Posted in: Disc Reviews by J C on July 18th, 2012
"I will be 100 percent committed to this half the time."
This offbeat, knowingly unromantic declaration between long-time friends Jason and Julie kicks the plot of Friends with Kids into motion. The platonic pair decide to have a child together after watching the soul-sucking effect parenthood has had on their married friends. The plan is for Jason and Julie to share parental responsibilities right down the middle while living separate romantic lives. Don't worry. I was thinking the exact same thing as you and all the other characters in the movie when they hear about this harebrained scheme: "Good luck with that!"
Posted in: Disc Reviews by J C on July 17th, 2012
All funny ideas are not created equal. A concept that may have audiences laughing their heads off for a few minutes could wind up being absolutely torturous when stretched to feature film length. Few people know this better than Will Ferrell, one of the most popular and successful Saturday Night Live alumni of all time. He's cracked people up on the small-screen and in multiple comedic blockbusters. Ferrell's latest, Casa de mi Padre, seems like a classic example of an idea that would be extremely funny as a skit or a fake trailer, but becomes annoying over a prolonged period of time. The actor is surely savvy enough to realize this, and I kinda love that he decided to do it anyway.
Casa de mi Padre — directed by Matt Piedmont and written by Andrew Steele, a pair of Ferrell's SNL cohorts — is told in the overly dramatic style of Mexican soap operas (or "telenovelas") and westerns of the 1970s (with their choppy editing). It has more in common with Robert Rodriguez and Quentin Tarantino films than with Ferrell's own previous work...unless I missed any slo-mo bloodbaths in Elf. Did I mention the part where it's almost entirely in Spanish? The poker-faced movie plays it so straight with its inspiration that it's not entirely accurate to call it a spoof; it's more of an homage.
Posted in: Disc Reviews by Michael Durr on June 18th, 2012
Did you know that Power Rangers Samurai is the nineteenth season of Power Rangers? But the difference here is that Saban Brands bought back the franchise and have promised a more fun and humorous Power Rangers, similar to older seasons when they last owned the product. So, today I have for you folks a look at the first two volumes of this new series. Let us see if the new team holds a candle to the heroes of old.
47,48,49,50. Ready or not, here we go. So begins another game of hide and seek. However, this school yard game is cut way short when the Nighloks (an evil alien force) ATTACK! All of the sudden, we see the Red Ranger, Jayden (played by Alex Heartman) with his Mentor Ji (played by Rene Naufahu) heading off the pack. Ji offers the Nighlok pack the option to retreat but the Red Ranger is in no mood to give retreat this day.
Posted in: Disc Reviews by Michael Durr on June 18th, 2012
Did you know that Power Rangers Samurai is the nineteenth season of Power Rangers? But the difference here is that Saban Brands bought back the franchise and have promised a more fun and humorous Power Rangers, similar to older seasons when they last owned the product. So, today I have for you folks a look at the first two volumes of this new series. Let us see if the new team holds a candle to the heroes of old.
47,48,49,50. Ready or not, here we go. So begins another game of hide and seek. However, this school yard game is cut way short when the Nighloks (an evil alien force) ATTACK! All of the sudden, we see the Red Ranger, Jayden (played by Alex Heartman) with his Mentor Ji (played by Rene Naufahu) heading off the pack. Ji offers the Nighlok pack the option to retreat but the Red Ranger is in no mood to give retreat this day.
Posted in: Disc Reviews by Gino Sassani on May 21st, 2012
At first glance Haywire appears a bit out of character for the likes of director Steven Soderbergh. It's not that he hasn't delivered action films in the past. It's that he's never quite tied himself to such a tried and sometimes true formula before. When you first look at the press for Haywire you're going to pretty much dismiss it as a standard action-hero film that follows in the mold of a Steven Seagal/Chuck Norris mold with a touch of Bourne Identity thrown in to meet the more recent trends. If that's what you think, then you've pretty much called it, because that's exactly what it is. But that's not a good reason to dismiss the film either.
I won't lie. The film pretty much follows the path you expect it to follow. Mallory (Carano) stumbles into a bar in an isolated town where she's meeting with a contact. But she's wary because something has gone wrong and she's not sure exactly who she can trust. She's right. No surprise there, is there? She takes Scott (Angarano) hostage for his wheels and makes her getaway. During their flight she begins to tell him the story of how she got to where she is. It's through this narrative that the story unfolds for us. This is where Soderbergh offers up a little of his own tweaks to the story and, for the most part, there's enough of his wit here to keep the narrative humming along. Of course, she's out to find the guys who tried to get her killed, and there's a ton of carnage in the wake.
Posted in: Disc Reviews by J C on May 15th, 2012
"...So when I walked into the hair cutting place, I was taking a leap. But I wasn't doing it for a guy — I was doing it for me."
Season 2 of Felicity features Keri Russell getting one of the most infamous haircuts in TV history. When people think of super-producer J.J. Abrams and his television projects, images from Alias, Fringe and a little show called Lost probably spring to mind. On the other hand, a significantly smaller portion of weirdos the TV-watching population may think of the relationship dramedies Abrams has produced, such as What About Brian, Six Degrees and Felicity, by far the best of this latter group. (Then again, Felicity — co-created by Abrams and Matt Reeves — resorted to time travel towards the end of its run, so it probably has more in common with the producer's genre shows than you think.)
