Posted in: Disc Reviews by Brent Lorentson on October 23rd, 2014
Imagine if you had a second chance to tell that loved one you lost how much you loved them, or were able to do the things you wished you had done the first time, but you hesitated because you didn’t take into account the fragility of life. Life After Beth shows us the joys that can come with when getting that second chance while at the same time revealing the dark consequences that may come with this new opportunity. There are numerous zombie films and series out in the market, but Life After Beth may be the most unique take on the genre in some time.
Zach (Dane DeHaan) is a grief-stricken young man who is suffering from the tragic loss of his girlfriend Beth (Aubrey Plaza). All he can think about is how the two had last talked and it had been on bad terms and how losing her only seems to have made it clear how much he truly loved her. Her parents (played by John C. Reilly and Molly Shannon) as you’d expect are taking the tragedy badly. The parents take Zach in; after all, he seems to be the only one who can seem to understand the kind of pain they are going through. Back home Zach’s family couldn’t be more opposite and border on insensitive; besides, to Zach no one can seem to understand the pain, loss and guilt that he is feeling. But all this changes when by some miracle Beth returns from the grave.
Posted in: Disc Reviews by Brent Lorentson on October 13th, 2014
It’s that time of the year again to dust off the old hunting rifle and shake out the camouflage suits, because Duck Commander is back in action. Duck Dynasty comes to Blu-ray on its sixth season, and I am just about certain it is time the quack pack has hung up their camo and walked away from their television careers. The show has had a good run, but with this current season it is clear the show has run its course, and it is time the Robertson’s should make a graceful exit while their ratings are still strong.
The biggest problem with season six is that it fails to have the charm of what made the early seasons so much fun. Dare I say it is because the Robertson clan has simply become too Hollywood, and it has become nothing more than one character to the next simply mugging for camera time, or perhaps the ridiculous nature of the “plots” for this season.
Posted in: Disc Reviews by Brent Lorentson on September 23rd, 2014
"You should never stop thinking about a life you’ve taken. That’s the price you pay for taking it."
In 2010 David Michod directed his first full-length feature Animal Kingdom. It was a critical success, and he went on to pick up a Best Director award with the Australian Directors’ Guild. Now Michod has completed his sophomore effort, The Rover, which does explore some familiar ground with criminal families, but the film takes a more introspective approach to life and what matters most in the world when you believe you have nothing left to lose.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2014
"One must regard the 30 years of strife, turmoil and suffering in Europe as part of one story. One story of a 30 years war." - Winston Churchill
He was exactly correct, and one of only a few people of the time who had the vision to understand that concept. Before the end of World War II the first world war was known as The Great War. The idea of two separate world wars came later. I can foresee a day when history will once again change its perspective and refer to the entire period as The Great War. It's the tactic that this History mini-series has taken.
Posted in: Disc Reviews by J C on September 3rd, 2014
“It’s kind of a corny, romantic comedy-type story.”
Even those of us who actually enjoy a good romantic comedy have rolled our eyes or groaned about some overused cliche in the genre. Well David Wain and Michael Showalter — who last teamed up to satirize summer camp movies in 2001's Wet Hot American Summer — have gathered many of their famous, funny friends to make They Came Together, an alternately hilarious and uneven spoof that lovingly skewers rom-com tropes.
Posted in: Disc Reviews by Brent Lorentson on August 20th, 2014
Under the revamped Hammer production company, The Quiet Ones is the new release from the legendary UK company that was known throughout the 50-70’s for its Gothic horror. In this new resurgence of Hammer, no longer do we have Peter Cushing or Christopher Lee to look forward to gracing the screen, but what we do seem to be getting is a respect for what horror can be. Horror seems to have bottomed out as of late. Where horror seems to be delving into cheaper budgets and going the direction of found footage, which isn’t so much a bad thing, but as we all know the market is just saturated with this style of filmmaking. We can blame The Blair Witch Project and the Paranormal Activity films for the glut of copycats trying to cash in, but thankfully there are still filmmakers who have the ability to bring something new to the table. And that is just what The Quiet Ones does.
