Lionsgate / Maple Pictures

Mexico's most powerful crime lord, Julian Perez, wishes to redeem himself in his mother's eyes. Her wish is for him to find his estranged younger brother and return him home to Mexico. Julian agrees before knowing that his brother has been taken hostage while he was serving with the US Army in Iraq. A misfit team of mercenary types are assembled to infiltrate Iraq and fulfill Julian's vow to his mother.

The characters in this film all look like caricatures of 1970s cop movie characters merged with hipster cowboys. Obviously a team of warriors that look this unusual could only exist in a comedy. And indeed, this film is billed as an action-packed comedy. Though I fear that much of the more subtle humour is lost in translation for me as I found most of gags existed in the aforementioned costuming of the characters. Then again, not all was lost on me. Some of the gags, both physical and verbal, were effective. In fact, I am particularly partial to the reoccurring joke about their chosen war cry of “Tomatoes!”

It really does seem like certain movies are created for the sole purpose of winning a boatload of Oscars. I don't really have a problem with this: I'd personally rather see studios and filmmakers make a shameless grab for prestige than make no attempt at all and revert to their de facto sequel/prequel/reboot mode. The problem is — despite that one clueless, rude person who insists on taking phone calls and texting during the feature presentation, and is somehow always seated directly in front of or behind you — movie-going audiences are more sophisticated than ever. More specifically, moviegoers are hipper to the way movies are sold and presented.

As a result, we usually end up resenting and rejecting these Oscar catnip offerings because who the hell is anyone to tell us what the best movies of the year are going to be before we even see them?! (Please observe a moment of silence for the Oscar prospects of Clint Eastwood's J. Edgar.)

First was the play, then came the film, and now we're 140 episodes deep in Meet The Browns sitcom. Like a lot of Tyler Perry projects, the family dynamic can be a bit bamboozling at times. So...it's an elderly man living with his daughter and his niece and her husband and their adopted kids, with regular appearances by his neighbour who is also Aunt to...oh heck, let's just get on with the review...

My mind immediately wanted to draw comparisons between this and another Tyler Perry sitcom, House of Payne (a volume of which I have panned on this very site: https://upcomingdiscs.com/2011/07/23/house-of-payne-volume-8/). To my relief, this show is nowhere near as stereotype ridden nor aggravating as “Payne.” That being said, this is, by no means, a great comedy. The stories are rehashed (the season opener even uses the heavily treaded Flintstones gimmick of having someone become a new man after being bashed on the head), the character dynamics confusing (one of the adopted children looks nothing like his “family” and is interacted with so little at times that I thought his character might have been a ghost living in the house), and the laughter often only comes when they resort to some sort of slapstick when a punchline couldn't be conjured up.

Written by Joe Gause

Pass the tissue please! If you plan on watching this movie, I recommend you buy yourself a big box of tissue and be prepared to shed a few tears. This extremely well done post-WWII love story is designed to show you that life doesn’t always have a happy ending. The cast is nothing short of incredible, and the acting is top-notch. Here’s the short and skinny. Count Laszio de Almasy’s (Ralph Fiennes) plane is shot down in the final days of the war. He is badly burned and is in need of special care. Nurse Hana ( Juliette Binoche) volunteers to look after him in an old rundown church. During their time together she discovers that he has had quite a past. He had fallen in love with a married woman (Kristen Scott Thomas) and was secretly trying to convince her to leave her husband and be with him. Of course this never works out the way we want it to. And so begins the first of many tear-jerking events in this tale. She tells him to go away and never see her again (apparently cheating on her hubby was too much guilt for her), so our dear Count goes a bit love-crazy, hitting the drink a bit and becoming a bit like a stalker. One thing leads to another, and the husband  (Colin Firth) learns of his wife’s wrongdoings, so he thinks the best way to get revenge on the Count is to run him down in his plane (not the smartest idea). Well, the plane crashes and misses the Count all together. Only problem is the  Count’s love was also in the plane and is badly injured. She admits her love for the Count, and it seems we might just have a storybook ending here, but of course this is just false foreshadowing. The Count ends up leaving her in a cave while he walks through the desert for help, promising her he will only be gone for three days. He leaves her food and water and sets out into the vast sand. Well, as luck would have it, he is captured by the Germans, and it takes him quite a bit longer than three days to get back to her. Of course when our hero finally returns to the cave, his true love has died.

When I was in the fifth and sixth grade, I learned how to play a cello. Despite my attempts at learning the instrument, it was a constant struggle to be able to read sheet music and get my hands to cooperate in an appropriate manner. Personally, I think it had something to do with the fact that instrument spent half the time in the shop (school provided) rather than in my hands. Today’s review explores a similar subject, the movie: The Piano. Let’s see how well Holly Hunter does with her instrument.

