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Is the idea of a “low-budget epic” an oxymoron? I realize an ingenious filmmaker like Neill Blomkamp was able to make the $30 million District 9 look like it cost about five times that much, but I’m talking about really working with scraps. Heck, for $30 million, the filmmakers behind Viking drama Hammer of the Gods could’ve probably made this film 10 times. The Blu-ray case makes it seem like a SyFy-level production, but director Farren Blackburn admirably had his sights set considerably higher.

 "Mystic Falls. I was born here. This is my home. For centuries, supernatural creatures have lived among us. There are vampires, werewolves, doppelgangers, witches and even hybrids. There are those who protect them. And those who want them dead. They're our friends. Our enemies. The ones we love. And the ones we've lost. And then there is me. I'm human... at least I was."

And, of course, that was the big news as season 3 of The Vampire Diaries ended and season 4 begins.

Rick Castle (Fillion) is a very successful mystery pulp-fiction writer with over 26 books hitting the best seller list. He’s rich, and he’s spoiled. He lives with his mother (Sullivan) who is pretty much a has-been actress who thinks she’s just one part away from stardom. He has a young teen daughter (Quinn) who is more responsible than he is. After having so much fun and inspiration tracking down his fiction copycat killer, he decides to pull strings and become an unpaid consultant for the team. At first that wasn't so good for team leader Detective Kate Beckett (Katic). Of course, now the whole sexual tension thing has been discarded, and they are an official couple these days

Ever wondered what Jumanji would have looked like if it were rated R? Well, look no further than The Black Waters of Echo’s Pond. This B-movie focuses on the perils of secrets coming to life through the assistance of a demonic board game which ultimately leads to all kinds of destruction and mayhem. While watching, a thought occurred to me: Why is it that many of these movies start off the same way? With a tale of a place where several people have died under suspicious circumstances, and the first thing the characters do is rush off to this accursed place. Well, it’s safe to say that the film doesn’t really score points for originality in that aspect.

Half of this story deals with a group of teenage faeries, who are smitten with some cute boys from a neighbouring magical kingdom, trying to connect with said boys. The other half deals with this same group of faeries and boys fighting against a trio of evil witches trying to steal all of the world's “positive magic.” In both halves there is a lot of girlish giggling, butterfly fluttering and sparkly colours....the enemy of any diabetic epileptic.

I have a prediction about reality shows: with a new one seemingly sprouting up like a weed every few minutes, the number of people on television will eventually be greater than the number of people watching at home. Granted, some of these shows are amusing, educational and even inspirational. But too many of them reward negative, repulsive behavior with fleeting fame. Speaking of rewarding negative, repulsive behavior with fleeting fame, The Morton Downey Jr. Show was on the air for less than two years, yet that was long enough to earn its host the title of “Father of Trash Television.”

Modernizing Sherlock Holmes has been a popular trend in film and television lately. We have seen two slick action film adaptations courtesy of Guy Ritchie (Sherlock Holmes and its sequel), a contemporary BBC adaptation (Sherlock) and now there is Elementary, which transplants Sherlock Holmes and his loyal companion Watson from Victorian Era England to modern USA (New York, more specifically).

Mystery Science Theatre 3000 is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. Together they watch the films from the front row, constantly riffing on them. If you’re like me, you’ve invited a few friends over to watch a schlock festival.

"The needs of the many outweigh the needs of the few."

Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek he quickly made it known that he was not really that into the franchise.

Supergroups are hot right now: witness the astonishing box office dominance of The Avengers, as well as Warner Bros./D.C. Comics’ frantic attempts to replicate Marvel’s success. But the idea of a supergroup — a collective whose members have previously achieved individual success — has been around for a very long time, and is most commonly found in the world of music. The members of PSMS (Mike Portnoy, Billy Sheehan, Tony MacAlpine and Derek Sherinian) certainly fit the supergroup bill. Late last year, they united to rock the faces off their fans in Europe and Asia.