Posted in: Disc Reviews by David Annandale on August 9th, 2007
Logan (Malcolm Stumpf) is a lonely 13-year-old whose experience of junior high, already hellish, is made exponentially worse by his emerging homosexual identity. Smitten with Rodeo, an older rebel who is one of the only other students to spend time with him, Logan adopts the female identity of “Leah†which he uses to seduce Rodeo over the phone, hoping to make his daydream a reality. Meanwhile, he identifies strongly with the mountain lions that have begun straying onto the campus and being shot.
The film is exec-produced by Gus Van Sant, and writer/editor/producer/director Cam Archer wears the influence of his mentor on his sleeve. There is too much precious cinematographical poetry and too many preposterously literal metaphors here, getting in the way of moments that, at other times, offer the possibility of an acutely sensitive look into the torment of early adolescence. As a result, the film is merely acutely sensitive – in way that invites an atomic wedgie.
Posted in: Disc Reviews by Archive Authors on August 9th, 2007
There must be very few people out there who haven’t seen Taxi Driver or at the very least muttered the words, “you talking to me?†Regardless, this thirty year old film is easily a classic, and still on the top of many critics lists. It marked the blooming of an epic and ongoing relationship between Robert DeNiro and Martin Scorsese, the spawn of Jodie Foster’s career and arguably Harvey Keitel’s as well. At any rate Taxi Driver managed to receive four Academy award nominations as well as gaining a huge cult following. I don’t think it’s a surprise that I’ve already seen and love this movie, but how does the newly released DVD pan out?
Travis Bickle (Robert DeNiro, Heat) is an ex-marine who had recently fought in the Vietnam War. He has since developed several psychological disabilities as showcased throughout the movie including insomnia, obsession, and depression. He works as a nighttime taxi driver and spends his sleepless days in pornography movie theatres or watching presidential aide Betsy (Cybill Shepherd, Alice). He finally garners the courage to approach Betsy and ask her on a date, initially she in intrigued by Travis, but after he takes her on a date to a pornographic film she ditches him and takes a cab home. This acts as a catalyst for Travis’ depression and increasingly paranoid and delusional behavior. He begins having vigilante fantasies and acquires several handguns. One night a 12 year prostitute named Iris (Jodie Foster, Silence of the Lambs) jumps in to his cab trying to escape a beating from her pimp. Travis has a moment of realization about the decaying world around him. From here he begins toying with the notion of killing Senator Charles Palatine and Iris’ pimp (Harvey Keitel, Reservoir Dogs).
Posted in: Disc Reviews by Michael Durr on August 6th, 2007
In the United States, we tend to take for granted; influences. In the case of movies, we take certain film styles for granted. We just figure that they always existed. Doesn't really matter where they came from, we just know we like that style of movie; over and over and over again. Enter Hard Boiled, a 1992 film directed by John Woo. This featured Chow Yun-Fat as Tequila, a hard nosed cop who is on a quest to derail an arms smuggling ring that has both cops and innocent civilians dead in its wake. The movie also featured Tony Leung as Alan, an undercover cop who is in deep cover as a Triad hitman who tries desperately to keep his sanity and protect his true identity. But what set Hard Boiled apart from other films and that was duplicated time and time again was over the top action and no-nonsense gunplay. In the first five minutes alone with the teahouse scene, you see more dead bodies fly across the screen than most action movies deliver in a couple of hours. But it wasn't just dead bodies, you can rent George Romero Dead movies if you want to see lifeless bodies. It was the style, you had the imagery of three guns emptying from the bottom of a birdcage, Tequila jumping in the air and killing two gangsters with a gun in each hand; and sliding down a staircase with such grace. This would continue in other scenes where similar heroics would come into play. For over two hours, your breath would escape you and somehow return by the final bell.
Hard Boiled was a film that made no apologies and has only amassed popularity as time goes on. The term cult classic would be more of an insult to the film as it has gone beyond that premise. In addition to two fine leading roles, the film included many popular supporting roles; primarily on the villains' side. Anthony Wong played the devious Johnny Wong, a character that had no morals and whose only real mission was to control the arms smuggling ring of China and get all the money in the process. Phillip Kwok (also known as Cheung Jue-Luh) played the role of Mad Dog (or One-Eye), the action counterpart to Wong's character as he enforced what Johnny didn't want to dirty his hands on. These characters developed a chemistry that produced memorable dialog with and without words. This was especially true when it came to the characters of Tequila and Alan once they get on-screen together. It was a flow of actions and reactions that had you enthralled for every last phrase that was used. The film's only negative would be the scenes where they decide to spend an inordinate amount of time surrounding getting the infants to safety. Once you dive into the extras on Disc Two, you start understanding that the babies actually were to be the main plot point or original concept of the film. So as a result they contributed to a major scene. The movie is still a masterpiece even with that small discordance with its amazing action and a hard running story that lead to be an influence of many future Asian and American action movies.
Posted in: Disc Reviews by Archive Authors on August 3rd, 2007
Monty (Idris Elba, 28 Weeks Later) is a father struggling for custody of his three children. This has become of utmost importance to him especially since his ex wife is involved with a local drug dealer. He enlists the help of attorney Julia (Gabriel Union, Bad Boys 2) to get his children back. Of course sparks begin to fly between the two, and the children seem to take the backseat. I’ve seen this type of movie way too many times before, and I would be completely content if I didn’t have to again.
