Posted in: Disc Reviews by Michael Durr on April 30th, 2009
The day of October 31st is usually Halloween to most people. However, back in 1992 it was the day one of the best cartoon superhero shows premiered on the Fox Network. It was simply called X-Men. The show would last seventy-six episodes and five seasons while rising to considerable popularity. I’m not one to toot personal bias, but this is probably my second favorite comic book related animated show next to Batman: The Animated Series. Most of us X-Men fans have been waiting for these episodes to be released for as long as the dvd format has existed. Finally that time has come and I couldn’t be more delighted to watch these again.
Two parents sit in a living room wondering if they did the right thing. Their adopted child: Jubilee is a mutant. They have felt the best thing to do is file her name with the Mutant Registration Program, a privately funded program with ties to the government. The Mutant Registration Program is supposed to be a peaceful group helping humanity and the mutants carry on in their existence. However, things are not as they seem.
Posted in: Disc Reviews by Gino Sassani on April 28th, 2009
There are many examples of excellent BBC series and miniseries. Some eventually get remade into American shows. State Of Play is one of those fantastic BBC drama thrillers that is now making its way to American audiences, not as a copycat series, but as a major box office film staring Russell Crowe. While I have not seen this theatrical release as of yet, I am intrigued with the story and will eventually find myself watching this movie version. Unfortunately for the likes of Crowe and director Kevin Macdonald, I have a hard time believing that a 2 hour film can pack in as much detail and character development as this 6 hour BBC production has managed to do. I literally watched the entire 6 hours in one sitting. It’s not the Herculean effort you might be thinking, and I’m certainly not bragging here. It’s one of those stories that plays out so well and is paced so perfectly that the hours literally fall away. Before you know it a quarter of an entire day has passed you by and you don’t feel tried, tired, or put out from the time.
The series begins by depicting a rather brutal street murder. It’s a misleading beginning. You might expect this thing to become a marathon of slayings and envelope pushing violence. Nothing could be further from the truth. The six hours will never again get this bloody. The scene is intended as a shock to the system to immerse you quickly into the tale. In the next instant we learn that a woman named Sonia Baker (Macdonald) has apparently “toped herself”. That’s British for committed suicide. She seems to have thrown herself in front of a commuter train. This might not make for big news except that Sonia Baker was the assistant to a member of Parliament who also chairs the Energy Commission. That body is currently holding highly publicized hearings to assess punitive damages to the oil companies. The member of Parliament, or PM, as they’re commonly referred to, is Stephen Collins (Morrissey) who is a young up and comer in the party. It is also soon revealed that Collins had an affair with the young assistant. The story is picked up on by Cal McCaffrey (Simm), a young hotshot investigative reporter, who also happens to be Collins’ best friend and former campaign manager. As McCaffrey uncovers fact after fact, it becomes apparent that his friend isn’t telling the whole truth. Their relationship becomes strained, not helped by McCaffrey’s pursuit of a romance with Collins’ wife, Ann (Walker). The paper’s editor, Cameron Foster (Nighy) assembles a team to cover the evolving story in spite of pressure from the government to let it slide. Obviously, we’ll discover that both crimes are related, and each episode unravels a new important piece of the puzzle until the mystery is revealed. There’s enough conspiracy and government cover-up here to satisfy even X-Files fans. Sorry, no aliens.
Posted in: Disc Reviews by Gino Sassani on April 28th, 2009
“We’re tiny. We’re toony. We’re a little bit loony. And in this cartoony we’re invading your TV. We’re comic dispensers. We crack up all the censors. On Tiny Toon Adventures, get a dose of comedy. So, here’s Acme Acres, it’s a whole wide world apart. Our home sweet home, it stands alone, a cartoon work of art. The scripts were rejected, expect the unexpected on Tiny Toon Adventures it’s about to start.”
What do you get when you cross Steven Spielberg with the tradition of Loony Tunes? You get Tiny Toon Adventures. Spielberg produced this 1990’s television cartoon show for the WB Network. Set in Acme Acres, this cartoon was intended as a Next Generation of Loony Tunes characters and stories.
