1.85:1 Widescreen

To say that director Danny Boyle has quite an eclectic resume for his directing filmography may be a bit of an understatement. After an impressive first feature in Shallow Grave, he moved on to the cult classic film about heroin addiction called Trainspotting. From there he took an interesting part for a film called A Life Less Ordinary, followed by directing a hot commodity named Leonardo DiCaprio in The Beach. He took on an interesting zombie film called 28 Days Later, and that brings him up to the children's film(?) called Millions.

Written by Frank Cottrell Boyce (Code 46), Millions tells the story of Damian and Anthony, who live with their father Ronnie, who is a recent widower. Damian and Anthony are both kids (7 and 9, respectively), and are even more isolated when Ronnie moves into a new suburb in England. Damian finds solace is his knowledge of saints, specifically their lives and what they did to qualify for sainthood. He takes some of the moving boxes and sets up a makeshift playhouse in the backyard away from the house, near some train tracks.

Whisper of the Heart follows Shizuku, a young girl on the cusp of womanhood as she learns to realize her talents and follow her dreams. She harbors deep admiration for Seiji, a mysterious young man, who shares a strange kinship with her that soon blossoms into love. From the start, Shizuku isn’t sure who she is. She indulges in songwriting and reading. It’s the latter hobby that first links her to Seiji. She starts to notice his name in the histories for every library book she checks out. It seems he’s always ...ne step ahead of her, and this observation soon turns to fascination. Once she meets Seiji, her fascination becomes something more. Through their ensuing relationship, Shizuku takes her interests and turns them into dreams. She learns those that never try are the only true failures, and she decides to become what she loves, rather than one, who takes part in hobbies of no consequence.

While Whisper of the Heart is an animated film, it has a head on its shoulders that far surpasses most mainstream films today. It’s likely the narrative will draw in adults more than the little ones – despite the G rating – but there is still something here for children… just not all children. It’s safe to say kids will have to be more advanced to enjoy and understand the depth and layers of this film. Shorter on fantasy than Spirited Away, Whisper carries with it a lot more intelligence than that earlier feature from the same creators. This film, instead of being strictly for kids, is instead for those on the verge of determining their interests and realizing those attributes and preferences can be cultivated into a way of life. Those are the children this film really speaks to. And if you’re an adult like me – the kind that didn’t know what he wanted to do with his life, even as he stood up to accept his college diploma – then Whisper of the Heart will speak to you, too.

Goodfellas tells the story of Henry Hill (Narc’s Ray Liotta), an Irish-Italian kid whose only ambition, it seems, is to be a type of wise-guy kid. In one of the first scenes with Hill we learn that “As far back as I can remember, I always wanted to be gangster.” This line here tends to set the emotion and mood for the whole film. Hill, as a kid at least, is your typical child who defies his parents, struggles to do well in school and wants to hang out with the older looking tough guys down the street. F...r Hill, gangsters were his Superman type hero; they could get anything they wanted including the best seats at the show, the best cars and they actually belonged to something.

As Hill becomes immersed in the Mob world, he starts to do little jobs. It isn’t until he meets Jimmy Conway (15 Minutes’ Robert De Niro) and Tommy DeVito (JFK’s Joe Pesci) that his life starts to change. We learn that Conway and DeVito are two of the most feared hit men in the entire Organization. If someone needed something done, odds are they approached one of these two men. Conway and DeVito teach Hill the basics of the mob world included a few life lessons all while they make it so evidently clear to Hill that they have no problem killing any man and neither should Hill.

Synopsis

FBI agent Martin Lawrence has given up the dangers of field work because of his family responsibilities. Now he’s a safety mascot. But when his first partner is killed, Lawrence surreptitiously dons his Big Momma persona gain, posing as a nanny in the family of the chief suspect, a man who is developing software that could compromise national security.

Honestly, does the world really need another Steven Segal movie? I think what's even more depressing than the thought of another Segal flick is the fact that he has attached himself to the project as an executive producer. Clearly, this is the failed actor's latest attempt in an ongoing quest to regain the successful film career he enjoyed in the 90's. Of course, his string of hits ended for a very good reason. Sure, there will always be a place for the big, dumb, mindless action movie. The thing is, even mindless ac...ion flicks have been done better than this one. The plot here is pretty much the same kind of thing you would expect. The son of a wealthy arms dealer has been kidnapped, and Segal is called in as a mercenary to rescue the boy and collect a handsome reward. Only, when the mission gets underway, Segal realizes that he has been double-crossed, and he must choose between his reward and doing the right thing.

Do these things still make money? While I certainly understand Segal's desire to want to keep making films, I can't understand the studio's desire to keep funding them. When I was a 15-year-old boy, I was all about going to see Steven Segal karate chop some foreigner. Once I reached an age where I would be legally permitted to go to see such films, however, I had matured beyond this stage in my life. Apparently, I am in the minority, because here he is yet again, killing for a good cause, in this steaming pile of a direct-to-video film.

There was a day in the not so distant past when there were about six big name comedians in the country, and everybody pretty much knew who they were. In the past several years, however, stand-up has really taken off in the United States, and it has become increasingly more difficult to keep track of who is who. Jeff Cesario is one of those that has garnered some popularity over the past several years, and is starting to make a big name for himself, but has certainly not arrived on the big stage just yet.

Sinc... comedy is so subjective, it doesn't really seem fair for me to say “this guy's funny” or “his show is lame”, because who am I to decide what you are going to think is funny? All I can do is speak for myself, and I personally didn't care for him. I found him pleasant enough, and some of his jokes were very funny, but generally speaking, his brand of humor just wasn't for me. Others may really enjoy him, and that's fantastic, he just happens to not appeal to me. As a result, my advice to you is that if you have not seen Cesario perform before, you might want to rent this title before you buy it.

This is another one of those films that is best suited for the international film festival crowd. I’m not sure, however, if even that group will get this one. Jennifer Van Dyck gives one of the silliest and most wooden performances I’ve ever seen as a woman suddenly constrained by normal life. Under the influence of a messed up play director, she is encouraged to experience life through other eyes. Her use of profanity, sleep deprivation, and depravity are just not interesting to observe. I’ve had bouts of sleep de...rivation, and trust me, it’s not the sense-stimulating experience she writes about. It plays out like a poor art film student’s work. Not to be taken seriously at all. It won’t likely even show up at the local video chains . “You ain’t missing nothing.”

Video

The Adventure of Sherlock Holmes’ Smarter Brother has everything that Young Frankenstein had except Mel Brooks (although he does make a very brief vocal cameo). With the combined comedic genius of Gene Wilder, Madeline Kahn, and Marty Feldman, how could this film go wrong? Like Young Frankenstein, Sir Arthur Conan Doyle’s Sherlock Holmes offers a rich classical mythology to mine for material. A wonderful supporting cast featuring the likes of Dom Deluise can’t miss, right? No so elementary, my dear Watson. Focus. ...hat’s the rub. I’m not referring to the work of the cameramen here. Gene Wilder appeared so sure of his own brilliance that he forgot to bring the story.

The game’s afoot, and it smells like it, too. Never before has so much talent been squandered on so little substance. I understand this is a farce, and I’m fully prepared for the absurd. I’m just not prepared to go nowhere. I was extremely disappointed at every turn. Toilet humor replaces wit. There are also no straight men. What’s Costello without Abbott? Everyone is so into trying to be funny no one offers to be the foil. Simply uninspired. The entire film makes one feel they are witness to one large in joke and we’re on the outside of the punch line. The musical numbers make the film all that much more intolerable.

Synopsis

Sarah Jessica Parker is the very Manhattan, high stress and rather repressed fiancee of Dermot Mulroney. They head off to small-town New England for Christmas with his family, headed by matriarch Diane Keaton. This is the family Stone of the title, and their free-and-easy lifestyle clashes with Parker’s, and she is seen as an interloper. She is subjected to no end of humiliations, principally at the hands of Rachel McAdams. But when Mulroney’s brother Luke Wilson shows up, Parker finds herse...f a rather oddball ally.

When I received Bachelor Party Vegas in for review, I took a quick glance at the cover and the basic plot and thought to myself ‘Oh, I haven’t seen something like this before.’ I suppose a film like this is a guaranteed profit maker since these films are usually pretty cheap to make and don’t need to involve much big talent or production.

The film beings with the apparent 10 Commandments of the Bachelor World. Some of them are amusing barely cracking a smile, while others are down right bordering st...pidity. We meet five best friends who want to take their best buddy played by Jonathan Bennett (Mean Girls) out to Las Vegas for “the wildest, craziest weekend of their lives”. Along the way, we get many a scene that seemingly gets dumber as the film progresses. First up, when the boys arrive in Las Vegas, it appears they’re going to get a lap dance from a stripper. Turns out that this stripper is a old woman. The rest of the scenes, including another lap dance from a bald, fat guy, should have be thrown on the editing floor.