Posted in: Disc Reviews by Archive Authors on June 25th, 2007
You know it’s an odd feeling when you finish watching a film only to think that if you loved the film, audiences must have enjoyed it on the level you did too right? Well, it’s a sad note to see that a film like Breach massively underperformed at the box office this past winter as the film is smart, intelligent and reminds me of why films were created in the first place.
Breach is a 2007 film that deftly tells the story of the greatest security breach in the history of the United States. The breach ...as due to a spy by the name of Robert Hanssen, a 25-year veteran of the intelligence branch of the FBI. The film covers the final 2 months of an investigation into Hanssen brought forth due to papers provided by a Russian defector.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2007
Tony Scott’s controversial thriller, Revenge, is based rather loosely on a 1979 novella written by Jim Harrison for Esquire Magazine. I say loosely because the source material is quite short and was necessarily expanded for a feature length film. I never saw the 1990 theatrical release of the film, but research shows it did rather poorly. What I know of the difference between this cut and the original comes from Tony Scott’s commentary, which I’ll discuss in the audio portion of this review. I do know the changes m...st be significant as extra credits were required which provide for an additional composer for new music for some additional footage. The running time is also a stunning 30 minutes or so less than the original film. I say this up front so that if you are a fan of the original your mileage may differ. That DVD was released back in 1998. The DVD cover contains a quote from Quentin Tarantino exclaiming that Revenge is Tony Scott’s masterpiece. He does not imply which version he’s talking about. Either way, that’s saying a ton when you consider Scott’s impressive portfolio.
The film begins as Michael Cochran, no relation to Zephram (I think) is retiring as a Navy pilot. He heads to Mexico to spend time with a very old friend. It is hinted that he is going there to work for him, but that situation is never really explained. Unfortunately he falls in love with his pal’s wife, Mireya (Stowe). I say unfortunately because it happens that his pal Tibby (Quinn) also happens to be a ruthless underworld kingpin with plenty of power, money, goons, and guns. Did I mention he has a lot of guns? From almost the moment Cochran enters this world he seems to be ruffling the feathers of everyone around Tibby even before he starts ruffling Mireya’s bed sheets. Now I hate to disagree with the venerable Mr. Tarantino, but doesn’t all of this look just too contrived to be a masterpiece? Call me, Quentin, and we’ll talk about it over pasta and meatballs, my treat.
Posted in: Disc Reviews by David Annandale on June 6th, 2007
Synopsis
Recently released from a psychiatric institute, but hardly a model of stability, archaeologist Taylor Melnick (Geoffrey Lewis) returns home, still haunted by nasty hallucinations involving his demented mother (Karen Black). Complicating his attempts to function are the people around him, ranging from the alcoholic woman across the street to his shady uncle.
Posted in: Disc Reviews by Archive Authors on May 29th, 2007
Hannibal “the cannibal” Lecter is widely recognized as one of the most compelling villains in modern fiction. This film, Hannibal Rising, based on the Thomas Harris book of the same name, presents the origin of the cannibalistic psychopath.
Quick context for this review: I’ve seen all of the Lecter films, and read none of the books. I liked Silence of the Lambs best, followed closely by Manhunter and more distantly by Hannibal and Red Dragon, the 2002 Manhunter remake. As such, I’ve certainly wondered about the story behind the madman. Was he born, or made? Or was it nature amplified by nurture?
Posted in: Disc Reviews by Archive Authors on May 27th, 2007
Synopsis
Steven Soderbergh has done a successful job of leveraging his reputation through the years in order to experiment with various directorial techniques and styles. With mainstream successes like Erin Brockovich and Traffic, he’s managed to keep in the spirit of anindependent film, producing stellar, less visible works like Bubble and a remake of Tarkovsky’s Solaris. Many of his works over the last few years have been with George Clooney, who starred in Solaris and < ...>Ocean’s Eleven, and was Soderbergh’s partner in a production house that released their own pieces of cinema. So Clooney and Soderbergh team together on film once again for The Good German, Soderbergh’s ode to ‘40s noir films.
