Posted in: Disc Reviews by Archive Authors on January 19th, 2010
The series premiere of E.R on September 19, 1994 was preceded by the premiere of another medical drama, Chicago Hope, by one day. But one day didn’t seem to make much of a difference in the show’s longevity. E.R.ended after fifteen seasons on NBC in 2009. The show has seen a drastic change in cast members over the years—none of the original cast members were series regulars by the last season. We are, however, reunited with original cast members Dr. John Carter, played by Noah Wyle, Dr. Susan Lewis, played by Sherry Stringfield, and the underutilized Laura Innes as the stone-faced Dr. Kerry Weaver in season 12.
Posted in: Disc Reviews by Michael Durr on January 18th, 2010
Robin Hood is a fantastic tale, and one that can be re-told again and again without fail. The story begins with a man that steals from the rich and gives to the poor. This is a great way to give us a hero to cheer for and has worked for Errol Flynn and even Kevin Costner. This summer, Russell Crowe tries his hand at making the arrow stick for a successful box office run. But will Jonas Armstrong make a viable enough Robin Hood for a third season of this BBC series? We will just have to see.
The second season of Robin Hood ended in a shocker: Marian (played by Lucy Griffiths) has been murdered at the hands of Guy of Gisborne (played by Richard Armitage). Robin Hood (played by Jonas Armstrong) is outraged and seeks Gisborne’s head on a silver platter. His only desire is vengeance and he won’t be held back by anything to achieve his revenge.
Posted in: Disc Reviews by Gino Sassani on January 13th, 2010
"... It is a dark time for the rebellion. Although the Death Star has been destroyed, Imperial troops have driven the rebel forces from their hidden base and pursued them across the Galaxy. But, you know this story..."
Know this story, you do. It's the opening of the second, or actually the 5th in sequence, but it is the second one made, unless you count... Never mind. This is the prologue to The Empire Strikes Back, more commonly referred to the 2 hour trailer for Return Of The Jedi. Not so long ago in this Galaxy, Family Guy took a shot across the bow of those Imperial Cruisers with its extremely funny and on the spot spoof of the first Star Wars film, or actually the 4th chapter.... Star Wars: A New Hope. It was only a matter of time before Seth Mac Farlane would steer his own ship back into George Lucas's universe once again. With equal parts faithful adaptation and off the wall detours, he's done it again, delivering another very funny tour into the dark side.
Posted in: Disc Reviews by Gino Sassani on January 12th, 2010
I'll be honest, at first Chuck sounded like a pretty bad idea to me. I expected it to be a kind of modern Get Smart with a reluctant geek hero. And that's pretty much what it turned out to be. Except it turned out to also be pretty darn entertaining as well. It all really starts with a solid cast and tightly written stories. Each episode manages to capture just the right blend of drama and comedy. I resist the trendy word dramedy, but if any series fits the mold, it would have to be Chuck.
In the first season we met Chuck Bartowski (Levi). He was a super smart student at Stanford when his best friend Bryce Larkin (Bomer) set him up to take the fall as a cheater and be kicked out of school in disgrace. The only job he can get now is working at the Buy More (Best Buy) on the Nerd Herd (Geek Squad). But Bryce wasn't done with Chuck yet. Turns out that Bryce is a CIA agent who has been working on the top secret project called Intersect. The Intersect is a computer program that can down load the entire government's database into a person's brain through a series of coded flash images. Not content with getting him kicked out of school, Bryce tricks Chuck into getting the Intersect inside his brain. Now Chuck is an important government asset and in need of protecting. Enter CIA agent Sarah Walker (Strahovski) who is Chuck's CIA handler. Their cover is boyfriend and girlfriend, which confuses Chuck's family and friends who never thought he could get such a hot girlfriend. The muscle for the team is Agent John Casey (Baldwin), who resents being assigned to such a lame mission. Not only do they have to keep Chuck and the Intersect safe, but they must take untrained Chuck on their missions because of the intel stashed in his brain. While Chuck is not consciously aware of the information he carries, when he sees something that triggers a piece of the data, something they call flashing, he is able to access the relevant data. The bad guys are part of an organization called Fulcrum which is this show's Kaos or Spectre.
Posted in: Disc Reviews by Gino Sassani on January 5th, 2010
For five years now, Lost has taken us through mystery after mystery. I’m beginning to think that the show’s title is more a mission statement for where they want to take the viewers. Each time Abrams appears to answer a question and move on, closer examination proves that nothing has actually been revealed. The series has become the poster child for misdirection and script sleight of hand. When I examine the 13 episodes from season 4, I’m left with the inescapable, pun intended, feeling that nothing significant has really happened here at all. But at the same time it’s the most significant event of the series. All the while I find myself compelled to watch episode after episode. Abrams would have been a great drug dealer if that producing gig hadn’t worked out for him. The show started out with enough directions and plot devices to put our brains into overload. From that point on, he’s been cutting each dose a little bit so that we find ourselves drawn to each hour fix chasing the high we got in the beginning. Of course, we already know we’re never going to feel that way again, but we’ll keep coming back for more as long as he continues to make us believe that we will. I’m not saying the show has declined at all. I’m saying that it doesn’t really ever go anywhere. Abrams continues to introduce major plot lines such as the hatch, the others, and now the freighter, with promises of linking it all together into some kind of epiphany, and for a short time he actually does. But hindsight leaves us scratching our heads, because once we come down we can’t really explain what the high was all about. And so, we’ll continue to tune in or buy the DVD’s to see where it’s all headed, even if we already know that we’re doomed to remain lost no matter how it all ends.
