Posted in: Disc Reviews by Archive Authors on June 25th, 2007
You know it’s an odd feeling when you finish watching a film only to think that if you loved the film, audiences must have enjoyed it on the level you did too right? Well, it’s a sad note to see that a film like Breach massively underperformed at the box office this past winter as the film is smart, intelligent and reminds me of why films were created in the first place.
Breach is a 2007 film that deftly tells the story of the greatest security breach in the history of the United States. The breach ...
Posted in: Disc Reviews by Gino Sassani on June 8th, 2007
Tony Scott’s controversial thriller, Revenge, is based rather loosely on a 1979 novella written by Jim Harrison for Esquire Magazine. I say loosely because the source material is quite short and was necessarily expanded for a feature length film. I never saw the 1990 theatrical release of the film, but research shows it did rather poorly. What I know of the difference between this cut and the original comes from Tony Scott’s commentary, which I’ll discuss in the audio portion of this review. I do know the changes m...
Posted in: Disc Reviews by David Annandale on June 6th, 2007
Synopsis
Recently released from a psychiatric institute, but hardly a model of stability, archaeologist Taylor Melnick (Geoffrey Lewis) returns home, still haunted by nasty hallucinations involving his demented mother (Karen Black). Complicating his attempts to function are the people around him, ranging from the alcoholic woman across the street to his shady uncle.
As one would expect, everyone’s life reaches a crisis point with the unfortunate Melnick as a focal point. Though some would-b...
Posted in: Disc Reviews by Archive Authors on May 29th, 2007
Hannibal “the cannibal” Lecter is widely recognized as one of the most compelling villains in modern fiction. This film, Hannibal Rising, based on the Thomas Harris book of the same name, presents the origin of the cannibalistic psychopath.
Quick context for this review: I’ve seen all of the Lecter films, and read none of the books. I liked Silence of the Lambs best, followed closely by Manhunter and more distantly by Hannibal and Red Dragon, the 2002 Manhunter remake.
Posted in: Disc Reviews by Archive Authors on May 27th, 2007
Synopsis
Steven Soderbergh has done a successful job of leveraging his reputation through the years in order to experiment with various directorial techniques and styles. With mainstream successes like Erin Brockovich and Traffic, he’s managed to keep in the spirit of anindependent film, producing stellar, less visible works like Bubble and a remake of Tarkovsky’s Solaris. Many of his works over the last few years have been with George Clooney, who starred in Solaris and < ...
Posted in: Disc Reviews by Archive Authors on May 21st, 2007
Synopsis
To Catch a Thief has a lot going for it. For starters, two of the most marketable faces of their time playing opposite one another, in a film directed by one of the greats of cinematic history. What’s so wrong about that? John Michael Hayes (Peyton Place) adapted David Dodge’s novel, which Alfred Hitchcock (Psycho) directed.
John Robie (Cary Grant, North by Northwest) is a well-known cat burglar who lives in the French Riviera. However, he had left the business...
Posted in: Disc Reviews by Michael Durr on May 14th, 2007
Synopsis
Stereo-typing is a nasty business and unfortunately happens a lot in Hollywood. Certain actors play certain types of characters, certain movies always have the same themes, certain Uwe Boll movies (all) get bad ratings, etc. One of those unfortunate stereo-types is african-american movie making. Quite often you see an urban setting, a rise from the ghetto, or something related to basketball or football. Dominant african-american stereo-typing at what everybody thin...
Posted in: Disc Reviews by David Annandale on May 4th, 2007
Synopsis
A serial killer who sounds just like Jigsaw (only rather less interesting) and kills exclusively using explosives (!) blows up the brother of a criminal psychologist, then turns his unwanted attentions to seminary student Marc Blucas, taking his life apart one explosion at a time. Blucas is convinced that the killer is a dark figure from his past, and turns amateur sleuth even as he is consumed by guilt. Most of his time, however, he puts his energy into being one of the whiniest protagonist...
Posted in: Disc Reviews by Archive Authors on April 18th, 2007
Take a second and think about your life. You have a pretty set schedule right? Get up, go to work, come home, eat dinner, watch TV and go to sleep and repeat. Pretty dull no? Imagine getting a card when day at your birthday inviting you to open your life into a completely different world of change. Would you necessarily change? And what would come from the change? That is what David Fincher looks at in his 1997 film The Game.
Nicholas Van Orton (Michael Douglas) is your typical investment banker. Hi...
Posted in: Disc Reviews by David Annandale on April 12th, 2007
Synopsis
Lloyd Nolan stars in this quartet of films about Michael Shayne. Less hard-boiled than he was in other media, here he’s an inveterate wisecracker and the films are sometimes more comedies than thrillers. Our boy takes his first bow in <>i>Michael Shayne, Private Detective (1941), where he’s hired to keep an heiress (Marjorie Weaver) out of trouble. But when one of the dubious people she’s been hanging out with turns up killed, apparently by Shayne’s gun, the detective must stay one step ...