When we meet Professor Joseph Coupland (Jared Harris), he is lecturing a class at the University of Oxford about the supernatural. His theory that he presents to the class is that the notion of ghosts is mistaken for something that exists in our own subconscious. It’s this belief that Coupland has that prompts him to conduct an experiment where he plans to document that supernatural activity is nothing more than something that can be created with our minds and explained away by science. It’s Brian (Sam Claflin) who is hired on to document the experiment and is unfortunately dragged into something that is far worse than he could have imagined.
Posted in: Disc Reviews by J C on August 19th, 2014
It’s kind of astounding that it took this long for somebody to revisit Rosemary’s Baby. Don’t get me wrong: I’m not suggesting Roman Polanski’s indelible 1968 adaptation of Ira Levin’s 1967 novel was crying out for a remake. It’s just that at this point you’d be hard pressed to find any horror classic — or any horror film, period — that hasn’t been re-done. (Stay strong, Exorcist!) And you probably wouldn’t expect said horror classic to be re-imagined as a bloody network TV miniseries.
I say "bloody" because NBC's two-part/four-hour modernization of Rosemary's Baby is actually more graphic than Polanski's theatrical chiller. (Then again, I still can't believe the network gets away with showing half the inspired, disturbingly brilliant stuff they do on Hannibal, so maybe this shouldn't come as a big surprise.) Unfortunately, this stylish new version lacks subtlety and — more importantly — a fundamental understanding of what makes the story scary in the first place.
Posted in: Disc Reviews by Archive Authors on August 12th, 2014
Experimental film can mean lots of different things. Usually it means chaos and disorientation as we are plunged into worlds we have never seen before, but experimental can merely mean doing something that has never really been done before. In this case, it is taking a simple idea and seeing if you can make it work. Can you make something interesting that seems too simple and too basic? Anything can work if you apply discipline and intelligence to a project. In this particular case, that is what happened. A simple premise has been executed brilliantly due to a number of factors. The first factor would be the actor Thomas Hardy.
Tom Hardy is Locke in the hyperbole of old movies but also because Tom Hardy is the single driving force of the movie Locke. It also helps that Tom Hardy is destined for superstardom. It hasn't happened yet, but those in the know, know it will. People don't know Hardy from The Dark Knight Rises, and I say don't know because you only saw his face briefly, and his voice was a maddening concoction. Hardy was Bane in that movie, and his face was covered by a mechanical breathing device which obscured an effete, elitist and taunting voice. His incredible power as an actor is demonstrated time and time and time again when he steals scene after scene in Inception, This Means War, Lawless, Warrior and Tinker Tailor Soldier Spy. Upcoming roles for Hardy are as Elton John in Rocketman, Mad Max in Mad Max: Fury Road and the lead role in Kathryn Bigelow's True American. He has the burning intensity of a British Brando and the quiet sensitivity and range to do just about anything including bulking up with muscles if necessary. I'm sure he could un-bulk or get fat if needed as well. He's done it before. Tom Hardy's performance in Locke is a tour-de-force.
Posted in: Disc Reviews by Brent Lorentson on August 5th, 2014
"You're different. You don't fit into a category. They can't control you. They call it Divergent."
In the wake of Hunger Games and Twilight studios have been snatching up the rights to young adult fiction and gearing up for franchises, all in the name of capturing the hearts and wallets of the legions of fans of these book series. Though there have been a few hits, the failures have been plentiful i.e.: City of Bones, The Host, and The Vampire Academy. As a guy approaching his mid-thirties, it’s safe to say I’m nowhere near being the target audience for this film, but call me crazy, I actually dug it.
Posted in: Disc Reviews by Brent Lorentson on July 28th, 2014
Robin Williams is one of those actors that I just wonder what happened to them. Through the 80’s and 90’s Williams was simply box office gold with his comedic timing and great impressions, but I’ve always been more drawn to the more serious roles Williams delivered. Awakenings, The Fisher King, Dead Poets Society, One Hour Photo, these are just a few of his roles that have stuck with me over the years that made it easy to look past his cinematic missteps.
When a movie like The Angriest Man in Brooklyn comes along, as a longtime fan I can’t help but get a little excited and hope for that spark Williams once brought to each of his characters. Factor in you have writer/ director Phil Alden Robinson who wrote and also directed Field of Dreams, it would seem this film should have “instant success” written all over it.
