Posted in: Disc Reviews by Jeremy Butler on June 12th, 2013
Hansel and Gretel, everyone has heard of this fairy tale, right? The Brothers Grimm tale about a brother and sister lost in the woods who come across a house made of candy. They go inside and are soon captured by a witch who goes about stuffing them with candy to fatten them up to be slaughtered. Somehow the cunning pair manages to escape their shackles, and while the witch is distracted with the oven, they push her into the oven and destroy her. We have all heard the tale, but what happened afterwards?
Posted in: Disc Reviews by J C on April 30th, 2013
Before Jay & Silent Bob, Harold & Kumar, and Seth Rogen, James Franco and their current band of merry stoners, there was Cheech & Chong. In terms of pot humor, they were the trailblazers who happily blazed on screen and on stage. The comedy duo’s popularity hit its apex with the release of 1978’s Up in Smoke, which became the year’s highest-grossing comedy. Still, Richard “Cheech” Marin and Tommy Chong’s roots were always in music.
Posted in: Disc Reviews by Gino Sassani on April 17th, 2013
The computer-animated feature film has reached the point where you don't have to be one of the big boys to play. While Pixar and to a lesser extent Dreamworks have dominated this feature form pretty much since its inception, there have already been a handful of independent films that have managed to leave their mark on the landscape. Now the foreign market is getting into the act as well. A Monster In Paris, or Un Monstre a' Paris, is the result of that evolution.
Posted in: Disc Reviews by William O'Donnell on April 11th, 2013
The boogeyman, who goes by the name Pitch Black, is gaining power by turning children's dreams into nightmares. An alliance of fantasy characters, North (Santa Claus), (the Easter) Bunny, Sandman, and Tooth (Fairy), come together to face this opponent. They call themselves Guardians who have sworn to protect all of the world's children. In this adventure they recruit a new member, Jack Frost, who is on his own personal quest of discovery.
Posted in: Disc Reviews by William O'Donnell on March 18th, 2013
Worlds Away is the tale of a young woman named Mia who happens across a debilitated circus, where she is enchanted by the performance of an Aerialist. Mid-performance, both she and the aerialist are sucked into a parallel universe that is littered with strange, seemingly supernatural circuses. Both are lead from performance to performance in an attempt to escape, or at least find each other.
Posted in: Disc Reviews by J C on March 12th, 2013
“I don’t know if I’m an alcoholic, really, I just drink. I drink a lot.”
Movies that deal with alcoholism tend to either be relentless downers (Leaving Las Vegas, When a Man Loves a Woman) or use drunkenness as a catalyst for Hangover-style shenanigans and tipsy laughs (Arthur; Dean Martin’s entire act). In other words, drunks on film don’t usually look like Mary Elizabeth Winstead in Smashed, the brisk, well-acted dramedy from writer-director James Ponsoldt.
Posted in: Disc Reviews by Brent Lorentson on March 6th, 2013
Normally when I see trailers for films about “inspiring true stories” I try to remind myself to avoid that film at all costs. Sure I’ve seen more than a few of these kinds of films, but that’s the problem with them, once you’ve seen one you’ve seen them all. When Chasing Mavericks was brought to my attention I was ready to ignore, but then I gave it a quick look at IMDB and to my surprise it had two directing credits, Curtis Hanson (L.A. Confidential, which just so happens to be in my all-time top ten films) and Michael Apted (Gorky Park, Nell, Gorillas of the Mist), and with that my mind was made up.
Posted in: Disc Reviews by J C on March 5th, 2013
If a movie starring Bruce Willis, Catherine Zeta-Jones, Vince Vaughn and a few other notable names only grosses slightly more than $20,000 — BoxOfficeMojo.com assures us that’s not a typo — does it make a sound? The natural assumption is any film boasting that kind of star power must be pretty bad to be completely ignored by distributors and the movie-going public. Lay the Favorite is a disappointing, low-energy effort, but it certainly deserved to make more money than what A Good Day to Die Hard will probably earn in the time it takes you to finish reading this sentence.
Posted in: Disc Reviews by J C on March 4th, 2013
By the time we meet most big-screen hitmen, they’ve already attained the level of badass-ery required to be efficient killers. Far fewer movies take the time to examine the circumstances that result in a person becoming a murdering machine. Interview with a Hitman — a British action offering from first-time writer/director Perry Bhandal — stands out from the pack because it’s a surprisingly thoughtful meditation on the consequences of killing.
Posted in: Disc Reviews by J C on February 24th, 2013
“If the average civilian had been through the same stresses that you have been through, undoubtedly they too would have developed the same nervous conditions.”
The first time I saw The Master, I really didn’t like it. It was a terrible feeling. I’m a huge Paul Thomas Anderson fan, and Boogie Nights is one of my 10 favorite films of all time. So I walked into that theater excited to see what was being called a landmark achievement: the “Scientology movie” that wasn’t really about Scientology (but actually kinda was) helmed by one of the most talented directors working today.