Posted in: Disc Reviews by Archive Authors on May 21st, 2007
Synopsis
To Catch a Thief has a lot going for it. For starters, two of the most marketable faces of their time playing opposite one another, in a film directed by one of the greats of cinematic history. What’s so wrong about that? John Michael Hayes (Peyton Place) adapted David Dodge’s novel, which Alfred Hitchcock (Psycho) directed.
Posted in: Disc Reviews by Michael Durr on May 14th, 2007
Synopsis
Stereo-typing is a nasty business and unfortunately happens a lot in Hollywood. Certain actors play certain types of characters, certain movies always have the same themes, certain Uwe Boll movies (all) get bad ratings, etc. One of those unfortunate stereo-types is african-american movie making. Quite often you see an urban setting, a rise from the ghetto, or something related to basketball or football. Dominant african-american stereo-typing at what everybody thin...s they do best. Sometimes however there are films that try to steer away from that by portraying them in a different light; one we aren't used to (but should be). It is the only hope that it is still a good film when all said and done.
Posted in: Disc Reviews by David Annandale on May 4th, 2007
Synopsis
A serial killer who sounds just like Jigsaw (only rather less interesting) and kills exclusively using explosives (!) blows up the brother of a criminal psychologist, then turns his unwanted attentions to seminary student Marc Blucas, taking his life apart one explosion at a time. Blucas is convinced that the killer is a dark figure from his past, and turns amateur sleuth even as he is consumed by guilt. Most of his time, however, he puts his energy into being one of the whiniest protagonist... ever.
Posted in: Disc Reviews by Archive Authors on April 18th, 2007
Take a second and think about your life. You have a pretty set schedule right? Get up, go to work, come home, eat dinner, watch TV and go to sleep and repeat. Pretty dull no? Imagine getting a card when day at your birthday inviting you to open your life into a completely different world of change. Would you necessarily change? And what would come from the change? That is what David Fincher looks at in his 1997 film The Game.
Nicholas Van Orton (Michael Douglas) is your typical investment banker. Hi... life is completely in order and he knows exactly what is going on, why it’s going on and when it’s going on. And Nicholas likes his life in this order. His brother Conrad Van Orton (Sean Penn) knows that his brother’s life needs a reshuffle so he decides to give his brother a card to a company called CRS, which Conrad tells Nicholas he tried while in London. Curious at what CRS is, Nicholas travels to their office and after nearly a day of tests that include questions like ‘Do I enjoy hurting small animals’, Nicholas receives a phone call saying that his application has been rejected. Now Nicholas is a man of order and is obviously annoyed by this. Then one evening he notices a small wooden clown in his driveway. Upon further inspection, Nicholas realizes that the clown has a key inside of it. This key marks the beginning of a series of strange events that demand Nicholas’s attention if he wants to survive this game.
Posted in: Disc Reviews by David Annandale on April 12th, 2007
Synopsis
Lloyd Nolan stars in this quartet of films about Michael Shayne. Less hard-boiled than he was in other media, here he’s an inveterate wisecracker and the films are sometimes more comedies than thrillers. Our boy takes his first bow in <>i>Michael Shayne, Private Detective (1941), where he’s hired to keep an heiress (Marjorie Weaver) out of trouble. But when one of the dubious people she’s been hanging out with turns up killed, apparently by Shayne’s gun, the detective must stay one step ...head of the police while he works to solve the crime. Good thing there’s an eccentric, mystery-loving aunt about. Shayne is such a joker and so unflappable that there is no real suspense here, but the entertainment level is high. The box copy implying that these films are noirs is clearly shown up for a lie here.
![Breach (Combo HD DVD and Standard DVD) [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/breach-combo-hd-dvd-and-standard-dvd-hd-dvd-large.jpg)
![The Game [HD DVD] dvd cover art](https://upcomingdiscs.com/ecs_covers/the-game-hd-dvd-large.jpg)
