Posted in Disc Reviews by Archive Authors on January 14th, 2009
Male bonding deep in the heart of the Oregon wilderness is the order of the day in Without a Paddle: Nature’s Calling, a direct-to-video sequel to the Seth Green-Dax Shepard-Matthew Lillard comedy of 2004. Unfortunately, it’s more of a training ground for actors and crew than an actual film.
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Posted in Disc Reviews by Archive Authors on January 14th, 2009
It’s hard being the bad guy, but sometimes you just don’t like a film that seemingly everyone else does. Such is the case for me with Funny Face, the classic Audrey Hepburn-Fred Astaire teaming that sees a bookish young lady go from the obscurity of her lonely library to the glitzy Paris lights as a high-profile fashion model.
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Posted in Disc Reviews by David Annandale on January 13th, 2009
A disfigured young man with an unhealthy interest in his sister attacks and kills a woman. Five years later, he is released (by psychiatrist Jess Franco) into his sister’s care, who is helping organize a language school on property owned by her disagreeable, but very rich, aunt. In short order, the female students at the school (and there are ONLY female students, for reasons not explained) start being killed off. But no one other than heroine Olivia Pascal actually believes that anything is going on.
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Posted in Disc Reviews by David Annandale on January 12th, 2009
The giallo was never a genre that specialized in tight, coherent, logical storylines. But even by the bizarre standards of the form, In the Folds of the Flesh takes some kinda cake. Trying to summarize its plot is next to impossible, as the first two thirds of the plot are incomprehensible, and are cleared up only in the final third, which feels more like a play than a film, and where the revelations and twists pile up to such a degree that they don’t induce whiplash – they torque your head clean off. So, for what it’s worth, we have a castle (whose interiors look distinctly un-castle-like) where, thirteen years ago, a man was decapitated. His body was disposed of by the woman living there, and she and two children, now grown and thoroughly insane, dispose of anyone else foolish enough to come prying into their lives.
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Posted in Disc Reviews by David Annandale on January 11th, 2009
After having been present at a political assassination, the Grave Diggers biker gang starts being killed off one by one. Undercover cop Stone joins the gang (by basically saying, “Hi, I’m a cop. Can I hang out with you guys?”) in an effort to solve the murders. Plenty of shenanigans, riding around, and utterances of the word “man” ensue.
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Posted in Disc Reviews by David Annandale on January 9th, 2009
A group of low-life gangsters kidnap a starlet (Ursula Fellner) and hightail it off to a jungle island, where they subject their victim to endless indignities while waiting for the ransom money to arrive. Al Cliver is dispatched to rescue her, but his helicopter arrival draws the attention of a group of hostile natives and, more to the point, a red-eyed, cannibal zombie-god who holds them in a grip of fear.
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Posted in Disc Reviews by Archive Authors on January 9th, 2009
Holly Golightly is perhaps the most tragic, depressing character in all of literature and film, especially to those of us who know (or have known) people just like her. As an example to aspire to, Golightly fails miserably. She is internally and externally destructive, intentionally so. Truman Capote, author of Breakfast at Tiffany’s, the novella in which she was formed, has created in her a realistic portrait of people that fear happiness, and so imprison themselves to lives of restless and reckless abandon.
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Posted in Disc Reviews by Gino Sassani on January 6th, 2009
David Koepp is one of Hollywood’s power screenwriters. His credits include Indiana Jones, Jurassic Park, and Spider-Man. As a director he has also had some limited success with films like Stir Of Echoes. It seems almost from left field that we end up with a romantic comedy both written and directed by the award winning writer. If Koepp is out of his element here, it really doesn’t show at all.
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Posted in Disc Reviews by Gino Sassani on December 31st, 2008
There are a ton of parallels between the Chris Farley/David Spade comedy team and that of John Belushi/Dan Aykroyd. Both teams began in the Saturday Night Live arena. It was that physical big/little guy combination that has its roots with Laurel and Hardy, and Abbott and Costello. Both teams were at the height of their careers when a drug overdose would claim the wilder member of the team. Both of the deceased comedians left behind at least one successful brother to carry on the name in show business. Tommy Boy was by far the best of the films this duo made before Farley’s tragic overdose in 1997.
