Fox

Ice Age – The Meltdown is a  funny, well-animated sequel that offers up a new adventure for the memorable characters from the original Ice Age film. As a great bonus, it’s nicely balanced for audiences young and old.

20th Century Fox Animation is still a poor second cousin to Disney’s Pixar Animation Studios, but for sheer entertainment value, Ice Age – The Meltdown doesn’t get knocked completely out of the water by top-shelf blockbusters like The Incredibles. Sure, the animation is weaker, and story is less inspired, but the voice work is excellent, with the talent of Ray Romano, John Leguizamo, Queen Latifah, Denis Leary, Jay Leno, and the list goes on.

I’ve often spent a lot of time talking about how Pixar has dominated computer animation, at least as far as full-length features go. With few exceptions, there isn’t anything out there that even comes close. Most films rely on toilet humor and crude innuendo to get a few laughs. A lot of the kids and adults might suck that stuff up, but they can’t hold a candle to Pixar. There are, as I’ve mentioned, some quite notable exceptions. The Fox Blue Sky Studios has had enormous success with their Ice Age films, and when you take a look at the third and latest entry in that franchise, you’ll understand why.

"We're back..."

The Chipmunks began life oddly enough as a singing group, of sorts. They were the brainchild of struggling songwriter Ross Bagdasarian and were named after the three chief executives at Liberty records. His own alter ego David Seville’s name came from his World War II Army station in Spain. The Chipmunks first appeared in a 1958 record called The Witch Doctor, but wouldn’t officially become The Chipmunks until later that year when The Chipmunks Christmas Song was released. It is for that Christmas music that I most remember the group

"Boggis, and Bunce and Bean. One fat, one short, and one lean. These horrible crooks, so different in looks, were none the less equally mean."

Roald Dahl was one of the more eccentric writers to come upon the scene. While he often wrote for children, his work is most decidedly dark and often quite sinister. He's most known for such tales as Charlie And The Chocolate Factory. His work has not been adapted to film as often as you might suspect given his popularity. The most famous was certainly Gene Wilder's Willy Wonka And The Chocolate Factory, which was far brighter and more cheerful than the original work.

I'm sure that somewhere inside of Jared Hess's mind all of this makes perfect sense. I get the feeling that after he completed Gentlemen Broncos the writer/director/producer sat down to a screening with a group of his friends and the congregation rolled in the aisles with laughter. I'm equally sure that when his friends went home they were left scratching their heads. Somewhere in Hollywood a corner drugstore made a killing in aspirin or something stronger. In his own private world, where they all get the joke, Gentlemen Broncos might not be so bad.

Possession is a remake of a Japanese thriller called Jungdok (or Addicted). It was also scheduled to be released a year ago, but was pushed because the original distributor went bankrupt. Eventually, after a dozen set backs and push backs of the release date, it was given a straight to DVD release here in the states. Was it worth the wait and hassles?

Steven Seagal plays an LA cop who is forced into early retirement after being betrayed and shot by his partner. After an astounding recovery, which included blasting his partners brains all over the hospital walls (I'm assuming it was part of his rehabilitative therapy), he is hired by an old friend to be the head of security for his friend's daughter. This family is linked to some bad dudes who are keen on uranium and kidnapping, so Seagal is forced to slowly shoot everyone near him while mumbling something about being a tough guy or whatever.

I have absolutely no doubt that Hilary Swank meant well, but we all know what wise men say about good intentions. It is likely that Amelia Earhart has been a hero and inspiration to the young actress as I know she's been to women of all professions throughout the years. There's no question that she is an influential historical figure and deserving of attention. Of course, she's had plenty over the years. There have actually been quite a few films and television shows dedicated to the heroine since her disappearance so many years ago.

"My old man calls space travel a fool's game. He says human beings are 60 percent water; they eat, sleep, defecate, can't follow directions, and explode like piñata when exposed to the vacuum in space. Lately, I've been wondering if he is right."

Houston, this is Canaveral. Initiating prelaunch checklist. Please respond go/no go:

One of the lesser-known, but more visible, provisions of the Obama administration's stimulus bill is the provision that there must be at least one Sandra Bullock movie in the theatres at all times, regardless of quality. So now, as Bullock collects awards for her turn in the enormously profitable The Blind Side, here is the summer's offering making its home video debut. Our heroine this time around is a deeply eccentric crossword creator whose social skills are somewhere south of Pee-Wee Herman's. Her parents set her up on a blind date with TV news cameraman Bradley Cooper. She is immediately smitten. He is immediately terrified. He heads out on the road, working with reporter Thomas Haden Church. Faster than you can say “restraining order,” Bullock takes off after him. Cue the merry cross-country picaresque chase.