Posted in: Disc Reviews by Gino Sassani on September 11th, 2009
“For those of you just joining us: What you are looking at is the work of ZFT, a terrorist organization responsible for at least a half a dozen biological attacks over the last several months. Everything we know thus far can be found in your packets (or Blu-rays), including a copy of their manifesto which elucidates their ideology and their methods. Which boils down to the following: Attempting to provoke or prepare for a war. With who? That’s the question, isn’t it? What we do know is that these bizarre acts seem to be increasing in frequency and that their targets are unpredictable and therefore unprotectable. Those of you assembled in this room now have a clear-cut goal…”
That goal is to rush out and pick up the high definition, Blu-ray release of the first season of JJ Abrams latest television enigma
Posted in: Disc Reviews by Archive Authors on September 1st, 2009
Already languishing in the $6.99 bin at my local Blockbuster, and with dismal reviews on its release, my hopes for The Haunting of Molly Hartley were not high. However, after viewing the DVD I can safely report that the movie falls firmly into the ‘not anywhere as awful as I thought it was going to be’ category.
Posted in: Disc Reviews by Gino Sassani on August 31st, 2009
If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to The Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around.
Posted in: Disc Reviews by David Annandale on August 10th, 2009
After an opening, fragmentary montage of a traffic accident, we encounter Melvin Devereux (John Savage), standing in front of his father's grave, making a few cynical remarks apparently in the wake of dad's funeral. Then, after a strange conversation with a mysterious woman (Sandi Schultz), Devereux begins to make his way home. But his route is blocked by one obstacle after another, and his journey becomes ever longer and ever more frustrating as he drives down the empty roads of the Louisiana countryside. He is then plagued by a hearse, which will not let him overtake, and that turns up wherever he goes. Soon he becomes obsessed with catching the hearse, after seeing his name on the coffin inside.
Posted in: Disc Reviews by David Annandale on August 9th, 2009
Dr. Stephen Arrowsmith is a haughty scientist who sees himself above such petty concerns as ethics. He has married his wife Muriel (Barbara Steele) for her money, and when he catches her in the arms of one of the servants (Rik Battaglia), he tortures and kills them both, cuts out their hearts, and uses their blood to create an elixir of youth for the maid/co-conspirator Solange (Helga Liné). He then marries the psychologically fragile Jenny (Steele again, now blonde), Muriel's heiress, planning to drive her insane and take control of the his dead wife's fortune. Sure enough, Jenny starts seeing things, but the ghosts she is seeing are real.
Posted in: Disc Reviews by David Annandale on August 1st, 2009
In 2007, the Pang Brothers, whose The Eye was one of the spookiest ghost stories of recent memory, made their North American debut with The Messengers, a disappointingly ordinary tale of a haunted farm. Nobody asked for a sequel, to my knowledge, but here it is, apparently closer to writer Todd Farmer's original story than the first film.
Posted in: No Huddle Reviews by Archive Authors on July 23rd, 2009
According to the Chinese calendar, during the seventh month of every year vengeful spirits are allowed to break free from hell and mix it up with mortals. Throughout this month, there are precautions that need to be taken in order to avoid any terrifying contact with these demons. It is during this month, that housekeeper Alyssa (Marina Resa) decides to take a job at a wealthy Chinese family’s home in the desert and the thrills begin.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2009
“Out here the rules are different.”
Corporate retreats have come a long way from the closed door seminars where you’re asked to fall backwards and trust your colleagues to catch you. Well… the backwards part still applies, but here that describes the locals at the isolated camp where 8 hapless video game company executives are planning a weekend of paintball and bonding. These locals are straight out of Deliverance. (Insert your favorite banjo lick here.)
Posted in: Disc Reviews by Gino Sassani on June 24th, 2009
“Just because our parents keep telling us that Jason was only a legend, doesn’t mean it wasn’t true. What if he did come back here looking for the camp counselor that caused him to drown as a boy, searching for the one that decapitated his vengeful mother? And you do know what today’s date is, don’t you?...Happy Friday the 13th.”
Legend or not, Jason’s back in the 6th Friday the 13th film, and he’s out for more blood than ever before. Filmed under the fake name of Aladdin’s Sane, in an overt tribute to director Tom McLoughlin’s favorite musician, David Bowie, the new film was a return to the franchise’s more established roots.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2009
We were all told that the fourth film in the Friday The 13th series was going to be the last. From the cast and crew to the studio execs it was official: Jason was dead and gone. Time to move on. But it took less than a year for a new chapter to be tacked on to that final one. The fifth entry into the franchise would contain one of the more limited budgets. But it wasn’t the budget cuts that has made this one of the most highly criticized films of the series. It’s the total disregard for the tradition of the films and the poor choices that were made in making this film.
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