Posted in: Disc Reviews by Gino Sassani on August 4th, 2010
"This is James Henry Trotter. He lived with his mother and father in a cozy little house by the sea. It was a wonderful life. They had each other, and they had their dreams. Then, one day a terrible thing happened. An angry rhinoceros appeared out of nowhere and gobbled up his poor mother and father..."
Posted in: Disc Reviews by David Annandale on July 26th, 2010
As the name suggests, this is a collection of ten movies on LGBT themes. In chronological order, here's what we have:
The Children's Hour (1961): Shirley MacLaine and Audrey Hepburn are the headmistresses of a girl's school, and their lives are turned upside down when one ghastly little child accuses them of being romantically involved. It is clear, though, the MacLaine would very much like to be. This was director William Wyler's second stab at adapting Lilllian Hellman's play, and this time was able actually to deal with the play's central issue, rather than disguise it as he had to
Posted in: Disc Reviews by Gino Sassani on April 20th, 2010
You've seen me talk with a certain element of affection for the remarkable work that the Walt Disney Studios have done in the way of feature animation. Who can really argue with me when I state categorically that the studio invented that particular medium? The long line of classics could certainly fill a lot of space in this review, but these are things you already know. Left out of the list of classics, and deservedly so, is this 1980's Disney feature. the studio's take on Sherlock Holmes, The Great Mouse Detective.
Now, the first thing that pops into your mind when you connect Walt Disney with a mouse is that studio icon image himself, Mickey. That image is so ingrained in my skull that I at first thought I remembered Mickey being in this film. Obviously I was mistaken and am thinking of some similar role the royal rodent likely performed in another title. The mouse in question here is more your standard-looking mouse without the trademark three circle head and ears. The characters are no less endearing here. Still, this was a transition time for the studio, and they were not putting out their best work in the 80's.
Posted in: Disc Reviews by Gino Sassani on April 12th, 2010
"I make a living in the movies, but for the past 20 years I've also been a cop. And, along with some of the finest deputies on the force, I serve the people of Jackson Parish, Louisiana. My name is Steven Seagal. That's right, Steven Seagal, deputy sheriff."
We've all seen Steven Seagal kick the bad guys butts in the movies. Since 1988's Above The Law, Seagal has gained a reputation for playing a tough guy. What most people didn't know is that for just about as long he has been a fully commissioned police officer working a beat in Southern Louisiana. Recruited by the legendary Sherriff Harry Lee, Seagal works as a reserve officer for the Sherriff's office there. He pretty much does what any cop in the field would do. He responds to calls, makes arrests, and serves in whatever capacity might be required. He also uses his own extensive martial arts training to teach workshops for his fellow officers and up-and-coming officers in training. Now, on the surface you might be tempted to look upon this work as some kind of publicity stunt or half baked celebrity honorary role. The fact that A&E is now doing a reality show on his exploits on the force would tend to solidify such feelings. However, the truth is that he's been doing it for 20 years, actually going out of his way to avoid bringing attention to the gig. Believe it or not, this stuff's for real.
Posted in: Disc Reviews by William O'Donnell on April 7th, 2010
A young criminal (I assume he's a criminal of some sort) owes a major debt to a Columbian kingpin and he enlists his brother, K, for help. K bumps up a planned armoured car heist by a month in order to help, and the adventure starts there as we see a rag-tag gang pull of said heist and then plan their final moves in a rented warehouse.
Posted in: Disc Reviews by Gino Sassani on March 27th, 2010
When people reminisce about the great match-ups of all time, talk will inevitably hone in on Ali vs. Frazier, Tunney vs. Dempsey, or, for boxing non-enthusiasts, Eckersley vs. Gibson. For film fans, talk will likely drift to Godzilla vs. Mothra, McClane vs. Gruber, or even Feddy vs. Jason. Well folks, a new movie has thrown its hat into the ring, and it is called Carny. What potentially legendary match-up does Carny feature, you ask? Why, nothing less than Lou Diamond Phillips vs. the Jersey Devil. Will these two foes unseat any of the classic brawlers mentioned above? Read on and see.