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Posted in Disc Reviews by Archive Authors on December 29th, 2008
Ghost Town, the new romantic comedy from writer-director David Koepp, succeeds in not only introducing its British star Ricky Gervais to a wider audience but also in telling a simple, familiar story with an addictive charm all its own. Gervais plays Jack Nicholson in As Good As It Gets without the extreme OCD. What he lacks in this, however, he makes up for in his hatred of humanity.
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Posted in Disc Reviews by Archive Authors on December 29th, 2008
Visits – “an anthology of bone-chilling horror”? Well, it has its moments, I will say that. The most effective scenes are the ones that don’t call attention to the scare elements. Scenes that involve one or two little things out of the ordinary that don’t smack you in the face, but actually force a double-take in considering what it was you just saw
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Posted in Disc Reviews by Michael Durr on December 22nd, 2008
When I was a lot younger, I took a particular fancy to two martial art superstars: Raphael of the Teenage Mutant Ninja Turtles & Hong Kong Phooey. There was also another guy running around at that time named Jean Claude Van Damme. Two of his first movies namely Bloodsport and Kickboxer solidified him as a complete badass and eventually landed him a role in Street Fighter: The Movie as Guile. Eventually when he started making duds such as Double Team& Knock-Off, most people stopped watching his high flying kicks. Soon Van Damme was headed for the direct to dvd releases. One of those movies was the 2003 release, In Hell.
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Posted in Disc Reviews by Michael Durr on December 18th, 2008
Comedy movies can often bring together two or more separate groups of people. This can be groups among the races, culture, and even nations that have been feuding for years. It brings these groups a chance to laugh together, a chance to perhaps look over stereotypes and realize that people aren’t so different at all. You Don’t Mess With the Zohan while not meant to be taken seriously does bring together Israelis and Arabs into one picture. A picture where they can have a good time and hopefully everybody regardless of their race or creed can laugh right along with them.
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Posted in Disc Reviews by Gino Sassani on December 3rd, 2008
December 3, 2008 11:07 A.M.: Dear Diary. Today I had a very harrowing experience. I think this event has left me feeling rather shaken, and I’m not sure if I’ll be able to forget the horrors I have just witnessed. It all started when I decided to watch the new direct to video horror film Zombie Diaries. I just couldn’t wait. As I picked up the box and read the interesting description, my heart just went pitter patter in my chest. The box promised the best zombie film since 28 Days Later, maybe even the best zombie movie ever.
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Posted in Disc Reviews by Gino Sassani on November 7th, 2008
I’ve spent more than a few hours in the company of Ray Harryhausen over the years. I’ve handled many of the original armatures and have seen the original hand drawn storyboards and conceptual drawings he had created for most of his films. Maybe that’s why I love his films so much. I doubt it. They do speak for themselves and you owe it to yourself to see three of his best pictures, which have been collected here in one set.
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Posted in Disc Reviews by David Annandale on October 25th, 2008
Two inept thieves and their prostitute girlfriend decide to hit the big time, crime-wise, by kidnapping the little girl (clearly and disturbingly dubbed by an adult) of an automobile tycoon. When their contact manages to get himself run over by a car while crossing the street, they have to hightail it out of town until the heat cools (or something like that – don’t press me too hard for clear logic in this film). So off they head to what I suppose is the South American jungle, by my goodness there seem to be a lot of pine trees in the jungle. There they hole up at the home of a friend-of-a-friend, a middle-aged man who has the role Jess Franco would be playing if this were a Jess Franco film. He has a beautiful wife, and one of the thieves takes it in his head to rape her. So their host now has vengeance on his mind, and there are cannibals (you were wondering when I was going to get to them, weren’t you?) lurking in the woods.
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Posted in Disc Reviews by Michael Durr on October 13th, 2008
Standup comedians live interesting lives. The typical stand-up comic performs for fifteen to thirty minutes, two or three times a week. For many their sole purpose in life is to make people laugh. Many often suffer from depression when their acts bomb or they go through dry spells where they can’t get gigs or write new material. However, the best ones make their own breaks and find their way into their audience’s heart. Sometimes that can be accomplished through a MC. This MC or master of ceremonies can often take a grand event such as a tour that lasts 30 days & 30 nights and turn four men into superstars.
