that it attempts to tackle far too many serious issues, complete with complex undertones, with the largest ensemble cast I’ve seen yet. Add this to the fact that the world is still a little sensitive to terrorist attacks, and you have a recipe for keeping your audience relatively small. None of these things are bad elements in and among themselves, and I’m certainly not suggesting that these issues need to be abandoned. I’ve been a high school teacher, and one thing any of us can tell you is that there’s only so much a person can absorb in a given amount of time. What little enjoyment I did get out of these DVDs I likely would have lost if I also were contending with 20 minutes of mindless commercials to further distract my concentration. The series offers a lot of fear and panic with precious few moments of hope.

Sometimes films sport an ensemble cast with intertwining storylines that have large aspirations. The films wind up being acclaimed on several different levels and are memorable in the long term. In previous outings, this technique is usually mastered by the late Robert Altman, but when it’s not remotely successful, it becomes self-indulgent and overly pretentious.

Take the case of Even Money. Written by Robert Tannen in his screenwriting debut and directed by Mark Rydell (On Golden Pond), the film covers the lives of several different people. Carol (Kim Basinger, L.A. Confidential) is married to Tom (Ray Liotta, Goodfellas). She’s a writer suffering through a block while Tom works as a teacher. Clyde (Forest Whitaker, The Last King of Scotland) works hard as a plumber while his younger brother Godfrey is a star basketball player (Nick Cannon in a “one of these things is not like the other” role). Walter (Danny DeVito, Hoffa) is an aspiring magician who tries to get closer to an old mysterious businessman named Ivan, but only gets as far as a man named Victor (Tim Roth, Pulp Fiction). There’s even a doctor (Carla Gugino, Sin City) who is dating the muscle for a bookie. I give the last part of this away a little bit, as all the characters and their storylines involve gambling in one form or another.

To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.