Posted in: Disc Reviews by Bob Ross on March 17th, 2011
Connections between Eastern and Western cinema aren’t new, but they do seem to be proliferating. Back in 1964, Italian maestro Sergio Leone borrowed from Japanese genius Akira Kurosawa, turning Yojimbo into A Fistful of Dollars. Just last year, Korean writer-director Lee Jeong-Beom looked to the West for multiple influences, and the result is The Man From Nowhere, a psychological action-thriller that alternately engages, confuses and kicks major butt.
The film was a late-summer hit in its homeland, but it’s probably OK that the rest of the world had to wait until now for this technically superb Blu-Ray release. Subtitled gangster yarns don’t sell well in the American market – at least not the ones that rely on gritty plotting instead of high-wire special effects. In other words, this is no Crouching Tiger, kids. That’s more of a Chinese development. Like Leone’s Man With No Name, The Man From Nowhere is an enigmatic antihero, and the main reason you root for him is because everyone else in the picture – rival gangs and creepy cops – is more disturbed than he is. The exception is an innocent young girl who becomes a kidnap victim whom our hero vows to rescue.
Posted in: Disc Reviews by Michael Durr on March 16th, 2011
Some of you might remember my review of Batman: The Brave and the Bold, the first thirteen episodes which can be found here. I found it to be a great little series that was rich in its roots. Well, six months have passed and we finally get a chance to look at the next thirteen episodes. With a little bit of luck, maybe they will be just as good if not better than our first look into the series.
When we last left the Batman, he had taken part in a two part episode where he was having a lot of trouble with the villain known as Owlman. In order to restore balance to the world, Batman had to not only become Owlman but then turn around and partner with the Joker to defeat Owlman who had donned the cape of Caped Crusader. Wrap your head around that one. Anyway, all is safe and we continue on to the next set of thirteen episodes.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2011
The American Girl series appears to have started as a collection of dolls. The collection featured various girls from a wide range of historical periods. The dolls came with rather unique histories that provided both a chance to bring the doll to life in the imagination of the child and also teach a little of what life might have been like for girls that lived in these different eras. Of course, the collection had to have accessories, and before long an entire industry was born. The dolls led to a series of books that fleshed out the adventures these characters might have had in their time periods. The books managed to sneak in some wholesome values along with the romantic adventures. The books became quite popular with young girls, and so it was inevitable that this would all lead to films.
The films would come in a series of made-for-television movies on the CW. Each movie centered around a different girl. All were ten years old and lived in a particular time of American history. The second of these movies was Felicity.
Posted in: Disc Reviews by David Annandale on March 14th, 2011
The cover of this DVD is, depending on which signals you pick up on, either misleading or perfectly accurate. If all you see is George Clooney running with a gun, and you therefore come to the conclusion that this is going to be some action-packed thriller, and that is what you're hoping for, then you're going to be disappointed. If, on the other hand, the orange colour and the rather retro look to Cloney's image, not to mention the rather uninformative title, makes you think of the 1970s, then you're on the right track.
Clooney plays the titular American, an intelligence operative whose last job results in rather more bloodshed than it should, and people are clearly after him. Nonetheless, he is given a new assignment, and he takes it. He is to craft a specialized assassination rifle, and he does so while holed up in a hillside Italian village. There he meets a priest and a prostitute, encounters that will alter the course of his life.
Posted in: Disc Reviews by Gino Sassani on March 11th, 2011
"I guess if this is the first you're hearing about it, I know how this must all sound."
Unless you've been in a coma like the lead character of The Walking Dead, you've been hearing a lot about this AMC television series of late. It's no wonder. I'm amazed that it's taken so long to see a zombie television series. The show has incredible visuals. There's a courtyard scene at the beginning of the pilot that is as impressive as anything you've seen in a movie. And when a character has to shoot a 6-year-old girl in the head, you understand instantly that this is going to be something unique.