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Posted in Disc Reviews by Gino Sassani on September 24th, 2008
The Godfather films changed storytelling forever. Films before that time, mobster or otherwise, had some very simple but unshakable rules. There was always a fairly clear distinction between the good guys and the bad guys. The good guys always win in the end, and the bad guys always succumb to justice before the final credits. For perhaps the very first time, we were given characters that we knew in our souls were evil men. They killed. They broke laws. They manipulated everyone around them through fear and terrorism to bend to their wills. Somehow, now they are the film’s core heroes, if you will. When Vito is shot, we cheer for Michael, who discards his contempt for his family’s criminal image and comes to his father’s aid.
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Posted in Disc Reviews by Gino Sassani on September 19th, 2008
The 70’s and 80’s were fertile ground for horror films. It was a new era of iconic monsters. Starting with Michael Myers and Jason, the trend that gave us Freddy seemed to be at the end of its run by the late 1980’s. Certainly sequels were still being churned out, but it seemed like we’d seen the last of these maniacal monsters, at least for a while. But before it petered out, the cycle would supply our nightmares with one more notable denizen…Chucky. Today Chucky paces the sidelines here in
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Posted in Disc Reviews by Gino Sassani on September 5th, 2008
NCIS is a spin-off, of sorts, from the popular military lawyer show JAG. You could say that NCIS is the Order to JAG’s Law. The NCIS is a real government agency that deals with criminal activity inside or involving the US Navy or Marine Corps. The series has an incredibly global feel and honestly looks damn good for television. Production values are high, and the location stuff is out of this world, or at least all over it.
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Posted in Disc Reviews by Gino Sassani on August 26th, 2008
I remember the first time I saw a Herschell Gordon Lewis film. It was Blood Feast, and it was sometime back in the early 1970’s. Lewis was ahead of his time and was doing extreme slasher before even mainstream slasher films were cool. It was shortly after that bloody experience that I saw the original Wizard Of Gore. Perhaps those experiences didn’t prepare me as much as I thought they would for the remake of Wizard Of Gore. I have to honestly say that I don’t really see the connection between these two films. Certainly the main idea of the magician remains, but little else of the original material survives.
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Posted in Disc Reviews by Archive Authors on August 8th, 2008
For as much as I might viscerally disagree with the creation of a film or its sequel, I lay much of the blame at you, the viewer and movie-going public. You created the furor around the Step Up series of films. You all went in droves to the first film when it was released in August 2006, when movies were winding down in the blockbuster season and thus helped it make $65 million domestically and more than $110 worldwide. It’s your fault that another film was inevitable, so in the down-turn of this past February, we got a second one. That one made about the same domestically, but made $30 million or so more and almost brought in $150 million worldwide. Count on the fact that another 90-minute film about teens dancing will be made and that the Step Up trilogy (I threw up in my mouth a little when writing that) will be complete.
Posted in Disc Reviews by Gino Sassani on August 1st, 2008
In the business of reviewing films you will definitely have your ups and downs. This week has absolutely been a downer. It seems that I can’t get a break. There are just too many bad movies out there. When I settled down to view Mama’s Boy there was a little hope. Looking at the cast you see some pretty solid names. Two veteran Godfather film actors in Diane Keaton and Eli Wallach make for a pretty good start. Jeff Daniels might not be the best out there, but he certainly has range playing plenty of fair to good comedic roles
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Posted in Disc Reviews by Michael Durr on August 1st, 2008
John Leguizamo needs his own kind of wing in some Movie Hall of Fame. I would not say it is a typical wing, but a varied and interesting one nevertheless. He’s done mainstream movies like Ice Age, Moulin Rouge, & the Happening. John has also found himself in roles you just don’t see everyday. He’s been a Clown (Spawn), a Drag Queen (To Wong Foo), and even a Mario Brother (You really think I would fail to mention that John was Luigi in Super Mario Bros?). In The Take, he has a different character to portray. It’s a serious role and requires him to make quite the transformation and bring home an award winning performance.
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Posted in Disc Reviews by Michael Durr on July 30th, 2008
Campy blood & horror movies have always been a sore spot for me. I’m not talking about funny horror films with character like Shaun of the Dead. I’m talking about those movies that have a high amount of gore and little story to back it up. A movie that is played up for lack of acting and focuses more on how gruesome they make the average murder. Troma films immediately come to mind. However, there are times films that from their campy behavior create a story and scenes that are bearable to watch and a good ride on the couch. Perhaps we have found such a film in Botched a 2007 film directed by Kit Ryan. Just as long as it doesn’t turn into another Tripper, I think we will be alright.
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