Posted in: Disc Reviews by David Annandale on July 31st, 2007
Left alone when his family leaves town to visit relatives, professor Edward G. Robinson hangs out at his club with his two cronies, one of whom is DA Raymond Massey. He is fascinated by a striking portrait of a young woman, and one night, leaving the club late and alone, he runs into the portrait’s model (Joan Bennett). Though he knows better, he accompanies her back to her apartment. A jealous lover bursts in and attacks Robinson, who murders him in self-defense. Panicked by the situation, Bennett and Robinson cover up the event, but both the authorities and a blackmailer circle closer and closer.
Robinson is magnificent as a basically decent man whose one lapse in judgment leads him to catastrophe. His eyes radiate a desperate desire to turn back the clock, and the audience squirms along with him. Bennett’s character is interesting as the unintentional femme fatale: she never has any desire to cause trouble for Robinson. Director Fritz Lang holds the audience in a lethal grasp, which never loosens in the slightest until the unfortunate cop-out ending.
Posted in: Disc Reviews by Archive Authors on July 30th, 2007
Director David Fincher (Se7en) has returned to serial killer territory in a very different way. Zodiac is an effective period piece that enwraps the viewer in a real-life mystery that remains unsolved because it happened before the age of computers and minute C.S.I. technology.
In 1969, a serial killer who eventually became known as the Zodiac struck for what is believed to be the first time. While the Zodiac continued to kill and take credit for murders for more than two decades, the killer eluded police, reporters and hobbyist investigators who tried to nail him down.
Posted in: Disc Reviews by Michael Durr on July 29th, 2007
In 1997, Hal Hartley put out a film called Henry Fool. It was the story of an introvertish garbage man Simon who makes friends with Henry Fool, a witty but talent-less novelist. Simon ascends to be a great poet while Henry finds the bottomless pit of alcoholic brew. However, the plot turns around and Simon helps Henry to flee the country since he has a criminal past. The movie did seem to hint at a sequel but didn't see one until 10 years later. Fay Grim tries to pick up where Henry Fool left off. It includes many of the same cast of characters.
Parker Posey returns as Fay Grim, the wife of Henry Fool (she took back her maiden name after his death). She becomes the focus for this movie. Donning a leather coat with fake pockets, she goes around Europe and the Middle East in search of Henry's missing notebooks. These notebooks apparently contain some government secrets that lead to a game of deadly espionage. Back at home, Simon Grim (played by James Urbaniak) is serving a prison term for keeping his mouth shut regarding Henry Fool's escape from the country. Ned (played by Liam Aiken)(Fay's 14 year old son) and Angus James (played by Chuck Montgomery)(Simon's publisher) also return as important characters for the sequel. However, new characters are on foot here too. The most important is the role of Agent Fulbright (played by Jeff Goldblum). Jeff as Fulbright does an excellent job of being the main opposition of the film as he is trying to investigate the notebooks and seeing if he can convince Fay to do his dirty work for him.
Posted in: Disc Reviews by Michael Durr on July 28th, 2007
I still remember the first time I watched a Spawn animated episode. I was with my parents in my younger years on what I believe was the last vacation we ever took together. It was a hotel we were staying at which had HBO (I never had that channel growing up). I had read Spawn but didn't even know of the animated series. The fact it was late at night and on a premium movie channel meant it had to be good. I was simply blown away and remember telling my parents that we had to be back at the hotel to watch it again the next night. I remember that later I would procure used copies of the series. All beat up, in snapper cases, it didn't matter. I soon dumped those copies in a couple of years and hoped that it would get reissued in a nice box set. That time has come, Spawn has come home.
Spawn is Todd McFarlane's baby; his issue of defiance when he and a group of artists started Image Comics. Great art, compelling stories and no boundaries. Spawn was the story of Al Simmons who sold his soul to the demon Malebolgia so that he come back to avenge his death and be with his wife Wanda one more time. Problem was once that occurred he was to become an undead "hellspawn". So he fights that control constantly along with enemies from that conflict and those enemies in the human world that would bring him harm. He is not a superhero so much but the boogieman, a character that lives in the shadows and comes out at night to take care of business and then return to those same shadows by morning.
Posted in: Disc Reviews by Archive Authors on July 27th, 2007
With a cast that includes several well known actors, I couldn't believe that I hadn't heard of this movie prior to reviewing it. This really didn't worry me however, because in the past I’ve always enjoyed low budget Indy films. So how does Played stack up?
