Posted in: Disc Reviews by Gino Sassani on October 28th, 2010
A Joss Whedon universe is always a strange and fantastical place to visit. It doesn’t matter if it’s populated by vampires and demons or space cowboys. If Whedon’s name appears anywhere on the credits, you know you’re going to be in for one hell of a ride. It’s been a little while since Whedon’s been back in the saddle. His most recent series, Firefly, was fraught with problems with the network. It was very badly handled, and the show died an undeserved swift death after just a few episodes. Whedon appeared somewhat bitter after all of that and disappeared from the television radar for a few years. They say you can’t keep a good man down, and now Whedon is back with his latest mythology-heavy series, Dollhouse.
For a lot of fans, it looked like Dollhouse was heading down the same black hole that Firefly flew into. There were numerous delays in getting started, not the least of which was the writers’ strike just days after the series was given the green light. Whedon had his cast and crew already in place, but it seemed they were all dressed up with no place to go. Once the strike ended, they quickly punched out the pilot episode from the series. Unfortunately, the new pilot had some issues. Whedon and the network hadn’t exactly been on the same page, and as quickly as it had been made, the pilot was scrapped. Fans were getting restless. It was just this kind of pilot debacle that started so many of Firefly’s problems. Fortunately, a second go went quite smoothly, and the show was off the ground. Ratings were not exactly the atmospheric numbers FOX was expecting from a Joss Whedon series. There was already talk by the middle of the first 12-episode run that the series was in danger. Then there was a problem with the number 12. Apparently FOX and Whedon had another one of their, by now, classic misunderstandings. The network was expecting not 12 but 13 episodes. The result was a pretty unconventional final episode that just might have saved the series as it turned out. Finally, the show finished production with no word on renewal. The show was considered on the bubble, with most predictions leaning toward its cancellation. It seems that the curse was going to make Dollhouse just another of its many victims. But then something unexpected happened, and the marginal show was renewed. But that was to be a short-lived reprieve. The series is gone now and these final 13 episodes are all that you'll have left to remember it.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2010
In June of 1987 many of us took to our local theaters to watch two future state governors tackle an alien creature in the jungles of southeast Asia. Director John McTiernan had combined the Rambo mercenary-styled film with that of a creature feature. The result was an impressive $60 million on a mere $15 million budget, and a franchise was born. From its first reveal in those Asian jungles, the Predator was an impressive sight. The creature was highly intelligent, to be sure, but it possessed those baser instincts of hunting and survival. It was a monster, but one who utilized advanced technological weaponry to accent its own fearsome brutal nature. It was the stuff that new nightmares would be made of. A sequel featuring Danny Glover and placing the creature in an urban setting soon followed. While that film is widely disregarded, I found it to be a rather good film. I still think it's an underrated monster movie.
It didn't take very long before the fan boys in Hollywood started getting their imaginations running wild. The inevitable question, since Frankenstein's Monster met up with The Wolfman -- who would win if we put the Predator against the Alien. It was a heavyweight fight just itching to play itself out at the box office. And, it did ... twice. The result might have destroyed both franchises. It seemed that these creatures had finally met their match, and it wasn't each other. Bad writing and wayward filmmaking brought down both creatures. It appeared as if they were both gone, forever.
Posted in: Disc Reviews by Gino Sassani on October 27th, 2010
"War and me took to each other real well. It felt like it had meaning. The feeling of doing what you thought was right. But it wasn't. Folks can believe what they like, but eventually a man's gotta decide if he's gonna do what's right. That choice cost me more than I bargained for..."
Posted in: Disc Reviews by Gino Sassani on October 19th, 2010
"Born with a steering wheel in his hand and lead in his foot, he is the Nightrider, cruising at the speed of fright! This is the Nightrider, and we ain't never coming back. I'm a fuel-injected suicide machine..."
Long before Mel Gibson's troubles involved real-life police officers and a bad case of "foot-in-mouth disease” that has made him his own worst enemy, Mel had more dramatic enemies to deal with. The unknown Australian actor was only 22 years old when he starred in the Outback production that would put both Mel Gibson and his native Australia on the filmmaking map. The movie was originally a very low-budget film. It was made in an attempt to show the world that America wasn't the only place you could make a non-stop action film. When American audiences got their first glimpse of the unique post-apocalyptic showcase, they still didn't get a real dose of Mel Gibson. All of the Australian actors, including Gibson, had been dubbed to lose the accents. If you saw Mad Max in the cinema in 1979 or 1980, you heard someone else's voice coming out of Mel's mouth. Too bad he didn't have that option a few years back when he was stopped for a DUI and proceeded to offer up a rendition of History of the World according to Mel, only it wasn't Mel Brooks. The anti-Jewish rant and belligerence has thrust the once-superstar into a decade where he hasn't had a real starring role.
Posted in: Disc Reviews by Michael Durr on October 8th, 2010
As mentioned before, reviewing television series can be very rewarding since I don’t watch as much television as I used too. I’ve found series that I never knew existed until the discs showed up in my mailbox. One of these great series is named Legend of the Seeker. I was fortunate enough to review the first season and it got great marks. So, I was even more delighted to see the second season hit my hands as well. This might be the final season for the show but let’s hope they saved the best for last.
