1.78:1 Widescreen

"It killed 102 people, brutally mauling its human prey. Its victims are all women and children. The worst attack by an unknown beast in history; and, the basis for the legend of the werewolf. Two investigators set out to solve the mystery. Applying modern day forensics, they hunt to uncover the real wolf man."

"If the glass is half empty, at least you can't drown."

When I looked at the title and description of this film I couldn't help but think of that Jimmy Stewart classic It's A Wonderful Life. I'm not sure if it is the close title or the idea of a cynical man finding some kind of epiphany about his life and how he interacts with others. So, maybe it was that connection and inevitable comparison and expectation that caused me to dislike this film as much as I did. It's not fair, you might say, but it is the filmmakers themselves who invite this comparison and apparently welcome it. I'm sure the idea was that it would bring in that particularly large audience of viewers. Unfortunately, it was more of an anchor providing a standard that Wonderful World simply can't meet. But let's forget the comparisons for a moment. This is still a pretty bad film. It made its run of the film festival circuit for a time and even managed a very limited American box office run which barely grossed nine grand in total.

If you know me, you probably know that I don’t exactly exhibit small town values. I grew up in the suburbs, went to a state college and have worked in major cities such as Dallas & Houston. However, for the last ten years, I have lived somewhere in Brazoria County (small town haven) and I currently reside in West Columbia, Tx which has a population of around 4,000 people. Would Good Intentions be an accurate portrayal of small town southern life or more stereotypical mayhem?

Etta Milford (played by Elaine Hendrix) lives in the small town of Myra, Georgia. She has two young boys and a husband named Chester (played by Luke Perry). Chester runs one of the local convenience stores while Etta stays at home and tends to the children. Money is very tight for the family, so naturally one would think that they would be a little more careful with their income.

If any studio out there knows princesses, it has to be Disney. Uncle Walt has brought us so many memorably magical moments in the realms of fairy godmothers and the rags to riches tradition. A list of such Disney characters would serve as a rather complete roll call of such familiar animated ladies: Snow White, Cinderella, Ariel, Sleeping Beauty, Jasmine, and now you can add yet another name to the growing list. The studio that invented the animated fairy tale returns to its hand-drawn animation roots with The Princess And The Frog.

When Pixar finally landed permanently at Disney, no one was more excited than I was. It seemed somehow quite fitting that the studio that invented the animation feature should now take the lead with the company that invented the computer animated feature. It was a match made in heaven, or at least Neverland. But, I was as shocked and dismayed as many fans of the medium when Disney made a rather abrupt decision to close down its hand-drawn animation studios. There was plenty of rancor from the move and more than a few talented artists suddenly without jobs. It appeared that the Mouse House had traded one legacy in to acquire another. And so it looked as if we would never again see the wonderful marvels of a hand-drawn Walt Disney creation. Ah, but we all forgot. Disney is in the fairy tale business, after all. And like every good story, just as it looks like the villain has triumphed and all hope is gone, a white horse bearing a hero can never be far behind.

I’ve been a fan of South Park ever since a friend introduced me to the internet Christmas card that started it all. It was Santa versus Jesus and these short potty-mouthed kids that somehow wormed their way under your skin. Pretty soon I was downloading the episodes and watching them on my computer. For some reason I can’t quite explain, I’ve very rarely watched an episode on Comedy Central. By the time things were getting tighter and riskier downloading the shorts, the single disc, 4 episode DVDs began to arrive in stores. So my South Park viewing moved from the PC to the DVD player. In a short time season sets began to arrive, and I looked forward to them with much anticipation, still watching it infrequently on television. After all, who needs the commercials and those silly network bugs that distract you on the screen? The series itself evolved in that time. The show was once achieved through a stop motion process using construction paper cutouts. The animation was crude. After the Christmas card, the characters were significantly redesigned. They had a very evil look on that short. The first couple of episodes brought us an evolution toward the characters we know and love today. After a while the animation went to a computer process. The look remained the same, but gone were the paper cuts and stop motion photography. As the show progressed there were less and less bleeps. It’s not that the language got any tamer. Standards got a little looser. Finally the bleeps would disappear from at least the DVD releases. And now South Park has crossed another milestone. Welcome to Blu-ray and high definition, South Park.

I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 13 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st Century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 13 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines. Finally, you have to credit the expanding universe of good characters. The core group of Cartman, Stan, Kyle, and Kenny were great for a lot of years. But, watching this 13th season you have to admire how much Butters has infused himself into that core. We also have such great semi-regulars as Timmy, Jimmy, and Token. These characters allow the stories to expand in ways the core group could not. I’ve honestly come to think of Butters as one of the core now.

