Posted in: Disc Reviews by Michael Durr on July 26th, 2010
The Cartoon Network Hall of Fame seems to be expanding. Some of you might remember my review of Johnny Bravo Season One which was one of the first titles under this distinction. Courage the Cowardly Dog seems to be the most recent entry in this series and we can only hope that it is as good as ole JB, the king of people who sound like Elvis and excessive machoism.
Courage is a very special dog. He was abandoned as a puppy after his parents were sent into outer space. He was later found by Muriel Bagge, an elderly woman and taken into her home in Nowhere, Kansas. Courage’s personality is totally unlike his namesake. He is unfortunately a coward in every sense of the word. However, this lack of “courage” is what probably keeps him alive.
Posted in: Disc Reviews by Michael Durr on July 21st, 2010
The Super Friends as a cartoon show had a long and sketchy past. It started out in the 1970’s and ran in nearly a dozen different incantations and over a hundred episodes until 1986 when it was put down for the last time. The original episodes that ran from 1973 until 1974 were unique, they ran for an hour with commercials and focused on one core story. Eight of them are provided here.
Meanwhile, at the Hall of Justice the TroubAlert computer sounds. It seems that there is an environmental disturbance and only the Super Friends can help. The current roster of Super Friends involves the Man of Steel: Superman, the Dynamic Duo: Batman and Robin, the Amazon princess: Wonder Woman, and the King of the Sea (no, not Charlie the Tuna): Aquaman. They also have three friends who act as sidekicks: Wendy, Marvin, and Wonderdog.
Posted in: Disc Reviews by Gino Sassani on June 30th, 2010
Of all of the cop or detective shows I’ve seen over the years, I can relate to this one better than any of them. You see, years ago, I was a detective. I wasn’t a cop and mostly did internal investigations for a large Florida retail chain. While I was a fair detective in most areas, I did eventually develop a specialty of sorts. When other detectives ran into a brick wall interviewing their subjects, they’d often call on me to get whatever information they were trying to extract. No, I didn’t beat it out of them. I was never a physically intimidating guy. I was just good at getting them to talk. I guess I was a little bit of a con artist who was working for the good guys instead of preying on hapless marks. I never lied to a subject and never threatened violence. It was a battle of wits, and I always won. That’s exactly how you would describe Brenda Johnson (Sedgwick) in The Closer. While the series was, in many ways, your standard procedural police drama, each episode would end with Brenda getting some reluctant perp to spill their guts. She relied on southern charm. She looked and sounded harmless enough that she could get the person to lower their guard and fall for one rather simple trick or another. Case closed.
Brenda Johnson was brought to L.A. from Atlanta, where she had a reputation of getting things done. She was brought in to help the department deal with a bad reputation when it came to murders. Chief Will Pope (Simmons) hired her to get the department back on track. She was given the title of Deputy Chief and a team of elite investigators. The Priority Homicide Unit investigated high profile or particularly difficult murder cases. The team included veteran detective Lt. Provenza (Bailey) who wasn’t above bending a few rules to get the bad guy. Lt. Michael Tao (Chan) was the tech-savvy guy in the group. Commander Taylor (Gossett) is often her biggest critic in the team. He believed that he should have gotten her job. Sergeant Gabriel (Reynolds) and Detective Irene Daniels (Ravera) are an on-again off-again item in the office, providing for some extra tension. She’s engaged to FBI Agent Fritz Howard (Tenney) whom she marries at the end of this season. There are some new characters for the 5th season. Mary McDonnell arrives for only three episodes, but it's a big part. She plays the captain of the internal affairs unit. It's a very irritating part. In fact, the last few times I've seen McDonnell she's been annoying. She played a similarly grouchy character on Grey's Anatomy last year. Sosie Bacon is pretty good as Charlie. She's Brenda's troubled teenage niece who has been passed from her parents to her grandparents and now Brenda. She's actually the real-life daughter of Kyra Sedgwick and Kevin Bacon.