Posted in: Disc Reviews by Bob Ross on March 10th, 2011
If you don’t already know and love the format, you will be inclined – and well advised – to stay far away from Jackass 3. For some oversensitive souls, the sight of adult males getting smacked, slugged, stomped, shocked, slimed, kicked, catapulted and covered with excrement is simply unappealing. I know, sissies, right? But if you relish the notion of seeing men take abuse that makes them moan, bleed and barf, then the third and final (please, Lord) pseudo-documentary in the series is a guaranteed gross-out of a maximum degree. Heck, if you’re lucky, you might even toss your cookies as violently as some of the movie participants themselves.
Johnny Knoxville, the only real actor among these delinquents (he was excellent in The Ringer, A Dirty Shame and Grand Theft Parsons), demeans himself once again, presumably for cash, and possibly because he knows that by turning 40 on March 11, he knows darn well that he better not let himself be run over by a buffalo or crushed by a professional linebacker ever again. And ringleader Knoxville takes the gentlest bashings in the bunch. Experienced victims Bam Margera, Ryan Dunn and Steve-O go through ordeals that are designed to make the audience cringe and the Jackass gang guffaw like drunken donkeys. (There is a real donkey in the film, by the way. It gets the honor of repeatedly kicking one of the guys in the crotch.)
Posted in: Disc Reviews by Gino Sassani on March 9th, 2011
There have been very few films of this stature that I have not had the chance to see over the years. Even if I don't think I might enjoy a particular movie, there are those titles that have become so well known or a part of the culture that one feels a sense of obligation to take in. For years The Last Tango In Paris was one of those films for me. Thanks to a new Blu-ray release by MGM, I was finally afforded the opportunity.
The plot of the film is almost irrelevant. It's not about a story at all. Marlon Brando plays a man who has just lost his wife to suicide. But we quickly learn that he had lost her really long before she took her life with a razor blade. She was having an affair with a man who lived in the hotel they ran. It was an odd affair. She insisted that her lover take on the habits and appearances of the husband she was running away from. She required that he wear an identical robe and drink the same booze, or at least have the bottle on hand. She went so far as to tear the wallpaper from the bedroom walls with her fingernails so that the room would appear as hers. One gets the impression that this would have been the more compelling story. Alas, that is not meant to be.
Posted in: Disc Reviews by Gino Sassani on March 9th, 2011
"This is Fairfax County in the state of Virginia. I was born here. It's peaceful, beautiful, and a long long way from Wyoming; beautiful, too, in its special way. Vast, proud and lonely; it's my country now, Wyoming. But not exactly a peaceful one."
Posted in: Disc Reviews by Gino Sassani on March 9th, 2011
"A child born into a world with helicopters lives in a world where the miraculous is commonplace, a world where doctors swoop down from the sky..."
That's the world of the helicopter. Straight Up: Helicopters In Action was an IMAX feature created by the Smithsonian for the Air And Space Museum IMAX theater. A quick check of the museum's website reveals that the film is no longer part of the schedule. And, while this wasn't one of the bigger name IMAX films to make the circuit, it provides plenty of the exhilarating imagery that has made the format famous.
Posted in: Disc Reviews by David Annandale on March 9th, 2011
Monica Guerritore is an unnamed wealthy socialite (all of the characters in the film are unnamed) who catches her husband in flagrante with another woman. To add insult to injury this woman is a TV personality of a sort unknown in North America, but common in France and Italy – an attractive woman whose only job is to let you know what's coming up next – and, rightly or wrongly, can represent, as is the case here, a certain form of empty glamour.
At any rate, Guerritore, sexually humiliated, heads off on the road with no particular destination in mind. She encounters exuberant cartoonist Gabriele Lavia (also the director of the film, but best known on these shores for his roles in Beyond the Door and Dario Argento's Deep Red and Inferno). The two begin an affair that rapidly spirals out of control, crossing all the boundaries of passion (that's the idea anyway) and veering rapidly towards self-destruction. All in about twelve hours!
![The Man from Nowhere [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-man-from-nowhere-blu-ray-large.jpg)
![The Walking Dead: Season One [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-walking-dead-season-one-blu--large.jpg)
![Last Tango in Paris [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/last-tango-in-paris-blu-ray-large.jpg)
