Posted in: Disc Reviews by Archive Authors on December 18th, 2005
Synopsis
In Akira Kurosawa’s later years, it was almost criminal that a director with his resume was forced to practically beg for financing. Kurosawa was in the midst of a career drought, having made only two movies in almost 15 years with Dersu Uzala and Dodesukaden. This coming after a run of films that has proved influential to even today’s filmmakers. While Kurosawa did have to obtain foreign financing for his movies in later years, Francis Ford Coppola and George Lucas, both of whom cite...
Posted in: Disc Reviews by Archive Authors on December 17th, 2005
Pickpocket is precisely the kind of film that could never have been made in Hollywood in the 50's. The Hays Code was a set of morality guidelines that dictated what was and was not acceptable to be shown in motion pictures. Amongst many other things, the code would not allow a criminal to be depicted on screen in such a way as to induce sympathy from the audience. It also said that criminals must always be punished for their actions. (For a complete copy of the code, visit http://www.artsreformation.com/a...
Posted in: Disc Reviews by Archive Authors on December 14th, 2005
Let’s face it. Hollywood isn’t taking enough chances these days. In the era of film franchises, sequels and remakes, Hollywood has become too predictable, leading to mediocre reviews for most big releases and even worse box office returns. Many film goers have looked to independent and foreign films to challenge them, and for good reason. Foreign films march to the beat of their own drum, use complex themes and imagery to tell their story, and they usually keep you guessing until the very end. The same can be said f...
Posted in: Disc Reviews by Archive Authors on December 5th, 2005
Titus De Voogdt, Delfine Bafort, and Johan Heldenbergh head a mostly forgettable cast, which tends to fall so far into the background, you'll often forget more than just three actors are in Steve + Sky... and for what it's worth, I believe this stems more from the supporting cast's lack of charisma than it does from any real star power the three headliners bring to the table. The film is more of an inciting situation which throws Steve and Sky together, followed by randomly pointless character bits, which stil...
Posted in: Disc Reviews by Archive Authors on November 19th, 2005
Phone director Byeong-ki Ahn admits he wanted to take the premise of Ringu and incorporate cell phones as the primary transmitter of terror instead of VHS tapes. (Just when these vengeful spirits will make the jump to DVD is uncertain -- and when they do, will it be Blu-Ray or… oh, I’ll save it for another time.) Anyway, he puts together an impressive-looking package with this horror tale, but unfortunately, the film itself falls flat on the wings of derivative, copycat storytelling.
Ji-Won H...
Posted in: Disc Reviews by Archive Authors on October 24th, 2005
It is always a shame when unknown filmmakers take a page fromthe popular filmmaking techniques of the day. For this film, the model is part Run Lola Run, part Bend it Like Beckham. The similarities to Lola are plentiful, complete with the rapid still-frame snapshots that were that film's trademark. The plot is Beckham-esque, featuring a small-town soccer team, a new star player, and love.
This film is the very definition of “low budget”. It seems to me that if you are going to have...
Posted in: Disc Reviews by Archive Authors on October 19th, 2005
Criterion doesn't put out too many box sets, so you know that when they do, it is really going to be something special. Their Brazil set is a benchmark release that all other single-film, multiple-disc sets are measured against. The Wrong Men & Notorious Women – Five Hitchcock Thrillers set is a brilliantly-themed way to showcase five of the director's most devious films. They have taken that same approach with Rebel Samurai – Sixties Swordplay Classics. The four films in this set, Samurai Re...
Posted in: Disc Reviews by Archive Authors on October 19th, 2005
In an odd sort of way, Samurai Spy has the feel of one of the Sean Connery Bond films. The plot seems to be more convoluted than it really needs to be, and there are many scenes that show a character quiet and alone, as they discover a new piece of the plot puzzle for themselves. I would say that parts of the film could be a bit too complex for some American audiences to follow, as so much of the story is driven by Japanese character and clan names. It seems that Criterion anticipated this problem, as they hav...
Posted in: Disc Reviews by Archive Authors on October 18th, 2005
First and foremost, it is important to note that this is a large, “A” list film. While many samurai movies are low budget stories, everything about this beautiful film is first rate. As you can see by the two hour running time, the story comes first in this piece, with the swordplay coming in later, merely to serve the story.
And an important story it is. In 1967, World War II was still fresh in the minds of many Japanese citizens. These people, who had never questioned authority in thousands of years, had j...
Posted in: Disc Reviews by Archive Authors on October 15th, 2005
Kill! plays like something of a dark spaghetti western comedy. Honestly, how many times have you heard that line before? A warrior with no master wanders into a ghost town, tired and hungry, to find the only restaurateur in town dead. As he begins to contemplate where he will find his next meal, a farmer wonders into town under similar circumstances. The two form a loose partnership as they discover that they have placed themselves in the middle of a standoff between the local samurai and yakuza clans. As they...
