Lionsgate / Maple Pictures

Alexandra Holden is a big-time TV reporter who is traumatized when an intruder breaks into her home and kills her fiancé. (Does this set-up remind anyone of The Howling?) She retreats to her old home-town, moves back with her parents (Sid Haig and Leslie Easterbrook!) and starts work at a local TV station. Her first assignment takes her to a house where murders took place years ago, and she promptly has visions of ghosts and the murders, and she feels she is being called on to provide justice for the ghosts.
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When you consider the huge amount of acting inherent to the WWF, you might expect acting talents to dominate this WWE horror production. OK, of course you wouldn’t. Still, acting is not where this film shines. The tired formula of teens in an isolated location who get picked off one by one is certainly nothing original, so the script doesn’t offer any real shining moments either. So where exactly does this film take on a luster of its own? Truth be told? It doesn’t. Of course, looking at the target audience, the film doesn’t really need to.
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Sven Garrett plays the Photographer, who, when not exercising his profession of photographing beautiful women, is busy torturing and killing them. His girlfriend’s little sister (Jade Risser) thinks there’s something creepy about him, but isn’t listened to. Meanwhile, the bodies pile up.

There’s not a heck of a lot more to the plot than that. The title is an apt description of the film: it is basically a collection of set pieces. References to Nazi Germany and footage of 9/11 are tossed in to no very compelling purpose.
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I don’t watch a lot of horror movies, but when I do I want them to be scary or amusing, or both. I found Blackwater Valley Exorcism to be none of the above.

The story centers around the demonic possession of a young woman, and the efforts a group of people make to save her. This group includes her family, her father’s farmhands, a sheriff, a veterinarian and a priest who’s never dealt with this sort of thing before. Luckily, one of those farmhands just happens to be a former priest who has conducted an exorcism.
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Synopsis

In 1908, an inbred hillbilly (played by, who else, Newhart’s William Sanderson) had decapitated a family member, and is brought to a spooky asylum. A maniacal intern realizes that the face-like deformity on the man’s back is actually intelligent, and his obsession with cracking the mystery unleashes all sorts of horrors.

On the commentary track, the filmmakers joke the seizure-inducing editing style. They aren’t kidding. The film jumps back and forth between B&W and colour a…
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