Posted in: Disc Reviews by David Annandale on April 13th, 2009
Try this plot on for size: Gordo, an ape owned by carnival sideshow barker the Great Lampini (Paul Richichi), gets loose and rampages about Long Island, raping and killing and stealing cars (!). Meanwhile, the moronic detective in charge of the murder case dismisses the idea that an ape is the culprit, and casts his racist eye on the unfortunate Duane Jones (Christopher Hoskins, whose character is named after Night of the Living Dead's lead).
Posted in: Disc Reviews by Archive Authors on April 13th, 2009
With Robert Rodriguez releasing films where he directs, writes, scores, edits and produces some people humor themselves into believing that anyone can do the same. With Diary of a Tired Black Man, Tim Alexander attempts to accomplish a similar feat. Jimmy Jean-Louis headlines the small cast as James who recently divorced his wife Tonya (Paula Lema)of four years. Alexander directed an internet clip that dealt with this relationship and from that 3 minute clip he adapted it into a feature film. The story evolves into a complex investigation of relationships from the black male perspective.
Posted in: Disc Reviews by Michael Durr on April 13th, 2009
Bradford May, oh Bradford May. I have a good history of watching movies directed by Mr. May from a couple of Darkman sequels to the more recent Ring of Death. His style is pure popcorn and an attitude of leave your brain cells by the door. It is only fitting that I was interested in seeing another flick with his name on it. This one was called Mask of the Ninja. Right away, it sounded like a classic Bradford May movie. However, after watching it, I realized that Bradford had broken some laws in his production. He had broken the sacred five rules of portraying a ninja.
Posted in: Disc Reviews by David Annandale on April 12th, 2009
The sleaze of the grindhouse era inspires a special kind of love. Warped, dubious, indefensible, yet real all the same. Part of that love is a nostalgia from those bad old days. But it takes an even more special brand of that special love to seek to recreate forgotten exploitation genres, and yet that is what we have here: the first Nazisploitation flick in close to thirty years.
Posted in: Disc Reviews by Gino Sassani on April 10th, 2009
We all knew it had to happen eventually. With the success of the “torture porn” films like the Hostel and Saw series, we had to expect that there would be some lightweight twists and turns on the thriving genre. Shuttle is one of those attempts. It gingerly treads on the now familiar ground of the aforementioned films, but each time it makes the obvious moves in that direction, it pulls back and stalls. Edward Anderson is the writer and director of this mess.
Posted in: Disc Reviews by Gino Sassani on April 10th, 2009
Donkey Punch was partially funded by the British Lottery. That means you might have actually lost twice. Once if you bought a losing ticket, and again if you watched this movie made possible by your gambling itch. Mama always said nothing good comes out of gambling. Turns out she was right. If this is what the British Lottery Authority is doing with the money, you’re better off going to a bookie. At least Mario “The Shark” Cabliario will spend the money on something worthwhile, like women and booze.
Posted in: Disc Reviews by David Annandale on April 10th, 2009
A middle-aged man (Jean Rochefort) recounts his youthful sexual awakening to the charms of the local hairdresser. Developing a fixation on the erotics of a women cutting men's hair, he resolves to marry a hairdresser, and decades later, he gets his wish. His wife is the lovely Anna Galiena, and once wed, they rarely leave her little shop (indeed, they also get married there).
Posted in: Disc Reviews by Gino Sassani on April 10th, 2009
Jim Carrey’s life and career are in a sort of mid-life crisis. He has avoided doing his usual goofball comedy films and opted for more serious roles. His appearance in Number 23 was a bit of a shock for most of us, but he pulled it off reasonably well. Even his more recent comedies have often been less about one crazy character and more about the story elements. It seems that he has decided it was time to return to the parts that made him a household name with Yes Man. But after watching Yes Man,,I have to wonder if maybe that genre has passed him by.
Posted in: Disc Reviews by William O'Donnell on April 8th, 2009
This is the fourth film in the Poison Ivy series and its star power has descended from Drew Barrymore, to Alyssa Milano, to Jaime Presley, and has finally fallen on Degrassi: The Next Generation actress Miriam McDonald; which is sure to fulfill a handful of strange Canuck fantasies.
McDonald plays Daisy, the new girl on campus who is apparently a "tom-girl" because she wears jeans...and is from the country (I guess). It's a fish-out-of-water story to start where she is scoffed at by the cool girls for showing up in a taxi, and gets a meet-cute moment with the richest boy on campus. She turns out to be the biggest prospect in the whole Political Science Department, despite being a freshman, which makes her a target of the "Ivys."
Posted in: Disc Reviews by Gino Sassani on April 8th, 2009
John Patrick Shanley brings his thought provoking play to the big screen in 2008’s best picture, in my book, Doubt. The Academy likely shied away from the controversial content, likely because it doesn’t make it clear this priest must have done what he’s accused of doing. Many of the actors received deserved nominations, but the film was generally snubbed in the final verdict. While I enjoyed Slumdog Millionaire, for Doubt to not even get the Best Picture nomination is a crime.
![Donkey Punch [Unrated] dvd cover art](https://upcomingdiscs.com/ecs_covers/donkey-punch-unrated-large.jpg)
