1.85:1 Widescreen

Nia Vardalos casts herself across from her My Big Fat Greek Wedding love interest James Corbett, in an attempt to rekindle the magic that was the unlikely Big Fat phenomenon. As star, writer, and director, the weight of the film falls onto her shoulders and thankfully she has enough carry to drag a rather sparse plot from beginning to end with a some genuine laughs.

Remember the blaxploitation films of the 1970's? These films generally played on the ghetto stereotypes that would likely not be as well tolerated today. The films were populated with fur-adorned pimps driving in purple Caddys. The street language was almost indiscernible. The black population sat around drinking from large malt liquor bottles in brown paper bags. In a day where almost every potential racist remark is pounced upon, it's hard to imagine that this kind of thing could have existed at all. But the point was that these films weren't feeding into the stereotypes for the most part

Recently, I got married to the most wonderful woman in the world. Well, the most wonderful woman I ever met anyhow. Her name is Sarah. Then I got to thinking, wouldn’t it be awesome if I included her every once in a while in my reviews? She’s very opinionated but she speaks from the heart. When our webmaster sent me New York, I Love You, I knew it was the perfect vehicle to introduce her to a mass audience.

Brian Clough (Michael Sheen) is the manager for the Leeds United soccer team, brought in to replace Don Revie (Colm Meaney), who is off to manage the England team. Clough is young, charismatic, brash, arrogant and opinionated, and has some pretty unflattering (and publicly aired) views about his predecessor and the thuggish style of play he fostered. So begin his 44 catastrophic days in 1974 as the unwelcome manager of United, and the film flashes back to the meteoric rise that brought him to this crucial pass.

So, this guy goes to see three rabbis....

No, that's not the start of some insensitive anti-Semitic joke. It's the rather offbeat idea behind the latest film by the Coen brothers. Of course, off the wall is business as usual for Ethan and Joel Coen. Fans of the brothers' work already know to expect the unexpected. You're likely not looking for the same kind of logical coherence that you might otherwise demand in your movies. The films often share a modern allegory to some classic fable or tale.

When the UK minister for International Development (Tom Hollander) has the nerve (not to mention lack of political acumen) to opine that war in the Middle-East is “unforeseeable,” all hell breaks loose. The pro- and anti-war bureaucrats in Washington see him as useful to their cause, and descend, talons outstretched. Meanwhile, the Prime Minister's Director of Communications (Peter Capaldi), a Scot who makes Don King look even-tempered and restrained, goes into apoplectic overdrive in his attempts to keep everything on-message.

Years after his wife's unsolved murder, Norman Reedus has retreated within himself, carrying on a morose existence in a low-end apartment, gloomily taking part in unofficial greyhound racing. His neighbour, Emmanuelle Béart, is in love with him. Since Reedus is obsessed with solving the murder to the exclusion of any other human interaction, Béart decides to present him a solution. Based on the tiny bits of information Reedus has on the suspect, Béart picks cabbie Harvey Keitel as matching the profile well enough to make for a good target. She begins a relationship with him in order to put him in the frame and give Reedus, though murder, the catharsis he needs.

"This is the story about a football team. From the beginning this football team had heart and ability. But there was this one big problem. They didn't believe that they could win. And then this dog came along, and this dog could do amazing things, and suddenly, the team started winning. But the truth is, even without the dog, they were winners, each and every one of them. So, if you believe that a dog can play football, then you better believe that we're gonna win this game."

Nah, this story isn't about that. It's about me ... Baby.

As the resident video game expert for the site, certain movies will always fall into my lap. Any movie that includes something about video games, good or bad I will get the chance to review. Sometimes, I'm not so thrilled and sometimes I'm simply elated to take on the task. But then every once in a while, I get a movie where I'm not sure what to expect. The movie Gamer seems to take that tone. But perhaps the journey will lead to some rather unexpected but pleasant surprises.

This is the story of two young twins who are living completely different lives, one in a boarding school who is caught up in a child smuggling ring and the other is living with his struggling artist father, but are able to share their physical pain and emotions as if telepathically. Thomas, who is with his father, knows of Tom, the boarding school “orphan,” but everyone believes Tom is just his imaginary friend. Through a chance encounter the two are reunited and both must find a way to escape the smugglers who wish to take them sell them outside of England.