Posted in: Disc Reviews by Gino Sassani on May 8th, 2012
"Every insect lives for just one purpose: Survival of its own kind."
In 1997 Guillermo del Toro made his first English-language film. Mimic was based on a rather creepy short story by Donald A. Wollheim. Unfortunately, for del Toro and film fans everywhere, the director had more than his fair share of struggles with the studio powers that be, and he never really had the chance to make the movie he really hoped to make. The result is certainly an atmospheric and interesting film, but one wonders what the movie might have been like if del Toro had had his chance to make his own movie. A few years ago we were given at least a glimpse into what that would be like with the home video release of a Director's Cut of the film. While it doesn't allow the fanciful director to include those shots he never got to shoot, he describes this version as the closest to his vision now possible. No question this version of the film is the anchor for the new Mimic 3-film collection just out from Lionsgate on high-definition Blu-ray release along with the two direct-to-video sequels, which del Toro had nothing at all to do with.
Posted in: Disc Reviews by J C on May 7th, 2012
When people think of super-producer J.J. Abrams and his television projects, images from Alias, Fringe and a little show called Lost probably spring to mind. On the other hand, a significantly smaller portion of weirdos the TV-watching population may think of the relationship dramedies Abrams has produced, such as What About Brian, Six Degrees and Felicity, by far the best of this latter group. (Then again, Felicity — co-created by Abrams and Matt Reeves — resorted to time travel towards the end of its run, so it probably has more in common with the producer's genre shows than you think.)
Anyway, we're here to talk about season 1. Felicity Porter (Keri Russell, in her star-making performance) is a smart, responsible California teen who suddenly decides to follow high school crush Ben Covington (Scott Speedman) to college at the fictional University of New York, despite the fact that Ben barely seemed to be aware of her existence prior to a brief exchange at their graduation. Season 1 follows Felicity throughout her freshman year as she tries to establish her independence.
Posted in: Disc Reviews by Gino Sassani on May 1st, 2012
Meet the Darling family. While the name might imply an endearing group of wonderful folks, nothing could be further from the truth. They are a wealthy and powerful family. The patriarch Tripp (Sutherland) is a ruthless and conniving man very used to getting his way. His wife Letitia (Clayburgh) appears to want to be a nicer person but gets drawn into the incredible scandal and corruption of her family, while Tripp tries to shelter her from it. They have 5 kids. Brian (Fitzgerald) is a priest, but his actions are anything but priestly. He’s even hiding an illegitimate child. Patrick (Baldwin) is a politician who is running for Governor. He’s married to Ellen (Young) but also has a mistress, Carmelita (Cayne) who is a transsexual, played by an actress who is also transsexual. One of the more humorous scenes was one in which Ellen and Carmelita negotiate what days/times she can see Patrick. Karen (Zea) is the big sister who is getting married; that makes husband number 4. Juliet (Armstrong) and Jeremy (Gabel) are twins. Juliet thinks she has some supernatural “twin connection”. Jeremy is a lazy kid who is trying to break out of his non-ambitious life and find out who he is, even if it means giving up the wealth of the Darling life-style. Enter Nick (Krause) into the Darling life. Nick’s father was the family lawyer and catered to the family’s every whim, ignoring his own family most of the time. Now he’s dead, and Tripp wants Nick to step into his father’s place. Nick hates everything the Darlings represent. He’s a lawyer who actually wants to help people. Still, the Darlings are used to getting what they want, so Tripp offers him an extra $5 million a year to do charity work with over and above a generous salary to work for the family. It’s an offer Nick can’t refuse, and against his better judgment, he accepts. It’s a deal with the devil, and it is here that the show’s conflict and strength derive from.
The cast and characters of the show are a mixed blessing. Sutherland and Krause are great and quickly develop a strong dynamic. The problem is that the show very soon turns into a who is sleeping with who drama, and therein lies its weakness. When the show concentrates on Nick and the family scandals and dealings, it is one of the most powerful dramas on television. It’s often cleverly written and always well acted. But the writers continually bow to the pressure of the lowest common denominator and spend entirely too much time in bed. I will admit to being amused by the Patrick affair just because of the novelty of the whole thing. Ellen ends up shooting him at one point. There is also an uneven underline plot that just doesn’t work for some reason. Nick suspects that his father’s death wasn’t an accident and that one of the Darlings may have killed him because he “knew too much”. It’s a clever idea and certainly gives Nick more motivation for working for the Darlings, but they can’t seem to decide the truth as writers, so it’s a very awkward thread. I think they need to lay it to rest going into season 2.
Posted in: Disc Reviews by David Annandale on May 1st, 2012
Samantha Newly (Christina Applegate) was hit by a car, fell into a coma, and woke up with retrograde amnesia. She discovers that prior to her coma, she was a mean piece of work, and the show revolves around her reactions to what she discovers about her past, as well as the relationships she now has with friends (Melissa McCarthy – the good one – and Jennifer Esposito – the bad one, basically channeling Kim Cattrall), family, and ex-boyfriend (a generic Barry Watson). Season Two picks up with Samantha returning to her apartment, discovering she used to be able to dance, getting herself a new guy (again), and so on.
Christina Applegate is a talented comic performer. So is Kevin Dunn, who plays her father. The other people here might well be, too. But there's nothing they can do to salvage the hoary, predictable gags. Forced, painful, irritating, we can be glad that this second season is also the last one, but must shakes our heads in wonder that the show made it this far.
