1.78:1 Widescreen

As a kid and teenager, I watched a steady diet of cartoons (I still do). I never really adventured much into the high school television programs and movies except maybe ones like Saved by the Bell or Head of the Class. Most of them were too sweet and perfect and last time I checked I’m not perfect so I couldn’t relate (the sweet jury is still out). Hopefully 16 Wishes which did quite well on the Disney Channel would be a little different. I wouldn’t count on it.

Abby Jensen (played by Debby Ryan) is about to wake up to a very special day. It is her 16th birthday!! (Papers and streamers everywhere, oh glorious!) In fact, this little lady right here has something more than a 16th birthday, she has 16 wishes printed on construction paper!! (More streamers!!). They are wonderful wishes but there is a special one at number sixteen, a picture of Logan Buchanan (played by Keenan Tracey), high school quarterback, yadda yadda yadda. She must want to make kissy face with this boy, we'll see if she ever gets her chance.

Here is a second volume of episodes from the Marvel cartoon's first season, which is geared towards young children. The review for the first volume, written by the highly skilled and suspiciously well-dressed Michael Durr, can be found here: https://upcomingdiscs.com/2010/07/12/marvel-squad-vone/ . Dr. Doom is still using his many evil minions to obtain fractals of the shattered Infinity Sword before the Superhero Squad, a team of Marvel heroes assembled for their unique skills depending on the mission as led by Iron Man, can stop him.

As it has been for every episode in this first season, the humour ranges from quirky one-liners that only slightly older viewers may catch, to extremely low-brow bodily function gags, mostly pertaining to farts and burps; though the latter only arises whenever Mole Man or Hulk are involved. Not to say that this makes it uninteresting for viewers young or old but is more unifying. As well, each episode often features cameos by many characters from the Marvel universe, much of whom are rather obscure as only hardcore Marvel geeks might know (show me an 8-year-old who knew who Thanos was before this show and I'll eat my Thor shirt!). Perhaps the most amusing cameo is The Punisher, being voiced by Ray Stevenson who actually played the violent vigilante in an R-Rated adaptation of the comic Punisher: War Zone; only here, he uses a metaphor about brussel sprouts when speaking about crime...but still has many a gun go off at random in an especially amusing scene.

They’ve been called The Greatest Generation, and who are we to argue the point? Sitting here writing reviews from my comfortable seat in a state-of-the-art home theater, I’m in no position to lay claim to the title. They fought in the bloodiest conflict in modern human history. Over 20 million were killed. That’s a staggering number. If you’re like me, it’s not even real. I can honestly say that those facts have never really reached home as much as they did while watching this footage.

World War II has been a favorite topic for Hollywood films since before the war itself ended. There have been some truly remarkable efforts and some equally unremarkable disasters. Many of these films have been long forgotten. Heck, many of them deserve to be forgotten. But something that should never be forgotten is the stuff of this footage. To do so would be a sacrilege of the worst kind. But these war films, no matter how startling the scenes, no matter how real we might think they are, no matter how visceral the experience might appear, nothing can ever capture the reality like this footage has done.

"My name is Bob Baer. I used to be a CIA agent stationed in Lebanon during the Civil War. It was chaos. Bu, the real threat was always the car bomb."

Written by Diane Tillis

On the outskirts of Reno in 1976, a pink building complex is illuminated by neon lights that read ‘The Love Ranch’.

"My name is Sam Tyler. I had an accident and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever happened, it's like I've landed on a different planet. Now, maybe, if I can work out the reason, I can get back home."

I kind of did things a little backwards. I saw the single-season American version of Life On Mars quite some time before I managed to get my hands on the two seasons of the original British version of the show. The idea of a British television series being adapted for American screens is really nothing new. Lately a lot has been written about the phenomenon as if it’s some recent trendy invasion of English telly. We’ve been watching British hits since at least the 1970’s. In those days it was the sit-com that got the most attention from across the pond. Till Death Do Us Part and Steptoe And Son became All In The Family and Sanford And Son, respectively. Both shows became even bigger hits here in the states and are remembered by more folks on both continents than the originals today. The latest hit from England was The Office. Unfortunately, Life On Mars was never destined to join those Anglo/American success stories.

Written by Diane Tillis

Sociopathic serial killer James Bennett (played by Silas Weir Mitchell of Prison Break) has escaped a maximum security mental hospital after being incarcerated for nine years. Two FBI agents team up with a Federal Marshall to figure out where Bennett is heading next by investigating clues left behind in Bennett’s cell. They also turn to the mental hospital’s director Dr. Green (played by Gail O’Grady of Boston Legal) for insight into Bennett’s mind. What they don’t know is that Bennett’s first order of business is to return to his childhood home. Meanwhile six graduate students are traveling to Bennett’s childhood home for inspiration to finish their thesis. When Bennett arrives, the students begin to disappear one by one.

"They rob, kill, and terrorize, and they've left their mark on our nation's history."

"The rule of law, it must be held high! And, if it falls, you pick it up and hold it even higher. For all society, all civilized people will have nothing to shelter them if it is destroyed."

Agatha Christie created the rotund Belgian detective in 1920 with the book The Mysterious Affair At Styles. The detective would go on to feature in about 30 more books over the years. He was a distinctive character. He was picky about the order that things were placed. Yes, there's more than a little Adrian Monk in the man. He insists that his eggs be exactly the same size. He refers to himself in the third person and does not own the virtue of modesty. He often calls himself great and talented. He doesn't suffer fools and is somewhat closed-minded for a detective.

Having made it through WWII, fellow soldiers Bing Crosby and Danny Kaye are now a song-and-dance team. Kaye is worried about the lack of romance in Crosby's life, but that problem seems likely to be resolved when sister act Rosemary Clooney and Ver-Ellen show up. These two pairs of entertainers must pool their talents in order to save the inn run by former general Dean Jagger from financial ruin.

The plot is, of course, very thin, a mere excuse on which to hang the sentiment and the songs. This is, of course, not the film which originated the title track – that was the earlier Holiday Inn (1942), which Crosby was teamed up with Fred Astaire. The holiday this time is strictly the Christmas one, and White Christmas goes its predecessor one or two better in terms of spectacle, thanks to Technicolor and VistaVision. The end result is not really the classic it self-evidently wants to be, but it and its cast are extremely likable.