Drama

Terminally naive and beautiful Noelle Page (Marie-France Pisier) is abused and conned by every man she meets. In 1939 Paris, penniless and at the end of her tether, she meets American pilot Larry Douglas (John Beck, looking more like a 70s porn star than a 40s air force pilot). A great romance begins, but then duty calls him away. He promises to find her again in three weeks, but he never shows up. Noelle discovers that she is pregnant, and then finds out Larry is a terminal womanizer.

49th Parallel is a film that I had heard mentioned in passing on occasion, but never really had any practical knowledge of until now. Having now seen the film for myself, I find it to be one of those rare productions that only Criterion seems to be able to find. This is something that I would have never dreamed existed. While the idea of war films told from the Axis point of view are almost commonplace today, such a thing was practically unheard of in 1941, with the United States on the brink of entering World...

The lines between news and entertainment, documentary and fiction continue to fade every day. It's a dangerous trend, as people have begun to believe the fiction, and ignore the facts. This film seems to make that line disappear altogether. The movie is based on a bestselling book of the same name, written by Eric Schlosser. The book is a fascinating investigation of the fast food and meat packing industries in the United States that has really shed some light on this often-overlooked dark secret of the dining indust...

On its surface, Coastlines is a modestly produced film that was written and directed by Victor Nunez (Ulee's Gold), telling the story about a guy who was just released from prison for dealing drugs, but bites the prison bullet for the favor of a friend. He comes out and is looking for the financial windfall promised him, but also tries to get back in touch with his roots. On a deeper level, Coastlines, well, doesn't go that much deeper I guess.

I don't mean for this to be a joke, but when Paul Mooney recently said that he was glad that Hispanics got their (and I'm paraphrasing here) "African-American wake up call" in the midst of the illegal immigration debate of 2006, the problem wasn't whether or not the Hispanics were being treated fairly or not. The problem was that this discussion has been going on in some manner or fashion for almost four decades now without a large-scale epiphany that required action. However back in 1968, there was some action (which led to the coordinated efforts of students to walk out of their classes in Los Angeles High schools as a protest of the conditions there), and Walkout helps to tell the tale.

The return of the historical epic hit Hollywood hard in 2005/2006. Troy, Kingdom of Heaven, King Arthur and the two Colin Farrell vehicles, The New World and Alexander, all hit theaters pretty close to each other... and all flopped. The basic complaint was the same about all these films; they were too long, the pace was too slow and they were hard to follow. As much as these huge pictures cost, the studios quickly looked to the DVD cash cow to try to recoup some of the production co...

If you've seen any of Terry Gilliam's other films, you can probably guess that this one is pretty bizarre. Based on the novel of the same name by Mitch Cullen, Tideland is an eccentric, grotesque and imaginative tale of a child's resilience.

I'm going to say right off the top, I wanted to like Tideland, and for two reasons. One, Gilliam has made some incredible films in his career, from Monty Python and the Holy Grail to Twelve Monkeys and Fear and Loathing in Las Vegas.

As I right this review, the date is February 24th, 2007 one day before the Annual Academy Award Ceremony, which is a show that this film is nominated in the Best Picture category for. Numerous other reviewers, whether they're critical or simply just internet journalists like myself, have labeled this one as this year's Crash. A statement like that made me worry going into this one because simply put Crash isn't Best Picture material nor is it even close to Best Picture material. While I haven't seen every other Best Picture nominee, I wouldn't completely mind if the Academy did award Babel with the Oscar.

An epic is defined as an artistic work that celebrates the feats of a legendary figure. The film Cleopatra actually deals with many such figures, the title character being merely one of them. The truth is the film was never really about the Egyptian queen as much as it was about Rome and its relationship with Egypt.. Of course, Elizabeth Taylor's portrayal has achieved something of a classic status that is not completely deserved. Much has been made of the Richard Burton and Elizabeth Taylor pairing in this film.

We are in Haiti during the late 1970's, under the brutal dictatorship of Pap Doc Duvalier. At a beach resort, we meet three middle-aged women engaged in what amounts to sex tourism. Charlotte Rampling is Ellen, an imperious ex-pat British professor; Karen Young is Brenda, a psychologically fragile American divorcee; and Louise Portal is Sue, an earthy warehouse manager from Montreal. Disillusioned by their romantic prospects back home, they revel in the (paid) sexual attentions of handsome young Haitians, most notably Legba (Ménothy César), with whom both Rampling and Young are in love.