Posted in: Disc Reviews by David Annandale on April 28th, 2009
A while back, Cult Epics released a 2-disc limited edition of Un Chant D'Amour. This single-disc reissue features a number of the features (though not all) from the limited release. The actual film and transfer quality are the same, and so much of this review is likewise the same.
Long the bad boy of French novelists, Jean Genet directed this 25-minute short in 1950. Borderline pornographic, it is a silent portrayal of (literally) imprisoned desire. Two prisoners convey their longing for one another through the prison walls, while a voyeuristic guard watches, becoming aroused and frustrated to the point of violence. poetic, fetishistic, and intensely personal, it is a startling and historic piece of underground cinema.
Posted in: Disc Reviews by Michael Durr on April 27th, 2009
At a point in time, women’s fighting was nothing more than usually a side show attraction. As the years went by, the concept of women fighting each other became more and more accepted. There is a women’s boxing league and there are serious women all over the wrestling circuit (and not just t&a shows). There are even rumblings of MMA females (that might be a bit too far though). So, a good plot line for movies would be to interject the female into a man’s fighting world and see how they do. Take underground boxing and the movie: Fight Night, this could be a great marriage.
Michael Dublin (played by Chad Ortis) is a con-man in the hard cold world of underground boxing. As an unfortunate result of his mis-dealings, he is constantly on the run going from city to city and trying to make a buck. He gets in the habit of making too many enemies and finds his life in danger after a con goes bad. However, from out of the shadows appears a female figure who floors Dublin’s would be enemies with vicious punches. Her name is Katherine Parker (played by Rebecca Neuenswander).
Posted in: Disc Reviews by Michael Durr on April 27th, 2009
The title of Spectacular Spider-Man was once used to refer to a second-rate line of comics about the web-crawler. The Amazing Spiderman always led the way in sales but the Spectacular production always had its line of fans too. As well as the critics. The critics were often on the books because they had a more casual tone and sometimes didn’t even go along with the original book in terms of plot development. The comic eventually died off and in 2008, the Kids WB decided to use the name for their new animated show. Two seasons and 26 episodes later, this show has done quite well. Volume Four is now released and includes episodes 10-13.
Episode Ten starts out with Dr. Conners and his crew being allowed to study an alien symbiote. However, that symbiote is lost when the Black Cat & Spiderman have an altercation in the lab when Black Cat was trying to steal the life-form. It is soon found that the symbiote has actually affixed itself to the Spider-Man costume thus changing his powers and his personality.
Posted in: Disc Reviews by Michael Durr on April 27th, 2009
Sometimes I feel like a broken record. Once upon a time, I adored the likes of Steven Seagal and Jean Claude Van Damme. I would spend many hours watching Above the Law or Bloodsport until I had nothing else better to do. When I matured, I left many of those movies behind. However, the spirit of those movies was still within the type of movies I would typically watch. The problem is that both of these starts pretty much went from feature film to direct to DVD. But Jean-Claude has tried to change his image by taking on more serious roles. His newest, JCVD; he takes on the role of himself the actor.
Jean-Claude Van Damme (playing himself) is an aging 47 year-old action movie star. His agent can not find him anything decent. JCVD has no money and worst of all, he is fighting a losing battle in the custody of his daughter with his ex-wife. He decides to return to Brussels, his childhood home. Here, he is still considered a national icon and with that comes some sense of worth and peace.
