Sci-Fi / Fantasy

A Chicago man has a strange genetic disorder that makes him involuntarily travel through time. This film follows the unimaginably complicated romance he has with a woman who he has known since she was a little girl and they never get to age chronologically together, and sometimes share different memories of the past (which might be the future for the other...I know...I told you its complicated).

Based on the extremely popular book of the same name, this film sometimes seems to be more an exercise in adapting a very challenging screenplay than it is an engrossing romance. Rachel McAdams and Eric Bana do glow when interacting, as they make the love their characters share convincing and helps us stay with the story when the time line gets a bit convoluted. Meanwhile, the dialogue doesn't do them any favours and occasionally bogs things down.

"You're traveling through another dimension, a dimension not only of sight and sound but of mind; a journey into a wondrous land whose boundaries are that of imagination. That's the signpost up ahead  your next stop, the Twilight Zone."

"No young man, no matter how great, can know his destiny. He cannot glimpse his part in the great story that is about to unfold. Like everyone, he must live and learn. And so it will be for the young warlock arriving at the gates of Camelot. A boy that will, in time, father a legend. His name ... Merlin."

Merlin. You know the name. It conjures up images of a white-haired old man with a long gray beard and a long pointed hat. His story is indeed legend. In the myths of Arthur and his Knights of the Round Table, he is destined to be the mentor to the King of Camelot. We've all heard the stories of the Sword in the Stone and the Age of Chivalry. Perhaps it is totally appropriate that this telling of Merlin come from British television. England is, after all, the origin of the fanciful legends.

Dateline: September 13, 1999

Mankind has been storing all of our nuclear waste on the far side of the moon. On the other side of the lunar surface was Alpha Base. Here mankind had a research station which also served as a launching point for deep-space missions. An unfortunate chain of events led to the unthinkable. The nuclear waste pile was ignited, and the whole dump exploded with a force so powerful that it tore the moon out of Earth's orbit and sent it hurtling through space. The 311 inhabitants of Alpha were swept along for this uncontrolled flight into uncharted space.

Written by Diane Tillis

It is hard to talk about Inception without spoiling something. It is also hard to read any review and get a full feel for the film. Inception truly needs to be seen to understand why it is so amazing. On one level, it is an incredible action film that revolves around the heist scenario set in exotic locations such as France and Japan. On another level, the core purpose of the film is a complex discovery into dreams and the subconscious, and the consequences that come with manipulating the mind of another person. Inception is packed with inventive action, high drama, ideas and emotion. It is a masterpiece; whether it makes a billion dollars or not, it is a triumph for mainstream cinema. As the complexities of the film unravel themselves on the screen, Inception stands as a reminder that there is more to mainstream cinema than mindless entertainment. It forces the audience to think and question everything they are experiencing. If you give Inception the opportunity, I promise you will not be disappointed. In fact, you will want to talk more and more about the film once the credits roll to figure out what it all means. This is a sign of great cinema! Just for precaution, possible spoilers ahead!!

One man. One alien. One choice.

That’s the tag line for Hunter Prey, the latest project from Sandy Collora, idol to fanboys everywhere thanks to his 2003 short film, Batman: Dead End, believed by many to be the best fan film ever made. Well, after a long wait, he has finally made his first full-length feature film, and though it’s clearly hovering around the bottom rung of the budget ladder, there is much to admire here.

“The name's Brogan, Lieutenant Brogan. For 20 years I was with the NYPD. Now? Well ... let's just say I'm transferring to another precinct.”

That Precinct is the 88th, which serves Demeter City from an orbiting station around the planet Altor. Demeter City is one of the toughest cities in the universe. There's tons of slums and every kind of scumbag criminal you could ever expect to find in the worst of Earth's hoods. The planet is primarily populated by three species, although there are literally hundreds of known species that might be found in one of the darkest corners of the city. Humans make up about a third of the dominant population. The Tarns are a species with a third eye that grants them varying degrees of telepathy and telekinesis. The Creons are the dominant species. They look a little like hammerhead sharks with their bulging eyes extended outward on either side of their face. This species is high on ritual and tradition. The three species are well represented in the officers who serve at the 88th.

Six young men and women head off in two cars for a weekend trip in rural France. Along the way, the car with the three guys runs out of gas, fortunately within pushing distance of a filling station. There, our boys inadvisedly pick up a hitchhiker, who turns out to be an escaped psychopath. But no sooner have they started to worry about their new passenger when a mysterious fog and a ghostly vision send them careening off a cliff. Wounded and lost, they find that not only do they have a killer to contend with, but there is something monstrous and huge under the ground that is hunting all of them.

Clearly shot on a shoestring, but very ambitious in its special effects (an opening prologue featuring a meteor strike in 17th-Century France, giant tentacles reaching of the ground to grasp a helicopter), this is a film that certainly pulls out the stops. The plot is pretty packed, too, what with a ghost, a killer, AND a monster. But for all that, what the film needs is something quite inexpensive: a stronger script. The characters are set up quite well, but nothing much is done with them, and they wind up playing out in fairly conventional ways (the loser is the hero and vice versa, for instance). And for all the elements that are tossed into the mix, much of the running time still involves racing around to little effect in dark woods. Still and all, there is some fun monster work, and the just how much this little movie attempts to pull off, whether it fully manages to or not, is worthy of admiration.

"The war between sorcerers was fought in the shadows of history, and the fate of mankind rested with the just and powerful Merlin. He taught his secrets to three trusted apprentices, Balthazar, Veronica and Horvath. He should have trusted only two."

It was one of the most memorable Walt Disney moments in the long history of animation. The Sorcerer's Apprentice segment in Fantasia would become the most recognizable piece of the film. It would be released many times over the years since 1940, so that even people who had never even heard of Fantasia recognized Mickey Mouse as the sorcerer's apprentice who abused the power he had learned to bring a broom to life and do his chores while he slept. The magic got out of his control and mayhem ensued. The images linger still. Now the combination of Jerry Bruckheimer, Jon Turteltaub, and The Walt Disney Studios has teamed up for a new adventure film very loosely based on that original material. This is the same team that brought us the National Treasure films and part of the team that continues to bring us the Pirates Of The Caribbean films. If you liked those franchise films, you can expect more of the same in The Sorcerer's Apprentice.

And the George Lucas Award for the filmmaker who has mined the most out of his movie this year....the envelope please. It's James Cameron for releasing not one, not two, not three, but four different versions of Avatar in less than a year. But I'll have to give him a pass, just this once. This 3-disc collection offers enough goodies that it will tempt you to trade in your still-new version for this complete collection. Better yet ... put it at the top of your Christmas list. The film comes in three versions. One with 8 minutes added. Another with 16. What's the point of having the new version if not to see the most extensive edit?