Alice in Wonderland is one of my favorite books from my youth. One of my favorite birthday presents was a gorgeous copy of the book with illustrations from my aunt. So as a result, I have seen many incantations of the classic title from the famous Disney animated movie to a plethora of tv series & movies. Enter 2010, hoopla over the Alice in Wonderland remake with Johnny Depp, the way was opened for other adaptations attempting to cash in. Alice, a mini-series on SyFy premiered in late 2009 and became the 2nd most watched mini-series in SyFy’s history (first being Tin Man). But how good exactly was it?

Alice Hamilton (played by Caterina Scorsone) is teaching judo to her local students. She takes a strong interest in one of her students, Jack (played by Philip Winchester). As it turns out, these two are very taken with each other and Alice has invited Jack to meet her mom, Carol (played by Teryl Rothery). The dinner goes as planned and afterwards Carol leaves the two alone to finish the night.

In my lifetime, I’ve really only liked five zombie movies. There is Shaun of the Dead, the three Resident Evil movies, and Zombieland. Most of the other zombie type films either belong in the “Way too Gory” or “Nonsense” designation. So, naturally when I receive a zombie movie like Dead Snow, there is some apprehension. However, in this case I can say that this movie belongs in both of those designations and delightfully so.

The movie opens with a lady (played by Ane Dahl Torp) and she is chased through the snowy mountains of Norway. The creatures ultimately corner her and eat her alive. We notice that the zombies have strange costumes as we fade to black. We re-open with seven medical students who are spending their vacation at a cabin up in what appears to be the same mountains.

The concept would appear to be slightly misplaced on ABC’s Family Network. The prerequisite underage drinking and promiscuous sexual lives don’t appear to be the best “family” entertainment. We don’t get even halfway through the pilot episode before we’re already charting those waters. To be sure, Greek is no Animal House, and the atmosphere is toned down considerably, but the issues remain, and this is not a show for the kiddies. The story is very much like a soap opera. Casey (Grammer) is a sorority sister for Zeta Beta Zeta, and after two years is a woman on the rise. She’s dating the rich and handsome Evan (McDorman) and is in line to be the next House president. Her life is about to change when her nerdy brother, Rusty (Zachar) arrives at college. In his hope to experience college life and shed some of his geek reputation, he decides to rush a fraternity and enter Casey’s perfect world. Casey’s other problem is Zeta Beta Zeta’s own new pledge in the form of Rebecca Logan (Vadsaria), the spoiled daughter of a US Senator and rival for Evan’s affections as well as the future House leadership. To further complicate matters, Rusty has pledged Omega Chi Delta, which is led by Casey’s former boyfriend, Cappie (Foster). Most of the episodes deal with the crossover of these various worlds, and there’s a ton of competition not only between the houses but the characters. The show is all about the parties and the rivalries. There’s an interesting enough group of supporting characters, all well cast, which make this series a little more interesting than it really should be.

I think it started with the writers’ strike and somehow got out of control on this series. None of these sets represent actual seasons, which is why the releases are called chapters. The first two chapters represent the times before and after the strike from the show’s first year. I kind of understand how that might work out. What I don’t quite get is why it is now continuing. This chapter begins with the 11th episode of the second season and stops with the 22nd, even though the season actually included 22 episodes, all of them aired before the release of the DVDs. There doesn’t appear to be any reason to spread out these releases except to capture a couple of extra bucks from the fans. At least we are at a season end. With this logic "Chapter 5" will begin with the start of season 3. Let's see if we get to keep an entire season next time.

Laurel & Hardy. Abbott & Costello. Martin & Lewis. And now... Harold & Kumar? Perhaps the comparison is a bit forced, but that latter day pair certainly follows the classic set-up: best friends who are also polar opposites (Kumar is the confident, slacker stoner; Harold is the shy, conservative stoner); one has mad schemes (Kumar); the other (Harold) suffers for those schemes, and so on. At any rate, here we have the complete oeuvre of these two characters (and since Kal Penn, who plays Kumar, has subsequently gone on to a couple of season of House before taking a job for the White House, I think it safe to say that we are unlikely to be seeing any further episodes).

Harold & Kumar Go to White Castle sets the picaresque model for the two films. Our boys contract a bad case of the munchies after smoking up, and only White Castle hamburgers will satisfy their craving. Their journey to the fast food joint is beset by misadventures, and before the long night is done, they'll have been arrested, ridden a cheetah and encountered grotesques who seem to have wandered in from After Hours and Pee-Wee's Big Adventure.

Possessed machines are long-standing horror staples: Christine, The Car, Maximum Overdrive, etc. It’s easy to understand why. Imagine driving down the road in your comfortable four-door sedan when your seatbelt suddenly tightens around your chest and crushes you to death. Now, obviously, that wouldn’t happen in the real world, nor would a thin car window have enough force to decapitate someone. Regardless, these are the kind of things you can expect from Phantom Racer.

The story begins with two rivals, Cutter and J.J., who used to be friends until they pined after the same girl. They get into a racing wreck during a tournament and only one survives. The remaining racer cuts his losses, leaves town and brings his guilt with him.