Posted in: Disc Reviews by Archive Authors on September 18th, 2007
As any respectable history professor will tell you, if you want to learn about our past you should watch Hollywood historical fiction. That explains why MGM’s College Essentials: History 101 features Platoon – Special Edition, Windtalkers and Dances With Wolves. All three are clearly excellent examples of thoroughly accurate representations of historical conflicts, right?
Alright, so maybe educational impact isn’t the intention here. This is just MGM’s way of unloading some sub-par discs on unsuspecting buyers. What’s wrong with getting three movies for the price of one, you ask? Nothing. Unless one disc is out-dated and the other two should be incinerated by a giant laser.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2007
There have certainly been more interesting family business shows on television over the years, so the premise for Brothers & Sisters is anything but original. Both
Posted in: Disc Reviews by Archive Authors on September 14th, 2007
One of the handful of films deemed extra special in 2006, Babel had lofty intentions, a lot of hype and plenty of Oscar nominations. And yet, while the film was well directed and very well acted, it falls well short of its reputation. In fact, Babel fails to create a real impact, unless you count the utter depression one experiences while watching it.
Still, the film has lots of fans willing to call it one of the best of 2006. Those folks will be happy to add Babel: 2-disc Collector's Edition to their own collections. That is, unless they already picked up the single-disc version released back in February. Is this double-dip good enough to say, "out with the old, in with the new?" Read on to find out.
Posted in: Disc Reviews by David Annandale on September 13th, 2007
The film that arguably more than any other put director Alfonso Cuarón and actor Gael García Bernal on the map, Y Tu Mamá También is a smart, funny, extremely erotic tale of two young friends travelling across Mexico in the company of an older, sexually experienced woman. It’s a great film. But this isn’t the DVD you should watch to appreciate it. In this day and age of a veritable deluge of discs boasting unrated versions of their theatrical release, what, pray tell, is the point of an R rated DVD butchering of a unrated theatrical release? Fully six minutes are missing. The 100 that remain are, of course, excellent, but what is here is not the director’s vision. There is terrible irony in box boasting a blurb that exults in how “unafraid of sexuality” the movie is, when the DVD is clearly terrified.
Posted in: Disc Reviews by Gino Sassani on September 6th, 2007
This was my first ever exposure to Grey’s Anatomy. Certainly I’ve followed the buzz the show has generated with its multiple awards and the feuding between two of the show’s actors. My first impression was not altogether a very good one. You see, season three begins with the aftermath of an obviously big ending from the previous year. From what I can gather, a character died and it left a void for a couple of the characters. I immediately began to feel like an outsider, a feeling I wasn’t very comfortable with. Fortunately, before I could give up feeling frustrated and hounded by an impending review deadline, something quite remarkable happened. Simply stated, I didn’t stop watching. In that moment of hesitation, I began to catch a glimpse of what everybody’s been going on about.
Posted in: Disc Reviews by Archive Authors on August 30th, 2007
1998 marked an interesting time for the career of Robin Williams. The previous year he stared in his Oscar Winning Role via Gus Van Sant’s Good Will Hunting, which was a somewhat rare role for Williams as it showcased his dramatic side. Obviously hoping for similar success, Williams followed that excellent role with another role that, at some points, finds itself just as good as his performance in Hunting.
Posted in: Disc Reviews by Archive Authors on August 22nd, 2007
Written by Evan Braun
I'll admit it: I'm confused. JAG was on television for an long time, 10 seasons in fact, which puts it in the company of a lot of truly remarkable shows. The current popularity of serialization probably accentuates the challenge, but it seems especially difficult for good dramas these days to make it into the double-digits.
So imagine my surprise when I found out that even bad dramas can achieve the impossible, given the right set of circumstances.
Posted in: Disc Reviews by Archive Authors on August 14th, 2007
Written by Evan Braun
I came to the second season of The Closer with an interesting piece of baggage: I hadn't seen the first season. And still haven't. Seeing as I'm a bit of a completionist, this was initially driving me nuts. That said, by the time I finally gave the show a chance, I felt like I'd been in it my whole life.
The show's premise is simple. Every police department hopes for one thing when working cases, and that's a confession. To get one, you need somebody you can elicit it from a suspect, usually in an interview, and close the case before it ever goes to a courtroom.
Posted in: Disc Reviews by Gino Sassani on August 14th, 2007
In the advertisements we are promised a thrilling heist film. I’m happy to report that those promises were quite wrong. The heist is pretty lame and never keeps up with the many superior attempts. Honestly, we’ve had too many of these multiple twist heist films, culminating in the Ocean franchise which went two films too long. Instead, what we get here is something far better. The Lookout is a compelling character study brought off entirely by a sweet performance by the lead. Who would have believed that Joseph Gordon-Levitt, the dweeb kid from 3rd Rock From The Sun, had pretty nice acting chops?
Posted in: Disc Reviews by David Annandale on August 13th, 2007
Mads Mikkelsen, whom we last saw taking a rope to James Bond’s family jewels, is here up to a far more praiseworthy activity: helping run a school for orphans in an impoverished region of India. The school is struggling to survive, and when a Danish businessman expresses an interest in providing stable funding, but only if Mikkelsen comes to Denmark for a meeting, the latter is reluctantly persuaded to leave India for the encounter. At said meeting, the tycoon (Rolf Lassgard) casually (it seems) invites Mikkelsen to his daughter’s wedding. Mikkelsen accepts, and at that wedding receives quite a shock. Lassgard, it turns out, has a very personal secret agenda at work.
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