Moguldom Studios

In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. When the Checks Stop Coming In is easily the best out of the recent trio of Moguldom offerings I’ve gotten a chance to review. The film understands that going broke is not a problem unique to the African American community, but is insightful enough to show some of the factors that uniquely affect that segment of the population.
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In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. Knifed Up is one of two largely superficial plastic surgery docs released by the production company this week. The film’s subtitle is The Evolution of Cosmetic Surgery, so it operates from the premise that women have gone from wanting to look like Barbie to wanting to look like Nicki Minaj or a Kardashian.
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In a relatively short amount of time, Moguldom Studios has built up a diverse stable of bite-size documentaries that focus on contemporary African American life. Some would say these independent “docutainment” films are limiting themselves to a niche audience, but I appreciate them for tackling well-worn topics from a different cultural perspective. Bottoms Up: Rise of the Backside is one of two largely superficial plastic surgery docs released by the production company this week. The cheeky (ha!) title was my first clue that this wouldn’t be a totally serious examination of the subject.
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I honestly didn’t know what to expect when I sat down to watch The Swirl. I didn’t need urban dictionary or the comically on-the-nose tagline on the DVD cover to tell me the film would be exploring the world of interracial dating, with a strong emphasis on the relationships between African Americans and Caucasians. But I assumed I’d be watching some no-budget melodrama that would (at best) be good for some unintentional laughs. Instead, The Swirl set out to be funny on purpose.
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