It’s a good thing I had no expectations of this one going into it, because otherwise I would have ended up being extremely disappointed. This movie is poorly played out, albeit pretty realistic in some aspects. But regardless I’m getting tired of these day to day struggle movies, they all end the same way, don’t expect anything different here. The acting in this movie was rather disappointing as well, including the one facial expression we are graced with from Gabriel Union throughout. The movie started off as a struggle for a man to get his kids back, but ended up being another horrific and predictable romance. But if you’re into these emotional types of movies about the struggle of Joe everyman, you might find this one worthwhile checking out.
Posted in: Disc Reviews by Archive Authors on August 2nd, 2007
The War tells the story of newly returned Vietnam soldier Stephen Simmons (Kevin Costner). Steve is the father of Stu (Elijah Woods) and Lidia (Lexi Randall) and wants nothing more than to show them the meaning of life and what it (really what HE) can provide them. The only problem is that Steve isn’t getting the adequate funds a soldier should receive. Bouncing from job to job because of his mental history (he’s had numerous flashbacks to the war), the family struggles daily to survive. The children seem to be mixed on their father with Stu loving him, but Lidia calling him a loser.
What the Simmons family doesn’t realize is that soon a simple, old tree house will bring them closer than any of them have ever been.
Posted in: Disc Reviews by Archive Authors on August 1st, 2007
Tyler Perry, best known for Madea's Family Reunion, is responsible for yet another film in Lionsgate's line of movies about nice black people. In Daddy's Little Girls, the writer-director explores the conflict between the ghetto-class African Americans we've seen so much of in films and the black middle- and upper-class we haven't. While this aspect of the conflict is relatively fresh in cinema, what the premise really boils down to is an age-old tale of love between princess and pauper.
When his mother-in-law passes away, Monty (Idris Elba, The Gospel) is forced to take care of his three daughters full-time. While he loves them and has been supporting them faithfully their whole lives, Monty is also struggling financially and the burden may prove too much. The mother of his kids, Jennifer (Tasha Smith, The Whole Ten Yards), has been absent for years, preferring to live it up with her drug-dealer boyfriend, Joe (Gary Sturgis, Pride).
Posted in: Disc Reviews by Archive Authors on July 29th, 2007
I’ve been in this run lately where I’ve seen quite a bit of Brad Pitt’s dramatic work from his earlier days, before he decided to funk himself up (and earn the respect of young males everywhere with Fight Club), and in the sprawling film Meet Joe Black, he tackles a different take on a character with a respected cast and crew behind him.
The film is a remake of the 1934 film Death Takes a Holiday and this version was adapted by a cast of hundreds (well, four actually), and directed by Martin Brest, who was directing his first him after 1992’s Scent of a Woman. In this, Bill Parrish (Anthony Hopkins, The Silence of the Lambs) is a successful communications mogul about to celebrate his 65th birthday. He has two daughters in Allison (Marcia Gay Harden, Pollock) and Susan (Claire Forlani, Mallrats) and quite frankly couldn’t ask for more. However things change when one morning he has sharp chest pains, as if he’s having a heart attack, but he pulls through it. That night at dinner, he is greeted by a guest, a strapping young man (in the form of Pitt) who tells him that he’s the grim reaper, Death himself. He tells Bill that he would like to spend some time with him before taking him, and if Bill tells anyone who he is, he’ll take him beforehand.
Posted in: Disc Reviews by Archive Authors on July 27th, 2007
With a cast that includes several well known actors, I couldn't believe that I hadn't heard of this movie prior to reviewing it. This really didn't worry me however, because in the past I’ve always enjoyed low budget Indy films. So how does Played stack up?
Played dissects the lives of players in the London underground ring of crime, from the hustlers to the crooked cops. After an elaborate heist goes all wrong small time thief Ray Burns takes the fall and is sentenced to eight years in prison. He keeps his mouth shut and does his time with only one thing on his mind, revenge. As he hits the streets he finds out that the scam goes above and beyond what he expected and the true players become revealed. At certain points it seems like everyone is playing everyone and it really keeps you on the edge of your seat.
Posted in: Disc Reviews by Archive Authors on July 27th, 2007
Some of you may know John Grisham as a politician or an attorney but that’s not very likely. Like me you probably know him as an author of some of the best legal/crime fiction novels. His works have made their way to the big screen several times including; The Firm, Runaway Jury, A Time To Kill, The Client, and of course The Rainmaker. Although it’s been quite a while since I’ve seen any of the aforementioned films I do remember them all being rather good, I just hope The Rainmaker can live up to what I remember.
Rudy Baylor (Matt Damon, The Bourne Identity) has recently graduated from the University of Memphis Law School, but can’t nail a well paying job. Eventually he resorts to something that goes against his principles and becomes an associate to J. Lyman “Bruiser†Stone (Mickey Rourke, Sin City), a cutthroat and successful ambulance chaser. On the brink of bankruptcy things aren’t looking very promising for Rudy, especially once his employer’s office is raided by the FBI. Nonetheless Rudy decides to stay on a case he had just accepted and enlists the help of associate Deck Shifflet (Danny DeVito, Twins). Although Deck has failed his bar exam multiple times he has experience working with insurance companies and excels at information gathering.
Posted in: Disc Reviews by David Annandale on July 16th, 2007
Synopsis
Dustin Hoffman plays Max Dembo, a burglar out on parole after serving six years. He initially makes a committed effort to reintegrate into society, getting a nowhere job in a can factory and dating placement agent Theresa Russell. But when parole officer M. Emmet Walsh unfairly targets him, Hoffman gives it up and returns to a life of crime, his violent and self-destructive urges making a bad situation that much worse.