Posted in: Disc Reviews by Gino Sassani on February 23rd, 2010
So what's the Scooby Gang up to this time, you might ask. We meet Velma's younger sister for the first time here. Young Madelyn has been off studying magic at the Whirlin Merlin Magic Academy. It seems a giant mythological griffin has been stalking the halls of the old school. So who ya gonna call? Scooby and the gang conduct the usual investigation, uncovering the usual suspects.
Scooby Doo has spanned generations and over 40 years. Since the 1960’s the name and conventions have become a part of the pop culture. The original cartoon series had a series of conventions. The Scooby Gang would drive around in their green Mystery Machine van and solve ghostly mysteries. Fans of the show quickly grew to learn that these spirits and goblins were usually just normal people using scare tactics to get revenge or make a profit. The cartoon classic spawned music albums, live action movies, and several new shows and animated features.
Posted in: Disc Reviews by Michael Durr on February 23rd, 2010
They say that history is written by the winners. The winners are the ones who fought and the ones who conquered this great land of ours. In reality, history comes from all walks of life, it is unfortunate some are not able to write about it. But once in a while, you find people out there who are able to collect the ideas and tales and weave them into a book. That book will then sell many copies and influence a generation.
Howard Zinn was born in 1922 during the roaring twenties. His youth saw the Depression, the New Deal, and he even participated in World War II as a bombardier. In 1964, he accepted a position at Boston University to teach civil liberties and political science. For many years, he was asked to give advice on finding a history book that was fair and spoke the truth. He didn’t really have an answer until 1980 when he decided to write one.
Posted in: Disc Reviews by William O'Donnell on February 23rd, 2010
Nia Vardalos casts herself across from her My Big Fat Greek Wedding love interest James Corbett, in an attempt to rekindle the magic that was the unlikely Big Fat phenomenon. As star, writer, and director, the weight of the film falls onto her shoulders and thankfully she has enough carry to drag a rather sparse plot from beginning to end with a some genuine laughs.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2010
Remember the blaxploitation films of the 1970's? These films generally played on the ghetto stereotypes that would likely not be as well tolerated today. The films were populated with fur-adorned pimps driving in purple Caddys. The street language was almost indiscernible. The black population sat around drinking from large malt liquor bottles in brown paper bags. In a day where almost every potential racist remark is pounced upon, it's hard to imagine that this kind of thing could have existed at all. But the point was that these films weren't feeding into the stereotypes for the most part. They were making fun of them. They were showing us how ridiculous they looked when taken to such extreme. What's more, the films offered the first real star vehicles for so many talented black actors. Certainly, the genre has always had its detractors, but they never seemed to cause a stir among the members of black leadership. The truth is that these films no more depicted black culture than mafia movies depict Italian culture. It's just a lot of fun to poke fun. You gotta let your hair down, or frizz out, sometimes.
The genre was important during the time and its influence began to be felt in mainstream pictures of the era. Characters like these began to show up everywhere. Starsky And Hutch was a white cop , but their streets were often populated with these characters, most notably the Huggy Bear snitch. Even James Bond suspended his international fight with global domination crooks to tackle a gang of blaxploitation drug dealers in Live And Let Die. In the 1970's you couldn't get away from it. Some of these films became huge. Shaft and Super Fly became huge hits. The recently departed Rudy Ray Moore created Dolemite, a bad Kung Fu/kick butt and take names, F Bomb droppin' bad dude. There's no question that Moore's character was a huge influence on Black Dynamite.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2010
When the original 1987 film The Stepfather came our way, the world was a very different place. Of course, that's true with any titles that are separated by nearly 25 years of time. When reboots or remakes are attempted, as they all too frequently are today, it is often true that some allowances must be made for those inevitable changes in our world. Filmmakers attempt to make whatever adjustments they deem fit and bring the old favorite, or not so favorite, into our current collective consciousness. Like all things, sometimes it works. More often it does not work. And then there are those occasions where it simply could never work. The Stepfather was released just at the dawn of this new instant information age. In 1987 most public records weren't available at the click of a mouse. There weren't social networks and Google options that allowed any normal person to become a private investigator. Put simply, it was a time when a person could still step into a new persona and leave his past acts behind him. Certainly, the ambitious could still research someone, but that required dusty basements in newspaper offices or library microfiche. The idea so essential to the suspense and thrill of The Stepfather simply no longer exists. The only way a remake could have really been effective was to make it a period piece and set it in the 70's or 80's, if not earlier. A ten year old kid can get the goods on you now. Here David doesn't appear to be concerned at all about fingerprints and DNA.
