Horror

This time it’s a quad of whitewater rafters looking for some high adrenalin action. It doesn’t take long before they’re introduced to our favorite clan of cannibals and their arrows. This one doesn’t waste any time with a setup. You know what that title represents, and the filmmakers decide to give you what you want with no delay. Okay. Actually the raft trip IS the setup here. As the rafters escape into the woods, we just know they’re going to run into those snares and traps. And there you won’t be disappointed. This time a guy gets sectioned into three parts. As Kimberly Caldwell was beside herself in two sections for the second film, I can’t wait to see the setup by the time they get to entries 7 or 8.

The real meat, pun intended, of the film begins in a West Virginia prison compound. There’s about to be a high profile prisoner transferred to another facility. Because they fear his “boys” on the outside, they decide to do the transfer a week early with a U.S. Marshall undercover as one of the moved prisoners. You and I already knew that it’s not the mob guys they needed to concern themselves with. It’s no big spoiler to reveal that the bus doesn’t make it to the next stop. The Clan crashes the bus, and before you can say Deliverance, it’s the cons versus the cannibals with a couple of the good guys in the middle. Sounds like a perfect Wrong Turn sandwich, doesn’t it?

“It’s the end of the world. Society is in chaos. Government’s no longer in control. The world has been devastated by a catastrophic disaster, but you’re still alive. Overnight, you’ve been thrown back into the Stone Age. Modern conveniences are a thing of the past. Would you have the guts to survive? Welcome to the Apocalypse. Over the next 5 days contestants will be put to the ultimate test. These 6 contestants have been thrown together in a devastated wasteland with only the clothes on their backs and the will to survive. Rain or shine, in 5 days only one will be alive.”

At least they got the last part right. That’s the premise of the new reality show Ultimate Survivalist. Reality star Kimberly Caldwell is racing to join the cast of the new pilot. She’s complaining to her agent on the cell phone that she’d rather have some better parts. She should know better than to talk and drive. She runs over a pedestrian. As she stops to check on the unfortunate soul, she soon discovers this is no ordinary pedestrian. He’s one of that lovable cannibal clan from the first Wrong Turn film. Before long Kimberly gets her wish. She ends up in two parts, literally. Make that 5 contestants.

“I am William Castle, the director of the motion picture you are about to see. I feel obligated to warn you that some of the sensations, some of the physical reactions which the actors on the screen will feel will also be experienced for the first time in motion picture history, by certain members of this audience. I say certain members because some people are more sensitive than others. These unfortunate sensitive people will, at times, feel a strange tingling sensation. Others will feel it less strongly…”

We just couldn’t have a month long celebration of horror films and not mention William Castle. Sony has now given us an excuse to feature him in our “31 Nights Of Terror”. Somehow, I think Castle would be loving a promotion like this one. Somewhere Castle is nodding his head in approval.

I guess they didn’t tell the producer and director of Wrong Turn that an official remake of the Texas Chainsaw Massacre would be gracing the screens in October of 2003. This movie borrows very heavily from the horror classic in terms of the setup, the killers, and the level of gore. Now that being said, this is an above average horror film with excellent makeup and special effects delivered by one of Hollywood’s greatest – Stan Winston, and a good performance by Buffy and Angel regular Eliza Dushku (although it is kind of weird seeing her scream and run away from villains that would be considered lightweights in the Buffy and Angel universe).

The film follows the ill-fated decision by the main characters to drive on a seldom used dirt road to avoid a lengthy delay on the interstate. Once they discover that a barbed wire trap laid in the middle of the deserted road has incapacitated their cars, four of the group of six leave the vehicles to find help. Well, you don’t have to think too hard to guess what happens next – our two remaining young people are the first to encounter the chromosomally challenged inbred hillbilly cannibal killers. Enter the first of many Hollywood horror clichés that are used in this film. The second cliché happens upon the viewer quickly thereafter as our remaining four young people come across the dilapidated home of the aforementioned chromosomally challenged inbred hillbilly cannibal killers. They first investigate the shack only to find a collection of various items that have been left by the previous victims of the inbred family, and upon further searching then find the remains of the victims on plates, in jars, and of course in the refrigerator. As this grisly find is made, the hillbilly three return home for an early lunch, while our heroes scramble to hide and not become dessert. Of course they are discovered as they make their escape (cliché #3) and spend the rest of the movie being chased, culminating in a showdown back at hillbilly central.