Played dissects the lives of players in the London underground ring of crime, from the hustlers to the crooked cops. After an elaborate heist goes all wrong small time thief Ray Burns takes the fall and is sentenced to eight years in prison. He keeps his mouth shut and does his time with only one thing on his mind, revenge. As he hits the streets he finds out that the scam goes above and beyond what he expected and the true players become revealed. At certain points it seems like everyone is playing everyone and it really keeps you on the edge of your seat.
Posted in: Disc Reviews by David Annandale on July 26th, 2007
Preston Foster is a bitter ex-cop who masterminds a gigantic robbery. Hiding behind a mask, he forces three cons to work with him, and makes sure they too wear masks, so only he knows everyone’s identity. The heist also involves framing an innocent flower delivery-man (Joe Rolfe), who unfortunately has done his own stint in jail, and so is put through the brutal wringer by the police. Freed but understandably ticked off, Payne sets off on the trail of the men who framed him. Tracking one to Tijuana, Payne adopts his identity and arrives at the resort where Foster and others have gathered. Foster’s master plan is complicated by the arrival of his daughter, who develops an interest in Payne.My summary likely makes the film sound hellishly convoluted. Though it does indeed have a plethora of twists and turns, the storytelling remains crystal-clear throughout, and it is astonishing how many issues and incidents it packs into 99 minutes. The near torture that Payne suffers at the hands of the police is wince-inducing, and Neville Brand and a young Lee Van Cleef are memorably sleazy cons. Marvellous fun.
Audio
Posted in: Disc Reviews by Archive Authors on July 26th, 2007
Actor Matt Damon, ever since his big burst into our homes via 1997’s Good Will Hunting, has always been a gem of an actor for myself. The man, quite possibly, hasn’t really made a bad film.. In his second trilogy (the first being the Ocean films), Damon plays Jason Bourne, a former government agent whose running all over the place trying to figure out why the government wants to kill him. And the fact that he has amnesia doesn’t help one bit either.
An obvious comparison to this film and James Bond has been made numerous times. And that, in all honesty, is a major disservice to this film. Sure the Bond films are classics in their own right, but the last few (with the exception of Brosnan’s Goldeneye and the most recent Casino Royale), haven’t fared all that well. The Bourne series, on the other hand, are crafty, cunning and skillful knowing that they don’t need to include over-the-top stunts or sequences that don’t seem overly plausible. This film plays out like the domino effect with each sequence revealing a new part of Bourne’s past. Only the film rarely falters in its explanation or story continuance. And the fact that Ludlum is known by pretty much ever adult around (I know… so is Fleming), adds a more interesting appeal to this film.
Posted in: Disc Reviews by David Annandale on July 22nd, 2007
George Dolenz is the Montreal scientist working on an atomic something-or-other. Foreign spies (could they be.... Communists??!!) hire exiled American gangster George Raft to get Dolenz and his secret into their clutches. His secret weapon for this project is the seductive power of Audrey Totter. Working for the angels is RCMP detective Edward G. Robinson. The expected race against time ensues.The Montreal setting is unusual, as is the idea of Robinson as a Mountie, so that's fun. Rraft is very much the aging gangster by this point, but still rasps it out with the best, and the film is really about his redemption. Not only is Dolenz' research a pure McGuffin, so is he, his character nothing more than the means to have Robinson and Raft play cat and mouse. This isn't in the top rank of films noir, but it is still a lesson in how to pack a lot of entertainment into an economical 87 minutes.
Audio
Posted in: Disc Reviews by David Annandale on July 20th, 2007
Jim Carrey is an animal control officer whose wife (Virginia Madsen) gives him an odd crime novel for his birthday. The book is narrated by a police detective who becomes violently obsessed with the recurrence of the number 23 in all aspects of life. The book has plenty of strange similarities with Carrey's life, and he becomes consumed with finding the author and knowing what it's all about, not to mention descending into the 23 obsession himself.As with so many Joel Schumacher films, there is less here than meets the eye. The film is pretty, slick, and superficially interesting, but ultimately rather empty. The whole 23 thing has been kicking around in popular culture for a while, and there is something neat that could be done with it, but most of the notions of mystery or conspiracy evaporate as the film reaches its climax, and everything disintegrates into a muddle of endless expository voice-over and platitudinous moralizing. The unrated version of the film runs three minutes longer than the theatrical version (also present).
Audio
Posted in: Disc Reviews by Archive Authors on July 15th, 2007
Synopsis
The Watcher is a groundbreaking piece of cinema. It takes the crime thriller film genre, employs a few recognizable stars, and proceeds to waste them by boring the absolute beejeezus out of me with performances and a story that is so holistically unoriginal that I didn’t feel good about myself after watching the film.
![The Bourne Identity [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-bourne-identity-hd-dvd-large.jpg)
![The Watcher [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-watcher-hd-dvd-large.jpg)