The original film had more than a slower information age going for it. Terry O'Quinn delivered one of the creepiest performances of his career. Yeah, that's the same Lost John Locke Terry O'Quinn, so it shouldn't be that hard for you to imagine an enigmatic performance. Even in 1987 the idea wasn't terribly original. There were enough stalker films by then that the concepts were already tired and worn. What made that film work more than anything was that performance. I remember particularly a moment, badly reproduced here, when O'Quinn's character stops and looks blankly at the camera and says, "Who am I here?" O'Quinn gives us a look that totally defines the hideous pathos of his character, and in that instant we realize how dangerously deluded he really is. It wasn't the back story. It wasn't the body count leading up to that moment. It was all in that look. It sent a shiver through the stoutest spine. And it is that element that is completely absent here. Dylan Walsh is a fine enough actor, and his performance is solid, but he never truly frightened me. Without that glue, the pieces of this remake simply cannot hold together.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2010
For ten years we watched Jack O'Neil, Samantha Carter, Dr. Daniel Jackson, and the Jaff'a Tealc' enter the Stargate. Others would join the team over the years. Each week we would follow their adventures, first on Showtime and finally on the Sci-Fi (now Sy Fy) Channel. We watched with awe as they stepped through a portal that was in reality a wormhole transporting them instantly to another world, brought online by dialing the device like an old fashioned telephone. For another five years we traveled not only to another planet, but to the Pegasus Galaxy itself to the Atlantis Base, a bright floating city left behind by the ancients, the people who created the Stargate system millions of years before. On this show we met new friends, new bad guys, and had new adventures. The location might have changed. The faces might have, at first, been unfamiliar, but the missions and the entertainment value didn't let us down. For 15 seasons we enjoyed a spectacular tale to rival the myths of the Greeks and Romans themselves.
I'm told that all good things must come to an end. When Atlantis was finally cancelled, I was made almost immediately aware of the plans to continue the franchise. First reports started coming out that the show was going to be called Stargate Universe. Soon my inside contacts started giving me tidbits about the story. Details began to emerge about the Destiny, an ancient ship abandoned in another universe far away. The ship was on some kind of predetermined course and would sport an unsuspecting crew of humans that would be left stranded on the ship for an indeterminate amount of time. It was starting to sound a lot like Star Trek: Voyager to me. Of course, this is Stargate, so there has to be some gate travel, one would assume. The ship would come with a gate, and the vessel would come out of faster than light travel from time to time and dial up a local planet for exploration. The ship was ancient not only in its origin but in its duration in space. There were going to be a lot of system failures, as the equipment was long past its expiration date. The ship itself would know what resources it needed to continue to operate. Searching its vast planetary database, the ship would locate planets with the essential resources, allowing away teams to get such vital raw materials. Unfortunately, the ship didn't always give a good indication of what to find or where on the planet it might happen to be. Oh, and did I mention the countdown? The ship would decide how much time it would allot for each mission, instituting a countdown. When the clock reached zero, the ship goes back to FTL, and whoever's not back in time gets left behind.
