DVD

“Scooby-Dooby, Scooby-Dooby-Doo! There's a mystery in town, So call the coolest pup around, Call Scooby, A pup named Scooby-Doo! Join Shaggy, and the crew, Daphne, Freddie, Velma too! And Scooby! A pup named Scooby-Doo! When the ghostly ghoul attacks, Scooby eats a Scooby Snack! Scooby-Dooby-Doo! So come on, it's mystery time, You can help us solve the crime, With Scooby, a pup named Scooby, Scooby, a pup named Scooby-Doo!”

First there was Muppet Babies. Then there were Tiny Toons. It seems that every famous children’s cartoon series eventually turns back the clock to offer up pintsized versions of the same formula. That’s what you get in A Pup Named Scooby Doo. The show aired 1988 through 1991. It was on somewhat erratically so that, while the box claims this 2 disc set contains the complete 2,3, & 4 seasons, that really only adds up to 17 half hour episodes in all.

What would you get if you were to cross the films Dangerous Minds and Waiting for Guffman? Well, add a liberal helping of High School Musical and you might end up with Hamlet 2 (though it is difficult to imagine the High School Musical drones belting out songs like “Rock Me Sexy Jesus” and “Raped in the Face” with such gusto).

Open relationships have never really been in my repertoire. I’m a pretty committed guy. I find a girl or she finds me and we stick it out until one or both of us feel otherwise. Some people will argue that it is not natural to simply have one mate, instead we have to find multiple people to share relationships and intercourse with. In the movie Fling, it deals with an open relationship between Samantha & Mason. My money is on the fact that one of them goes too far in their openness and the relationship becomes strained. Let’s see how good my guesses are today.

Sam (played by Courtney Ford) and Mason (played by Steve Sandvoss) are in an open relationship. Sam is looking to open her own business while Mason writes trashy romance novels. They also find time to have relations with each other and anybody else they can shack up with. At a wedding, Sam rekindles a relationship with James (played by Brandon Routh), an old boyfriend. Mason, meanwhile finds out that his best friend Luke’s (played by Nick Wechsler) sister, Olivia (played by Shoshana Bush) is very taken with him.

Risk taking has never been my specialty. I tend to keep things pretty conservative and never really tried anything out of the ordinary, at least nothing I would consider dangerous. However, I have been interested by many forms of extreme sports. There is skateboarding, motocross, and of course, snowboarding. This beautiful sport combines flawless riders and picturesque snowy landscapes. So how would I take to a movie that tries to make a comedy out of snowboarding? Hopefully well. But then I saw that it included Tom Green and one of the guys from Jackass. This is not off to a good start.

Max (played by Dave England) and Eddy (played by Jason Bothe) are in charge of Team Shred. Team Shred consists of Chris, Tracy & Juice (played by Carlo Marks, Amber Borycki, & Alain Chanoine respectively). Chris is the breakout star of the team while Tracy & Juice are up and coming. However, Max and Eddy only focus on their breakout star as they arrange parties, videos and other events for Chris and only include the other two as a mere afterthought.

"Chicano" is a term for a Mexican American (US born with Mexican ancestry).

El Chicano was and is a band that started in the late 60s as club players called The V.I.Ps (playing after hours at a Japanese restaurant in East Los Angeles) who became popular because of their jazzy approach to Latin rock. This musical approach was really defined by this band, as well as by Santana who started about the same time, and their songs became the anthems for the "Chicano Movement" around the late sixties and early seventies.

Zack (Seth Rogen) and Miri (Elizabeth Banks) have been friends since school, and are now terminally broke roommates. As their utilities are turned off one by one, and they face the prospect of eviction, Zack hits on the idea of shooting a porn flick to get out of debt. They gather together a motley collection of actors and crew, and, letting no setback stand in their way, start making their movie. But the real question is not whether they will succeed, but whether they will come to terms with their feeling for each other.

In his review of the film Roger Ebert writes, “'I don't know bleep about directing,' Smith once confided to me. 'But I'm a bleeping good writer.'” Smith is half-right. The direction here is very meat-and-potatoes, every shot serving little more than to get the actors decently framed. But I can't agree with his self-estimation as a writer. There are some funny lines here, but many of the laughs are due to Smith's stellar cast. Rogen does his usual shtick, but it's still funny, thanks to his appealing naive/cynic vibe and befuddled stoner delivery. Justin Long shows up for a single scene, and walks off with the movie. None of his lines are particularly stellar, but his cameo is hysterical, all of it due to voice and body language. The man could make the yellow pages side-splitting. This is not to say that Smith's script is that dry, but it veers between clumsy earnestness (I kept waiting for the punchline during the final emotional speeches, the clue that I wasn't really supposed to take this hackneyed dialogue seriously, and it never came) and a potty mouth approach that clearly finds naughty words to be funny in and of themselves. You know, like we all did in grade five. David Mamet this is not. But when all is said and done, there's the cast. Determined to save Smith from himself, they make the film a bizarrely endearing and sweet experience.

Frankly, if you need any information beyond the title of this release, then it probably isn't for you. It's The Sinful Dwarf, man! But if you really must know more, be it on your head. Mind-bogglingly stupid and broke newlyweds Mary and Peter (Anne Sparrow and Tony Eades, actors of an ineptitude that passeth all understanding) check in to the boarding house of retired (and scarred) burlesque performer Lila Lash (Clara Keller) her son Olaf (children's show host Torben Bille), the titular sinful dwarf. Mary hears noises in the attic, but Peter won't listen to her. He should, as Lila and Olaf keep a harem of women up there as prostitutes, ensuring their submission through forced injections of heroin. Now they have their sights set on Mary...

Whatever you fear or hope about a film with this title, the reality will likely exceed your imagination. “Exploitation” is almost too tame a word to describe the spectacles here, whether we're talking about incessant close-ups of Bille's sweaty, greasy, drooling, leering face, or Keller's disturbing Marlene Dietrich impersonation. If you don't need a shower after watching this, you aren't human. In other words, it's sublime.

"She was working in a bridal shop in Flushing, Queens 'Til her boyfriend kicked her out in one of those crushing scenes. What was she to do? Where was she to go? She was out on her fanny... So over the bridge from Flushing to the Sheffield's door. She was there to sell makeup, but father saw more. She had style! She had flair! She was there. That's how she became the Nanny! Who would have guessed that the girl we've described Was just exactly what the doctor prescribed? Now the father finds her beguiling. And the kids are actually smiling. She's the lady in red when everybody else is wearing tan... The flashy girl from Flushing, the Nanny named Fran!"

Not exactly Mary Poppins.