For those who haven’t heard of the Jersey Devil, it is sort of a rural East Coast Chupacabra-style legend. You may have seen it on the X-Files way back in its first season. It has been portrayed in various tales as a flying biped with hooves, a large owl, and, on The X-Files, as a beast woman. In Carny it is a large and vicious bat-like monstrosity that has some black hair but looks a bit too smooth and rubbery to be a living creature, as does Phillips.
Posted in: Disc Reviews by David Annandale on March 20th, 2010
Cult Epics here presents us with their second box set of films by ex-pat Spanish surrealist/'pataphysician/provocateur Fernando Arrabal. These are more recent works, and are, arguably, even more of an acquired taste than the earlier set, though not necessarily for the reasons one might think.
Car Cemetery is the 1983 TV version of his 1958 play. In a dystopian future, the punk/S&M/whatnot inhabitants of the titular setting live through a rock-n-roll version of the Passion. What would have been a hell of a taboo-buster in 1958 hasn't aged well. Quite apart from the very 1980s costume design of the film (in the most unfortunate ways), the religio-political points, clearly aimed at Franco's Spain, no longer have the same bite when re-staged in the post-Franco era, and today seem altogether precious and rather twee.
Posted in: Disc Reviews by William O'Donnell on October 12th, 2009
A monstrous emperor sets out his orcs to find an ancient item that would grant him enormous power. Goblins come out of the woodwork as the side of good assembles a small group of humans, elves and other species to seek out this same item and end the evil emperor's quest for domination. Sound familiar? It should, after all, this is the Fellowship of the...err...Knights of Bloodsteel.
Using what must have been the leftovers at the Lord of the Rings yard sale, the effects people have slapped on pointed ears and noises onto as many extras and actors they could find in an attempt to resurrect the enormous majesty of Middle-Earth (of course it goes by some other magical sounding, gibberish name here). Everyone babbles endlessly about elves this and goblins that to make the fantasy realm become more believable, but it becomes terribly inane tiresome by about the 18th time something “fantasy” is brought up in the first 5 minutes.
Posted in: Disc Reviews by Gino Sassani on September 30th, 2009
Wallace and Gromit is the brainchild of animator Nick Park. The British filmmaker tried for years to bring his clay creations alive, but on his own finished a mere 10 minutes in a little over 2 years. When he met up with Aardman Animations, he was teamed up with the creative talents he needed to make his dream come alive, and come alive these two characters did indeed. They’ve become an overnight sensation in the UK and now all over the world. I was introduced to the characters with the full length feature Wallace And Gromit In The Curse Of The Were-Rabbit. Sadly this “complete” collection does not include that longer film. This should more appropriately be called the Nearly Complete Collection Of Shorts.
I have to admit that I was completely won over by the magic of this creation. It’s so simple looking that it almost appears to be child’s play. The truth could not be further from the perception. Stop motion animation goes back to the beginning of the cinema itself. Pioneered by the genius Willis O’Brian and perfected by Ray Harryhausen, it is one of the most painstakingly tedious tasks in the film industry today. It has been all but abandoned except for a select few who still follow in the footsteps of greatness. Give Nick Park credit for keeping the art alive and making it look effortless.
Posted in: Disc Reviews by Archive Authors on September 30th, 2009
Written by Adrienne Ambush
Anyone who has tuned into MTV or VH1 in the last 10 years has probably seen at least one music video that is featured in this collection of videos by Brett Ratner, but they probably couldn't place a name or face to the man that is behind the camera--that is, until now.
![James and the Giant Peach (Two-Disc Special Edition Blu-ray/DVD Combo) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/james-and-the-giant-peach-two-disc-large.jpg)
![Wallace & Gromit: The Complete Collection [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/wallace-gromit-the-complete-coll-large.jpg)