Posted in: Disc Reviews by David Annandale on February 22nd, 2010
Eddie Sutton (Russell Hornsby) is an idealistic police officer, dreaming of making a real difference. His family (nurse wife and three kids) is currently living in a too-small apartment. The chance to kill two birds with one stone comes up with a program that encourages officers to buy homes in depressed neighbourhoods, and so Eddie moves his family into a spacious former crack house in the titular LA district. Things, as one might expect, are not easy. Eddie discovers (to his unaccountable surprise) that his new neighbours are suspicious of the police. His son is bullied in school. The girls have their own problems fitting in. And crime keeps rearing its ugly head. But as the series progresses, Eddie and his family make of their new house, and its neighbourhood, a real home.
Back in 2007, Variety reviewed this series, and compared it unfavorably to The Wire. Given that show's status as one of the best series EVER to grace American television, just about anything would look back in comparison. But Lincoln Heights doesn't do itself any favours by yoking together (with violence) gritty urban drama and Hallmark-style sentimentality. The latter makes the former hollow, while the former shows up the latter for the lie that it is. The show has stars in its eyes, and its heart may perhaps be in the right place, but that does, unfortunately, make it good, despite the best efforts of its able cast. The characters remain familiar mainstream TV types, and so when Eddie warns that their new neighbourhood “isn't Disneyland,” he is, in fact, wrong. He simply moves his family from one area of the amusement park to the other, from Cosbyland to Gangstaland, and there is no more authenticity than at Disneyland. I won't even get started on the action scenes, which feature the most gratuitous use of splitscreen this side of CSI: Miami.
Posted in: Disc Reviews by Michael Durr on February 21st, 2010
Greetings here from your favorite neighborhood reviewer and Spidey-expert: the infamous Kedrix. I certainly have a habit of appearing whenever there is a Marvel or DC superhero involved, especially if the source material happens to be animated. Needless to say, when the opportunity to review Spectacular Spider-Man both volumes 6 & 7 came available, I jumped to the task. Somehow, we missed Volume 5 (I have seen the first four), but I'm sure we can pick right back up and get to the spectacular action. (one paragraph in and we are already using bad puns, tsk tsk)
Volume Six of Spectacular Spider-Man is something short of a breather for Spidey as he is recovering from some run-ins at the hands of Mysterio & Kraven the Hunter. He even had yet another altercation with Dr. Octopus. Things are also looking up for the web slinger as he even gets invited to Flash Thompson's birthday party. Little does he know he is about to run into the Sandman who is still looking for his big score.
Posted in: Disc Reviews by William O'Donnell on February 20th, 2010
Steven Seagal plays an LA cop who is forced into early retirement after being betrayed and shot by his partner. After an astounding recovery, which included blasting his partners brains all over the hospital walls (I'm assuming it was part of his rehabilitative therapy), he is hired by an old friend to be the head of security for his friend's daughter. This family is linked to some bad dudes who are keen on uranium and kidnapping, so Seagal is forced to slowly shoot everyone near him while mumbling something about being a tough guy or whatever.
Posted in: Disc Reviews by Michael Durr on February 17th, 2010
Recently, I got married to the most wonderful woman in the world. Well, the most wonderful woman I ever met anyhow. Her name is Sarah. Then I got to thinking, wouldn’t it be awesome if I included her every once in a while in my reviews? She’s very opinionated but she speaks from the heart. When our webmaster sent me New York, I Love You, I knew it was the perfect vehicle to introduce her to a mass audience.
Most of you are quite aware how I start my reviews, but this is going to be something of a departure. Traditionally, I start with a long narrative about the movie. We describe the movie and then I offer some quips and informative points after that. The problem is if I sit here and explain all of the ten stories presented then I might as well compile a book on the subject. I really don’t want to torture my reading audience like that.
![Black Dynamite [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/black-dynamite-blu-ray-large.jpg)
![The Stepfather [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-stepfather-blu-ray-large.jpg)
![Stargate SG-U: 1.0 [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/stargate-sg-u-10-blu-ray-large.jpg)
![New York, I Love You [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/new-york-i-love-you-blu-ray-large.jpg)
