Posted in: Disc Reviews by Archive Authors on December 3rd, 2007
A friend that I work with said that if Hollywood ever ran out of creative and original ideas, and that if a studio managed to make a sequel about pirate zombies that lasted three hours long, it would clean up at the box office. But the fact of the matter is that if we survived a nuclear winter, we would be well prepared about what to do when zombies took over the land, because of the prep we had from guys like George Romero. So even though Danny Boyle’s 28 Days Later might have presumably sealed the deal when it came to this particular interpretation, someone decided to dredge it up for whatever reason.
Posted in: Disc Reviews by David Annandale on December 1st, 2007
Who says horror can’t be the cinema of personal expression? Director Tim Sullivan follows up his comic horror 2001 Maniacs with this heartfelt ghost story. Raviv Ullman plays David, a teenager whose depression and death-fixation following the demise of his older brother prompts his desperate parents to ship him off to an “Attitude Adjustment Camp.” Basically a brutal cross between boot camp and prison, this is a private institution (inspired by actual places) designed to transform any insipient Columbine-copycats. Once there, David must contend not only with the sadistic Captain Kennedy (Diamond Dallas Page) who runs the place, but also with visions of a ghost who clearly wants a buried truth revealed.
Posted in: Disc Reviews by David Annandale on November 24th, 2007
In the vein of Underworld, here is another tale of warring supernatural societies. In this case, both sides are werewolves (the “skinwalkers” of the title). The good guys seek to protect a 13-year-old boy who represents a cure for lycanthropy. The bad guys, who like turning into monsters, want to kill him to protect themselves. The weapons of choice in this battle? Fangs, you guess. Nuh-uh. Guns.
Posted in: Disc Reviews by David Annandale on November 14th, 2007
As a woman commits suicide by leaping to her death on the English seacoast, her daughter in Italy has a vision of her fall. Years later, the now-grown Virginia (Jennifer O’Neill) is married to a wealthy businessman, and is suddenly plagued by visions again. Following the evidence, she discovers the skeleton of a young woman who has been walled up in her husband’s ancestral home for years. He is immediately arrested. Virginia works to prove his innocence by investigating the other mysteries of her visions, but she is letting herself in for more than she bargained for.
Posted in: Disc Reviews by Michael Durr on November 12th, 2007
Bad horror movies are like watching a trainwreck. There are bodies all over the place and everybody is screaming in agony like a little school girl. And you can't turn your head away. So imagine my complete enjoyment when I received the Tripper to review. I screamed like a little school girl, my rabbit fainted and my girlfriend actually was able to turn her head away several times. I understand why they are the stronger sex cause I watched intently and was considering therapy when my 90 minutes was up.
Posted in: Disc Reviews by Gino Sassani on November 9th, 2007
It’s probably a pretty bad sign when a film’s star makes a public apology to his fans for doing the film just when it is getting released on DVD. Brad Pitt did just that, and you know what? He should be sorry. This film is an absolute mess all the way around. I think it’s supposed to be a slasher film, but there are never any good 1980’s slasher moments to be found. It’s true that at this point in his career Pitt wasn’t exactly being offered the cream of the crop. He wasn’t paling around with George Clooney and friends just yet. So perhaps it’s not Pitt but the folks who made this film who should be apologizing.
Posted in: Disc Reviews by David Annandale on November 7th, 2007
Stop me if this sounds familiar: in a far-northern community, night lasts thirty days, which makes the area highly hospitable to vampires. Yes, Frostbitten shares a very similar premise to the excellent 30 Days of Night. And while the Swedish film predates its American counterpart, it is more recent than the graphic novel. At any rate, the similarities pretty much end there, as Frostbitten is more interested in comedy than its cousin, and is also nowhere near as good.
Posted in: Disc Reviews by David Annandale on November 6th, 2007
Hmm. A vision of elaborate torture in washed-out tones on the cover. A three-letter title. Gee, could Gag be inspired by Saw? Perhaps, but fortunately not in any slavish way, limiting its connections to the idea of extended torture, and that’s hardly something Saw invented. As opposed to the Saw franchise’s increasingly risible plot convolutions, Gag keeps its setup simple: a pair a burglars break into a house where they first discover a man chained to a bed, and then are captured themselves by the resident nutjob. The ensuing drama is a claustrophobic one, with the main characters trapped in the torture room at the mercy of a lunatic who has a definite, if mysterious, goal.
Posted in: Disc Reviews by Archive Authors on November 6th, 2007
Stephen King must be solely responsible for an acre of deforestation a year in legal pads and typewriter pages alone. I have heard it said that he writes at least ten pages a day, including holidays. A quick check of IMDB shows that he is credited for writing 106 television or movie stories, at least in part, since "Carrie" in 1976. While no writer - as I well know - can hit a home run every time they put pen to paper, King's "good to crap" ratio is far superior to that of the majority of the novelists working today.
Posted in: Disc Reviews by Michael Durr on November 4th, 2007
Everybody remembers the first scary movie that gave them nightmares for days and months after they saw it. For some, it was the Exorcist and for more recent folks perhaps it was Scream or Saw. For me, it was Poltergeist. I was but seven years old and thought it would be something like E.T. Phone Home, but with swirly demons and ghosts? It was PG, how bad could it be? In the next two hours, I was treated to something that resonates with me to this very day. From the moment I heard "They're Here", I knew I would never see static on televisions the same way.