Posted in: Disc Reviews by Gino Sassani on April 24th, 2009
Every once in a while a movie comes along that has a very strong social message, but never comes across as heavy handed or preachy. What Doesn’t Kill You is one of the best of those movies that I’ve seen in some time. It’s based upon the real life struggles of Brian Goodman, who wrote the screenplay while he was in prison. Goodman was a lifelong criminal who was also addicted to booze and drugs. With the inspiration he gained from his two young sons, Goodman turned his life around. He got himself sober and avoided the temptations that would lead him back into a life of crime and ultimately prison. Another danger sign in these kinds of films is when you have one man who wrote, directed, and stars in a movie. These “one man band” types of films more than not fail on almost every level. Again, I have to say that What Doesn’t Kill You manages to rise above these trappings. Goodman manages an almost impossible feat here. He tells a socially powerful story, from his own personal experience, and never forgets that ultimately the end result must entertain above anything else. The most important of messages falls completely ineffective if ultimately no one ever sees the movie. And, trust me, when I tell you. More people need to see this movie.
Brian Reilly (Ruffalo) (Goodman’s character) and Paulie McDougan (Hawke) are practically brothers. They grew up together in the same south Boston Irish neighborhood and were inseparable since they were in elementary school. They admire the local crime boss and neighborhood protector Pat Kelly, played here by Brian Goodman. Kelly runs the local criminal activities out of a corner bar. He gets a piece of anything that goes on in the hood. The boys start out as kids running envelopes and other errands for Pat. Fifteen years later, they’re still doing small jobs for the boss. They’re beginning to get frustrated that they haven’t graduated to better things and more money. They soon break the cardinal rule and start to go on their own. Mostly it’s small time stuff. They roust drug dealers and take down a few trucks. But their cowboy antics are about to get them in trouble. They risk making an enemy out of the still powerful Pat, but more importantly they have brazenly taken down quite a few punks. Brian is also beginning to drink too much and is eventually introduced to crack cocaine. He’s messing up. His wife is getting frustrated with him, and he’s making mistakes “on the job”. Those mistakes end up getting him shot. Miraculously, he survives, even though he leaves the hospital against medical advice to get high. The mistakes eventually lead the two friends to get busted and do five years in prison. Brian gets out first. He makes an attempt to stay sober and away from criminal activity. He’s helped by an AA mentor he befriended in prison, named Sully (Lyman). But when Paulie gets out, his need for money and his frustration at playing it straight threaten to bring him right back into those activities that put him in prison. What will he do? Will he repeat the mistakes of the past, or will he be strong for his wife and sons, who waited for him for five years of prison?
Posted in: Disc Reviews by Gino Sassani on April 24th, 2009
“The best movies you totally forgot about”
That’s the marketing slogan for this Lionsgate collection of mostly 1980’s films that never really broke any ground in their box office releases. They are, for the most part, cheap comedies. A few have somewhat of a cult following. None of them ever really set the receipts on fire. At just under $15 each, likely less if you shop around, they are good for a couple of laughs, but little more than that.
Posted in: Disc Reviews by Gino Sassani on April 23rd, 2009
With so many cast changes, it didn’t really come as too much of a surprise to fans that the series was winding down. Only one more season would follow, and this year never clicked in quite the same way previous seasons had. By now the team was so significantly different that there was little of the cast chemistry that made this one such a winner. With its glory years behind and only one more struggling year to come, we reach the end of our journey with the IM Force.
Jim Phelps (Graves) led his team in a sixth season of Mission Impossible starting in 1971. The show continued its trademark traditions. Jim would receive a mission from the “self destructing” tape and would gather his IMF (Impossible Mission Force) team. The team was necessarily eclectic in nature, and it changed significantly in the sixth season. Gone were Leonard Nimoy, Leslie Ann Warren, and Sam Elliott in his signature role of Dr. Robert. Still in the team we had Barney Collier, the gadget man, played by Greg Morris. The muscle was still supplied by Willy Armitage, played by brute Peter Lupus. Together they took on missions that the government could not be officially a part of. They were always admonished that should they be caught “the secretary would disavow any knowledge” of them. Usually they were sent somewhere to put some evil mastermind out of business. Their tactics ranged from scams to outright theft. Sometimes they were a rescue team, while other times they would infiltrate a group of bad guys. There were certainly cold war elements to the whole thing. Each week the team concocted some convoluted con to play on their mark, walking away at the end of each episode often without getting any credit or congratulations.