So boys and girls, do you remember what happened in the first season? Well the Seeker, Richard Cypher (played by Craig Horner) defeated the evil Darken Rahl (played by Craig Parker) and sent him to the underworld. There will be much rejoicing and celebrating now that the lands are free and maybe finally the people can live in peace. Or will they? *insert dramatic music here*.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2010
"Once upon a perfect time many hundreds of years ago, when the old magic clung to the Moonacre Valley, there was a young woman whose skin gleamed as pale as a star and whose heart was as pure as moonlight. Such was her bravery and goodness, she was beloved by nature as if she were its own daughter."
Posted in: Disc Reviews by Gino Sassani on September 15th, 2010
"There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone."
Posted in: Disc Reviews by Gino Sassani on September 15th, 2010
"It is said some lives are linked across time. Connected by an ancient calling that echoes through the ages. Destiny."
The Prince Of Persia is not some new phenomenon sweeping the country. The original video game goes back quite some time to the pre-high-definition consoles of the late 1980's. Over the years the title has had some major staying power and has continued to flourish across several platforms and generations of graphics and game play. Today video games are more and more like movies themselves. Many of these games carry budgets as high as blockbuster effects-laden tent-pole films. It's big business. The technology has nearly merged between film and video game. And while Prince Of Persia is not the first game to be turned into one of these mega-movies, it just might be the closest thing to bridging that gap yet.
Posted in: Disc Reviews by Gino Sassani on September 13th, 2010
Look up in the sky. It’s a bird. It’s a plane. No, it’s…. well, Clark Kent. When Smallville was first developed for television, the show runners made a few conscious decisions that have, for the most part, been kept for the show’s first 8 seasons. There was a strict “no flights, no tights” rule that was in effect for anyone hoping to pen an adventure for the show. Everyone knows we’re talking about Superman here, but the term is avoided like a deadly disease. All of the familiar places and names are firmly in place, but make no mistake. This is the world before Superman began to make his presence known to the world.
For those of you who have been living under a rock since the 1930’s, Smallville was the Kansas farm town where young Kal-El’s space ship from the dying planet Krypton crash- landed. He was discovered by Jonathan (Schneider) and Martha (O’Toole) Kent and raised as their adopted son. The series began with Clark’s high school years. Clark always had a crush on neighbor Lana Lang (Kreuk). In a nod to the 1978 film, Martha is played by Annette O’Toole, who played Lana in that second film. Clark’s high school friends include Chloe Sullivan (Mack) who is somewhat of a computer whiz and ace school paper reporter. Clark also befriends local billionaire son Lex Luthor (Rosenbaum) after saving his life. In these early seasons the characters would slowly build towards the eventual hero/villain relationship that Luthor and Superman would share. Lex Luthor’s father Lionel Luthor (Glover) would go from being a bad guy to a good guy and back again as the show progressed. Much of these early episodes dealt with Clark discovering his powers as he matured. Eventually all but the flight ability would surface. The show also took on a freak-of-the-week aspect at times. It seems that while Kryptonite robs Clark of his power, it has created mutant powers in many humans who have encountered it over the years. Clark and Chloe would spend many a season tracking down and stopping these “meteor freaks”. Justin Hartley joined the cast as a full on regular playing Oliver Queen, better known to comic fans as The Green Arrow. Thenthere is Cassidy Freeman as Tess Mercer. Tess is taking over Luthorcorp in Lex’s absence. She gets a pretty rich back story here and is not a character from the comics. It’s likely the name was an homage to Lex’s secretary in the first films and some of the comics, Miss Teschmacher. She’s just as strong-illed as Lex and just as eager to discover Clark’s secret. Clark is finally working at The Daily Planet with Lois (Durance). Clark has finally embraced his destiny and begins to patrol the streets of Metropolis. He’s known as the Red-Blue Blur based on an out-of-focus picture that Jimmy takes of him saving Lois.
Posted in: Disc Reviews by Gino Sassani on September 8th, 2010
I'll be honest, at first Chuck sounded like a pretty bad idea to me. I expected it to be a kind of modern Get Smart with a reluctant geek hero. And that's pretty much what it turned out to be. Except it turned out to also be pretty darn entertaining as well. It all really starts with a solid cast and tightly written stories. Each episode manages to capture just the right blend of drama and comedy. I resist the trendy word dramedy, but if any series fits the mold, it would have to be Chuck.
In the first season we met Chuck Bartowski (Levi). He was a super-smart student at Stanford when his best friend Bryce Larkin (Bomer) set him up to take the fall as a cheater and be kicked out of school in disgrace. The only job he can get now is working at the Buy More (Best Buy) on the Nerd Herd (Geek Squad). But Bryce wasn't done with Chuck yet. Turns out that Bryce is a CIA agent who has been working on the top secret project called Intersect. The Intersect is a computer program that can download the entire government's database into a person's brain through a series of coded flash images. Not content with getting him kicked out of school, Bryce tricks Chuck into getting the Intersect inside his brain. Now Chuck is an important government asset and in need of protecting. Enter CIA agent Sarah Walker (Strahovski) who is Chuck's CIA handler. Their cover is boyfriend and girlfriend, which confuses Chuck's family and friends, who never thought he could get such a hot girlfriend. The muscle for the team is Agent John Casey (Baldwin), who resents being assigned to such a lame mission. Not only do they have to keep Chuck and the Intersect safe, but they must take untrained Chuck on their missions because of the intel stashed in his brain. While Chuck is not consciously aware of the information he carries, when he sees something that triggers a piece of the data, something they call flashing, he is able to access the relevant data. The bad guys are part of an organization called Fulcrum, which is this show's Kaos or Spectre.