We hear a voice. But it is not a speaking voice, rather a voice inside a female’s head. That female is Ada McGrath (played by Holly Hunter). She’s been a mute since she was six years old. For a little while now, she’s been without a spouse and unfortunately for her, she’s been promised to a man in New Zealand who has never met her. All of her belongings included her prized possession, a piano and her eleven year old daughter by the name of Flora (played by Anna Paquin) are put on a boat and the crew sets sail for the island.

Written by Joe Gause

After watching this movie, it really makes me wonder how Hollywood is still allowed to make movies. Although funny in some points, all in all, it’s a very run-of-the-mill college movie.  Basically, the story centers around Paul Tarson (Christopher Gorham),  a college student who is unable to make decisions, especially when it comes to where he wants his life to go. He is given a chance to follow in his father’s (Ralph Williams) footsteps and be a college professor. As he ponders if this is the road he wants to follow, he ends up falling in love with a student (Arille Kebbel) and thus sparks a typical college love story with all the ups and downs (gee, I think I’ve seen this movie before a hundred times). Just when you thought it couldn’t have any more story lines, Paul decides the meaning of his life is to win a pub trivia contest with his two drinking buddies. So he blows his college professor interview, sleeps with his student girlfriend in the library, and enters the trivia contest.

It would still be two years before Kate Beckinsale would don her fangs, blue contacts, and black cat suit and become a blip on the radar for the guys among us. Yes, she had done Pearl Harbor, but how many guys thought that was just a romance story that happened to revolve around a particular historic event. Can anyone say Titanic? Serendipity came out the same year as Pearl Harbor, so 2001 was likely the year that Beckinsale really came out, at least to the women in the audience. Of course, Serendipity didn't bring in near the kind of cash that Pearl Harbor did, and honestly, it's kind of fallen by the wayside in the last decade. Mirimax is doing something about that with the new Blu-ray release of John Cusak and Kate Beckinsale in Serendipity.

Jonathan Trager (Cusak) and Sara Thomas (Beckinsale) are both doing a little Christmas shopping for their significant others. In a department store they both attempt to lay claim to the last pair of black gloves on the counter, each tugging on a separate glove. They share a little laugh and conversation and Jonathan offers to allow Sara to have the gloves in exchange for a coffee together. While they both are in relationships, they begin to have feelings for each other. They appear to keep bumping into each other, and Sara is a believer in fate, or serendipity, if you will. She decides to leave their future in the hands of chance. She will write her name and number on a book and sell it to a random bookstore the next day. He puts his information on the back of a five dollar bill, and she spends it at a newsstand without peeking. The idea is that if they were meant to be together, the information will find itself back to them.

Where do I begin? There was this rather formulaic movement that started in the 1990's and continued to just a few years ago. It was certainly that generation's version of Animal House. Every generation has them. They typically star teen idols or up and coming young stars and where my generation often placed them in college, these films were all about high school. They tend to take advantage of the cool trends of the time from the present pop culture to the style of music. The problem with these kinds of films is that they seldom have staying power and almost never translate to the next generation in either direction. A good example of this rule has to be She's All That.

At the time of its release in 1999, the film became quite hot. It yanked in over $60 million at the box office and became the fodder for teenage giggles and dates. Now we find the film making another generation jump into Blu-ray and high definition. But this might be one jump that just misses its mark. I freely admit I was never in the film's target audience either then or now. If you were a teen then, you might still have fond memories of this one. I just don't think those memories are going to be quite so magical this time around.

“If you run, they catch you; if you don't run, they catch you.”

Just miles from one of the most glamorous cities in the world, Rio de Janeiro, resides a favela (slum) known as Cidade de Deus or City of God. The poor were routinely pulled off the streets of Rio and forced to live in squalor in this favela. For decades this hell hole was run by murderously corrupt police and street gangs. Like a roach motel, once you checked into the City of God these dehumanizing elements, combined with brutal poverty, made sure you never checked out. This heartless system thrived with the blessings of the local government, because the poor are offensive to the affluent, and if you keep them out of sight they stay out of mind.

Most people know me to be a pretty big fight fan (with the exception of boxing which has gone tremendously downhill since the eighties). I love wrestling (even though it is scripted) and watch a great deal of Mixed martial arts, better known as MMA. The thrill of combat, the fascination of pure athleticism and talent is what straps me to my seat and never lets me go. I had the immense pleasure to catch the movie Warrior before it hit theaters and now I get to visit it a second time on DVD.

(*Author’s Note: Most of this is borrowed from my review when I watched it in theaters. However, I have added a few notes along with video/audio/extras. Enjoy.*)