Posted in: Disc Reviews by Archive Authors on November 8th, 2010
Written by Diane Tillis
I’ve come to learn that you either love the 1997 – 2002 American drama-comedy series Ally McBeal, or you loathe it.
Posted in: Disc Reviews by William O'Donnell on November 7th, 2010
Robert Mutt feels like a hopeless loser and tries to “off” himself (several times). Even in death, he is a failure and finds himself in a mental asylum. Upon receiving some experimental treatment from a new therapist, his confidence is (seemingly) restored and he sets back out into the real world to become a real “somebody.”
Without a doubt, this would be classified as a “Dark Comedy” for it does not skimp on the nudity, vulgar jokes, drugs, violence, cannibalism, and other assorted bits of madness and politically incorrect gems. At the same time, the film is almost endearing in how relentless it is. The disabled are fair game for jokes, but also play the most sentimental roles for our lead (especially one catatonic girl who wins his heart). Mutt is as naive as a young child, and even though the man who is bent on ruining his life is clearly a manic pedophile, he still assumes the best of him and does his best to simply get around him. Mutt's quest is an adorable one but it takes him to the strangest places imaginable. Thanks to hallucinating his life long hero, Clifton Manitoba, an infamous baseball player, and getting some advice from said hallucination, Mutt does everything from dealing out animal porn DVDs to roller skating with a transvestite to find the three things he needs to fell like a somebody: some money, a girl, and a championship ring.
Posted in: Disc Reviews by Gino Sassani on November 4th, 2010
"The Toys Are Back In Town"
That's right. All of your favorite toys are back in Pixar's latest great film Toy Story 3. This time the toys are dealing with the inevitable. Andy (Morris) is about to go off to college. It's been a long time since he's played with his friends, and they are getting desperate and worried they will get tossed away. Although Andy bags them to be stored in the attic, a misunderstanding sends them to the curb and a date with the garbage truck. After that close call they decide to get themselves donated to Sunnyside Daycare, where they hope to live out their lives with tons of children to play with them. But things aren't all that sunny at Sunnyside. The place is ruled by the iron paw of Lotso Bear (Beatty) and his cronies. The bad guys include Big Baby. He and Big Baby once were accidentally abandoned by their owner and Lotso was replaced, making him bitter. Now the toys have to escape the armed camp of Sunnyside.
Posted in: Disc Reviews by Michael Durr on November 3rd, 2010
Apparently, animated shows created by Seth McFarlane are in high demand. He has had considerable success with Family Guy and American Dad. It was only a matter of time before Fox would try their luck with a Family Guy spinoff. The subject would be one of Peter’s friends. No, not Quagmire. That will be reserved for Cinemax late night. Giggity giggity. Actually, the subject would be Cleveland. Let us see how this one plays out.
It is another late night at the Drunken Clam, Cleveland is sitting with Peter, Joe and Quagmire. It seems that Cleveland has lost his house to his ex-wife, Loretta. He does have custody of Cleveland Jr. who is now fourteen years old and very overweight. As a result, he is going to leave Quahog and head to California to pursue his dream of becoming a minor league scout for a professional baseball organization.
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2010
This impressive A&E Blu-ray release combines two of the network's better series into one high-definition release. You get the 13-episode first season of How The Earth Was Made and the first season of Universe. Together the episodes explore the most inner depths of planet Earth and the farthest reaches of our own Solar System. It's all in high- definition Blu-ray. It will make a rather nice gift this holiday season. Here's what you get:
How The Earth Was Made: Season One
Posted in: Disc Reviews by Gino Sassani on November 2nd, 2010
Both Battle 360 and Patton 360 have provided viewers with one of the more interesting looks at two of the most impressive records in World War II. In the Pacific it was the crew of the aircraft carrier Enterprise. In Europe it was the iconic leader, General George S. Patton and his troops. Together they have amassed the most impressive wartime records in American history. World War II was a defining moment for the United States, establishing this nation as a super power with influence on world affairs unequaled. The results might have been dramatically different if not for these two fighting forces. Now A&E has collected them both in one high-definition Blu-ray collection.