I will attempt to relate to you some of the important elements from this season without revealing much in the way of spoilers.
Posted in: Disc Reviews by Gino Sassani on January 5th, 2010
“Every story has a beginning. Every life has meaning and potential…”
Kyle doesn’t really know his story, and he’s beginning to understand his potential. But that was before. This year things are about to come to a conclusion for our adolescent boy without a belly button. For Kyle's fans, this is your classic good news/bad news scenario. The good news is that by picking up this third season release you can complete your collection of the entire series. The bad news is that by picking up this release you can complete your collection of the entire series.
Posted in: Disc Reviews by Gino Sassani on January 5th, 2010
Few television situational comedies have produced the stable of A-list stars that this one did. Every one of these cast members were relatively unknown at the time that Taxi was taking fares on our television sets each week. Not so today. The cast was so remarkable that it is here that I decided to spend much of my review. The episodes were often funny, even more often hilarious. But after all of these years, it is the characters that are most remembered by the fans. Yeah, we all have our favorite moments. Many of them in this release. And I’ll get to those moments, but first:
Playing the hard-nosed and lecherous dispatcher for The Sunshine Cab Company was Danny DeVito. He spent most of his Taxi days sitting in a cage barking orders and insults with equal frequency to the crew of drivers in the garage. Each of them had dreams beyond the yellow sedans, and Louie took great pleasure in watching them try and ultimately fail to achieve their dreams. Of course, DeVito went on to star in a boatload of feature films and never looked back.
Posted in: Disc Reviews by Michael Durr on January 4th, 2010
Parker Lewis Can’t Lose as anyone could guess was heavily influenced by the cult classic Ferris Bueller’s Day Off. It lasted for three seasons and seventy three episodes. It actually did a fair amount of decent ratings (as far as Fox was concerned) during the run. The living cartoon as many have described it has kept its fans through the years. As a result, Shout Factory has decided to go ahead with the release of the 2nd season. Hopefully it still keeps its charm after all of these years.
For those who are not familiar with the show, let me spend a few moments setting up the show. The three main characters of the show are Jerry Steiner (played by Troy Slaten), Mikey Randall (played by Billy Jayne) and of course Parker Lewis (played by Corin Nemec). Parker is the quintessential slacker and cool attendee at the Santo Domingo High School.
Posted in: Disc Reviews by David Annandale on December 23rd, 2009
Eight-year-old Buddy (T. J. Lowther) likes living in the Alabama countryside with cousing Sook (Julie Harris in a tiny role), but circumstances dictate that he go to New Orleans for Christmas, there to stay with the father he has never seen (Henry Winkler). Old dad is, it turns out, a con artist with an inflated sense of self-importance, currently wooing Swoozie Kurtz, whose mother (Katharine Hepburn) recognizes Winkler for what he is. This being a Christmas movie, hard lessons and redemption will be called for.
At this festive season of the year, studios rummage through their vaults for those films that no one would want to watch at any other time of the year, but will happily do so when even the merest hint of sentiment and the word “Christmas” will apparently be enough to fill us with the warm glow of nostalgia and good cheer. In the movie's defense, it has a more interesting base than most such bargain releases – a Truman Capote story – but it is still a blandly executed made-for-TV pic with some good-looking production and costume design. Lowther, meanwhile, is simply too cold a fish to warm up to as Buddy, and Winkler's performance is both mannered and flat. You're going to have to be pretty undemanding to make it through this one.
Posted in: Disc Reviews by Michael Durr on December 21st, 2009
Here is an interesting fact for those reading this review. I don’t drink alcohol. In fact, the only time I’ve actually drank anything alcoholic is when somebody else spiked my drink (usually some kind of juice). So imagine my surprise when I receive a copy of a show based on alcoholic drinks to review. However, it might not be so bad when I realize it is in the style of all those “Travel to Destination A, show me all of the cool stuff that goes on there while making funny anecdotes” ones on the Travel Network that I actually enjoy.
Zane Lamprey is a comedian who has done a lot of reality shows. At first he hosted a few of those Girls Gone Wild specials and was in five episodes of Damage Control. He also landed a spot on the Food Network with the show Have Fork, Will Travel that unfortunately only lasted a season of thirteen episodes. But his most famous show to date has been Three Sheets.
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