Posted in: Disc Reviews by Michael Durr on June 21st, 2010
Most people who read this site frequently are aware with my love for cartoons. More often than not, my favorite cartoons are those from the 90’s or 80’s cartoons and included such shows as Batman Animated, Teenage Mutant Ninja Turtles, and Darkwing Duck. But there are some cartoons that have been made in the last decade that twenty years from now will be considered classics. As it turns out, I got to review one of those modern classics with the help of a very special and biased friend.
Hi there, my name is Michael Durr and you might remember me from such great reviews as Superman: The Complete Animated Series and Duckman, Seasons 3 and 4. Today, we are talking about Johnny Bravo: Season One. Johnny Bravo was a fantastic cartoon on the Cartoon Network that premiered on July 7th, 1997 and would then last sixty seven episodes until it ended in the hot summer of 2004.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2010
"What you are about to see has a mechanical gopher in it."
Recently I was having a bit of a playful, and at times aggressive, back-and-forth with a friend over our top 50 films of all time. While we disagreed at almost every turn (of course his list had Speed and Pretty Women and not Jaws, Unforgiven, King Kong, or Gladiator). What we did seem to agree upon was that neither of us was willing to allow very many comedy films into our lists. There's something about a very good comedy that doesn't fit with the likes of The Godfather or Gone With The Wind. Caddyshack wasn't on either of our lists. But Caddyshack did make AFI's funniest films back in 2000. I suspect it made a lot of lists over the years. It should. It's a very funny film.
Posted in: Disc Reviews by Gino Sassani on June 14th, 2010
If you are a fan of the original Kolchak: The Night Stalker, you were more than likely disappointed in the remake a couple of years ago on ABC. Your hope is now once again restored. Supernatural is the closest thing I’ve ever seen to the Night Stalker. Like Kolchak, the Winchester brothers are faced with weekly incarnations of evil. They’re forced to research these legends and figure out a way to stop them. As Kolchak discovered, it’s a thankless job. Sure, Supernatural is populated with all sorts of beasties and nasties, but it also manages to hold on to a sense of humor that rounds out these adventures to make this one of the most entertaining shows around. When UPN and WB merged, I was a little worried about Supernatural. You do the math (that was another review). Two networks worth of shows, one network worth of programming time. Half of the shows needed to vanish, and I was concerned Supernatural would be one, if history of respect for genre shows was any indication. Fortunately for us, the show has not only survived, but it has thrived, looking to be around for quite a while yet.
What amazes me most about Supernatural is the incredible balance the show manages to keep up week after week. Of course, there is that creature-of-the-week idea, but without taking anything away from each episode, there is an overall story arc that ties these creatures and moments together in such an intricate yet easy-to-follow fashion. Each episode blends just the right mix of darkness, comedy, and series mythology. Even The X-Files wasn’t able to spin this flawless a tapestry. I also can’t say enough about the leads. Jared Padalecki and Jensen Ackles have a wonderfully complicated chemistry that gives us an element even Kolchak never had. This is not a one-trick-pony relationship. Under all of the brotherly love and shared tragedy, there are far more emotional themes that surface from week to week. There are resentments and rivalries that can suddenly dominate their intercourse. Unlike most shows, these conflicts are real and remain a part of the fabric of this relationship, not to be brought out and then quickly overcome never to be seen again. Each of these events leaves a visible mark on their personalities. This kind of continuity is almost unheard of. It requires discipline and dedication by everyone involved: actors, writers, and production staff. And again, the season finale will leave you counting the hours until the next episode.
Posted in: Disc Reviews by Michael Durr on June 11th, 2010
One thing I’ve learned about family sitcoms is that it usually defined by one principle character. For example, Different Strokes had Arnold Jackson (played by Gary Coleman, may he rest in peace), the Simpsons had Bart Simpson and Unhappily Ever After had Mr. Floppy (I love Bobcat Goldthwait). Family Matters is no different. The show was a very successful sitcom and had one of the best breakout characters of all, Mr. Steve Urkel.