Posted in: Disc Reviews by Gino Sassani on November 1st, 2010
"Earth: a unique planet. Restless and dynamic. Continents shift and clash. Volcanoes erupt. Glaciers grow and recede. Titanic forces that are constantly at work, leaving a trail of geological mysteries behind."
I saw a bumper sticker recently that read; "Geologists dig classic rock". I should have taken it as an omen that I would be spending some quality time with a few geologists over these last couple of weeks. It started with the excellent BBC mini-series How The Earth Changed History and culminated with the 13 episodes of the first season of How The Earth Was Made. It might be easy to confuse these titles in your video store. But, make no mistake about it. They are very different shows down to their core, pun intended.
Posted in: Disc Reviews by Archive Authors on October 31st, 2010
Classic Albums is a television series that airs on VH1. Each episode is basically a short documentary chronicling the genesis and creation of a, you guessed it, classic album. These stories are told through archival footage, video clips, and interviews with the band members, production people, along with fans and notables in the industry. This episode highlights two seminal albums by Canadian prog-rock legends Rush: 2112 and Moving Pictures.
The first part of the disc covers the early career of the band, going over their initial success and their first few albums. After their concept album Caress of Steel fizzled with critics and fans, Rush was given one last chance by their label, Mercury Records, to create an album that had mass appeal. The band, outraged and defiant, wrote 2112, a treatise on conformity featuring a dystopian world where individuality and music have been smothered out by a fascist religious order. Though the album’s influence and acknowledgement to Ayn Rand’s Anthem was the source of some controversy, its themes of non-conformity and individualism, along with the fact that the music itself had pushed conventional boundaries and was, to put it simply, awesome, ignited fans all over the world. 2112 is described on the disc as the first time the group sounded like Rush. It is the album that defined their sound and truly set up their careers for everything that would come after.
Posted in: Disc Reviews by Archive Authors on October 30th, 2010
Written by Diane Tillis
Lake Placid (1999) was a humorous film which played on our fears of animal attacks. It depicted a gigantic man-eating crocodile living in a lake near a rural town in Maine. The idea of crocodiles in Maine was a creative parallel to the alien-invasion scenario. The humans (park rangers, anthropologists, and wildlife experts) had to defeat the murderous alien (giant crocodile) before it destroyed the world (Maine). This concept continued in two direct-to-DVD films, Lake Placid 2 and Lake Placid 3.
Posted in: Disc Reviews by David Annandale on October 29th, 2010
Nicky Henson plays Tom, the leader of a hellraising biker gang known as the Living Dead. His goal is to make that moniker absolutely literal, and it helps that his mother (Beryl Reid) is a medium who has made some sort of Satanic pact, and the butler (George Sanders, in his final role just before his suicide) might well be an infernal power himself (his precise nature is never made clear). At any rate, all it takes to come back from the dead, apparently, is to kill oneself while firmly believing that one will return. Tom proves this formula to be correct, and soon almost all the other gang members follow suit. The one member who might hold out is his girlfriend Abby (Mary Larkin). Meanwhile, as the Living Dead embark on a reign of terror, will anyone be able to stop them?
This is a pretty odd duck of a film, and quite delightful for precisely that reason. In the first place, the Living Dead are hardly the most threatening biker gang ever to grace the silver screen, and though they do rack up quite the body count of policemen and civilians, many of their other bits of misbehaviour are not so much atrocities, but more in the line of shenanigans (as a fellow viewer aptly put it, the gang don't become flesh-eating zombies, only unkillable twits). The precise nature of Reid's motivation is never made clear, Abby is so whiny and callow that one is hard-pressed to feel any sympathy for her, and there's this strange preoccupation with the idea of the frog as an embodiment of evil. But these very oddities contribute to, rather than detract from, the film's off-kilter entertainment value. There's a wealth of incident, so the viewer is never bored, there are some very fun chase scenes, and (which is a good thing) there is a rather knowing sense of humour about the whole affair. Definitely one of the odder horror films to emerge from England in the 1970s, and an engaging rediscovery.
![Earth & Space [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/earth-space-blu-ray-large.jpg)
![How the Earth Was Made [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/how-the-earth-was-made-blu-ray-large.jpg)
![Classic Albums: 2112 / Moving Pictures [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/classic-albums-2112-moving-pictu-large.jpg)