“In 1975 The Rockefeller Commission was appointed to investigate covert mind-control programs conducted by the CIA in the 1950’s and 60’s. These programs were known as Project MK-ULTRA. By the time of the investigation, documents relating to MK-ULTRA programs were destroyed. With out these documents, it was impossible to verify whether the MK-ULTRA program had in fact been discontinued.”

You can guess how the film intends to answer that question, can’t you?

Cheesy horror-fests can often be cringe worthy. Take a couple of actors, have a few supporting ones that die and put them in a plot where either they face some giant disgusting creature, a ridiculous serial killer or a lot of little pests. The heroes no matter how bumbling they might be somehow come out with the victory and the rest is cinema magic. We received one such movie with the title: Infestation. Maybe this would be the one that is a little better than the rest?

Cooper (played by Chris Marquette) is a slacker. He goes through life just making from one day to the next. He works at a local call center where he is always late and in the middle of obnoxious games. Today, he is late as usual and tries to make it seem like he is working to no avail. It just so happens he is called into his bosses' office. As the boss, Maureen (played by Deborah Geffner) looks like she is about to fire the young employee, a loud screeching sound is made. People cover their ears and everything goes to black.

A mysterious figure digs up the shattered remains of an android in the desert wastes of a very grim, polluted future. The man brings the head and hand in for barter, and they are picked by Hard Moe Baxter (Dylan McDermott, in a role that nicely deconstructs Mad Max). Moe takes the hardware back to the flat of his artist girlfriend (Stacey Travis), who incorporates the pieces into a sculpture. Unfortunately, these remains are part of the M.A.R.K. 13 military droid, and when Moe absents himself, the robot reactivates and goes on the rampage.

If Santa’s making a list, he won’t have to check it twice when it comes to these cheerful little tykes. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does The Children fit into that mold?

It’s Christmas time in the English countryside. A family has gathered to share some eggnog and Christmas cheer. It’s the typical normal slightly dysfunctional family, and they’re staying in the nice little house in the woods with the children. They definitely drink a lot as the bottle count climbs higher than the bodies after a chainsaw party in Texas. There’s the uncle who wants to get into the pants of his 15 year old niece. Another guy is trying to con his relatives into joining him in a pyramid scheme to smuggle illegal Chinese medicines into the country. But at least the kids are a cheerful bunch. That is, until they appear to contract some kind of a disease that has them spitting up tons of creamy green mucus. Soon the children begin to exhibit aggressive behavior, and before you know it they’re slicin’ and dicin’ their way through the paper mulch snow.

“What is sacrifice? What does it mean to make a real difference?”

What do Al Gore and horror films have in common? To begin with both have been making money trying to scare the crap out of you. The second is that the plot of The Thaw sounds like it could have been penned by Captain Al himself. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does The Thaw fit into that mold?

What do a messy divorce and a clan of flesh eating cannibals have in common? Well, in both cases someone gets their heart eaten out. They also share plot points in Offspring. Lionsgate brings back their popular Ghost House Underground series from last October. The series title likely borrows a bit from the old Grind House Theater that Quentin Tarantino brought back to fashion in the last couple of years. I assume it is intended to denote a horror film that skirts the art house scene. So, how does Offspring fit into that mold?

If you’re looking for a plot, you really shouldn’t look at this one too closely. It’s more of a set up and then let the cannibal carnage begin. After a quick scare shot we’re introduced to a young family who live in a relatively isolated house in Dead River County, Maine. A friend has arrived with her young son on the run from an abusive husband who was about to get served his divorce papers today. Of course, he’s not taking it lying down, and phones to say he’s on his way. Mom’s got a restraining order, so the solution here is an easy one. Call the local cops. Unfortunately the local police already have their hands full. Another family has just been massacred. It seems an old trouble has returned to Dead River County. Enter former Sheriff George Chandler (Art Hindle). (To make things more complicated, the character’s name was apparently changed from George Peters. So, if you look up the character on the IMDb, that’s what you’ll get.) Chandler was Sheriff 11 years ago when he faced a nomadic clan of cannibals that rained down some serious carnage in the small county. He took care of ‘bidness and thought he sent them all to cannibal heaven. Now it seems there were survivors who had worked their way up to Canada and have returned for dessert. What remains of the clan are mostly young children and barely adults. Play ball.