The Winslow family is your typical family that lives in the city of Chicago. The head of the family, Carl Winslow (played by Reginald VelJohnson) is a city cop and knows how to put away a doughnut. His wife, Harriette Winslow (played by Jo Marie Payton) works for the Chicago Chronicle, a local newspaper. Harriette has a sister named Rachel (played by Telma Hopkins), a widow with a baby named Richie (played by Joseph and Julius Wright ).
Posted in: Disc Reviews by Gino Sassani on May 25th, 2010
"On Robben Island, in Pollsmoor Prison, all of my jailers were Afrikaners. For 27 years I studied them. I learned their language. Read their books, their poetry. I had to know my enemy before I could prevail against them. And we did prevail, did we not?"
Leave it to Clint Eastwood to make even rugby look interesting. Of course, Eastwood himself would correct me and observe that Invictus isn't really about rugby. As the words of Nelson Mandela above suggest, this movie wasn't really about rugby at all.
Posted in: Disc Reviews by Gino Sassani on May 24th, 2010
I grew up on the Peanuts creations of Charles M. Schulz. Most of us have, in some way or another. His newspaper comic strip is one of the longest-running and most successful strips of all time. The work has been translated into every language currently spoken on the planet. The images of Charlie Brown, Snoopy, Linus, and the rest of the Peanuts gang have appeared on just about any kind of product imaginable. Our pop culture contains too many references to the strip to mention briefly. For me, it was the television specials starting in the mid 1960s that brought the gang into my life. The classics are running annually, still after nearly 50 years. A Charlie Brown Christmas and It’s The Great Pumpkin, Charlie Brown are the most mentioned and certainly beloved by generations of children and adults. I thought I never missed an airing.
Now Warner Home Video has brought together a special collection of the cartoon specials that started it all. It includes a couple annual greats and a few that I don’t really remember so much. Now we get into the second volume of the 1970’s specials. The two discs include the following Peanuts specials:
Posted in: Disc Reviews by Gino Sassani on May 17th, 2010
For most of this last decade Mel Gibson might as well have vanished from the face of the planet. The once extremely popular actor had charmed the world. Women found his childish grin to be irresistibly sexy, and men bought into the “kick ass and crack a joke” style that made the Lethal Weapon films such a romp of fun. But lately, you expect him to be the subject of a “Where Are They Now” segment from a late show on television. It's no secret why Gibson climbed so quickly out of the public eye. I'm sure everyone still remembers the drunk-driving arrest where Gibson compounded his already serious case of bad judgment with even worse judgment. He tussles with the police officers who stop him and lets loose one of the worst anti-Jewish rants since Pharaoh unloaded on Moses. He apologized, of course, but some things just can never be put back into the box. There's an old Latin phrase that roughly translates to "In wine there is truth". The idea is that Gibson's true feelings were revealed by the reduced inhibitions of alcohol. Whatever his real feelings might be, none of us will ever know, and I don't really have an opinion, or care for that matter, except for the fact that it has removed Mel Gibson from the front of the camera pretty much ever since. His only projects have been as director, producer, and even writer. Even those efforts have been controversial. It's hard to watch The Passion Of The Christ without a visceral reaction to what you've seen. It's been a rough decade for Mel Gibson.
For those who have seen the British mini-series, and I reviewed it in these pages some time ago, you'll find that while the story doesn't really change, the dynamics of the story certainly change, and for the better. This wasn't a good story to drag out over six hours. The British version went into some fantasy elements that this version absolutely avoids. While Craven still appears to be seeing the "ghost" of his dead daughter, it appears to be more in his mind and a product of the grief. In the British series it got rather silly with her teaching him how to do laundry. It was quite absurd, after a time. The basic story elements do remain: