2.40:1 Widescreen (16:9)

"On Robben Island, in Pollsmoor Prison, all of my jailers were Afrikaners. For 27 years I studied them. I learned their language. Read their books, their poetry. I had to know my enemy before I could prevail against them. And we did prevail, did we not?"

Leave it to Clint Eastwood to make even rugby look interesting. Of course, Eastwood himself would correct me and observe that Invictus isn't really about rugby. As the words of Nelson Mandela above suggest, this movie wasn't really about rugby at all.

For most of this last decade Mel Gibson might as well have vanished from the face of the planet. The once extremely popular actor had charmed the world. Women found his childish grin to be irresistibly sexy, and men bought into the “kick ass and crack a joke” style that made the Lethal Weapon films such a romp of fun. But lately, you expect him to be the subject of a “Where Are They Now” segment from a late show on television. It's no secret why Gibson climbed so quickly out of the public eye. I'm sure everyone still remembers the drunk-driving arrest where Gibson compounded his already serious case of bad judgment with even worse judgment.

In many ways the epic story and film Doctor Zhivago echoes the real-life story of Boris Pasternak, who penned the original novel. Pasternak was a firsthand witness to the events that led to and became the Russian Revolution. He collected 50 years of memories that began with the early days before the revolution and ended with his own confrontations with the USSR government. Like Zhivago in the story, Pasternak's work was banned in his own country. The manuscript had to be smuggled out of Russia and found its way first to Italy, where it was finally published for the first time. But it didn't stop there.

My dad was an ex-Vietnam officer, 1st lieutenant in the United States Army. He gave a lot for his country but never forced me towards any military service. He wanted me to focus more on my studies and make sure I got a proper education. I don’t think I could comprehend what my father or any military personnel in a war situation goes through. However, with the dramatization in Brothers, I can see on some level the horror that some of our fine soldiers have to live with.

Around Thanksgiving of last year, I started to see trailers of a particular movie that quite literally made me laugh out loud. The reason behind it is because I knew with the title of the movie and the obvious plot, there was no way I was not going to review it when it came to dvd & blu-ray. I have a reputation for certain movies, I guess you could say. That movie was Ninja Assassin. Several months later, I am reviewing it for a mass audience. Funny how that works.

It's back to the 1950's with its telltale alien invasion science fiction matinees. There's Doo Wop coming out of the radio. The cars have tail fins and plenty of color and chrome. That's right. This is 1950's Americana. Well ... almost. You see, the alien invaders are humaniacs. They turn the helpless population into mind-controlled zombies, and they eat brains for breakfast. Those sure are the classic cars, all right. But they're rounded, and instead of wheels they ride on a cushion of air. And then there's the "people". They're green. They have tentacles for hair. And they have only 4 fingers and toes on each hand or foot. Can anyone say, "Give me a high four"?

When the original 1987 film The Stepfather came our way, the world was a very different place. Of course, that's true with any titles that are separated by nearly 25 years of time. When reboots or remakes are attempted, as they all too frequently are today, it is often true that some allowances must be made for those inevitable changes in our world. Filmmakers attempt to make whatever adjustments they deem fit and bring the old favorite, or not so favorite, into our current collective consciousness. Like all things, sometimes it works. More often it does not work.

"There are stories a river can tell. And truths it cannot hide. There are ways it brings us together that we may never see, connecting us with places never suspected. Places like fear, like betrayal, like murder."

One thing you have to say for Clint Eastwood. In his later years as a director and producer of films, maybe from Unforgiven onward, he has selected some of the most compelling stories for his film projects. You get the sense that he hasn't been in this for the money in a long time. You easily believe that he doesn't make a film unless it reaches him completely and deeply.

The original movie production of Fame came out in 1980 and followed a group of students as they progressed four years through the New York High School of Performing Arts. It was gritty, it was harsh, but it was a very deep portrayal of budding students trying to get into the world of singing, dancing and acting. Nearly 30 years later, somebody gets the bright idea of doing a remake. Let’s find out if it is anywhere close to the original.

"Look at yourselves. Unplug from your chairs, get up and look in a mirror. What you see is how God made you. We're not meant to experience the world through a machine."

Since the time we were kids, we were warned that you can't tell a book by its cover. That has never been more true in our modern world of the internet. We play in chat rooms where almost no one is who they pretend to be. We lie about our age, looks, and even our gender, and rationalize it as harmless escapism or merely exaggeration. Everyone does it, or so we believe, so it's actually expected.