DVD

Jody Balaban (Leelee Sobieski) is a newly minted film school grad who, heady with the success her student film has brought her (an award presented by Garry Marshall!), heads off to Hollywood to find fame and fortune. Instead, she finds doors shut to the newcomer, the closest she can get to a major studio job being a stint directing traffic. But then she is offered a job as an editor. The only problem is, the studio in question is a porn outfit. Her dismay is all the greater since she has been put off sex due to the enormous childhood traumas of having been spanked

After watching plenty of terrible horror movies in my life, I start to wonder if this is easiest thing in Hollywood to produce. Work with a small budget, come up with a scare and hire some shapely actors to play the ones in peril. Oh, and make sure you have plenty of fake blood. Our example today is Open House, a recent horror movie directed by Andrew Paquin.

"There is a place, a mystical nexus, where this unholy relic can be destroyed. I only hope we can get there before Vellich."

When you think of Edward Douglas, you really do not think about him as a film director or writer. He's made a name for himself mostly in the music business. No, you aren't going to see his videos on MTV, and it's not likely that you'll find his name on the charts. He's become somewhat the poster child for specialized Halloween music. So, I guess it isn't that large a leap to find him writing and helming his first film, obviously a horror film.

“Have gun, will travel reads the card of a man. A knight without armor in a savage land…”. Those words ended every episode of Have Gun Will Travel, sung by Johnny Western in a time that such words could be sung without irony. Outside of Richard Boone’s black-clad, craggy Rhett Butler gone-to-seed gunfighter, that song was all I could really recall about this venerable Western from television’s golden age. Would it, like so many revisited shows from my youth, ultimately disappoint? Or would it hold up fifty years after it was originally broadcast, viewed as it would be by the far more jaded, cynical man I’ve grown into?

NOVA is one of the longest-running series of documentaries in television history. It has been a mainstay on public television since 1974 when the first episode took us behind the scenes of the filming of a nature biography. Since then the series has explored everything from space to mathematics. Episodes have focused on people, places, and things. Classroom curricula have been built around the series. In case you're keeping track, that's 37 years that the show has been on television.

One of the most difficult types of films to pull off is the black comedy. By its very nature the film has to be somewhat morbid and exist in a world of the absurd. As much as I am often drawn to this kind of movie, I haven't found more than a handful that were able to pull it off. The black comedy usually involves someone's death, often by some bizarre means, and almost always in a world of moral ambiguity, where such things fail to affect the emotions or consciences of those involved. The death has to appear almost matter-of-fact.

Everybody is always looking to find a new angle or a fresh way of looking at the typical horror film. That is, when they're not trying to recycle/reboot/remake/reimagine something that's already been done, often more than once. Credit writer Glenn B Hopper III and director Neil H. Weiss for at least coming up with a new spin on some old ideas. The Hanged Man doesn't venture very far from its traditional horror roots, but it does offer you a little more thoughtful motivations and insights into its characters and situations.

The rock gods must have been smiling when Keith Emerson, Greg Lake, and Carl Palmer journeyed from their perspective corners of the music world and combined to form the band Emerson, Lake & Palmer, or merely ELP to the fans. Keith Emerson had made quite a name for himself with his manic organ riffs in working in the band The Nice. Greg Lake was busy with the band King Crimson where he worked with long-time ELP collaborator Peter Sinfield. Carl Palmer was the youngest member of the group and had played for several bands before meeting up with his eventual ELP bandmates.

Since I get to review a lot of sitcoms, I tend to see the gambit of shows designed for only purpose. That purpose is for me to laugh. But there is another word in sitcom which can restrict how funny the comedy will be to a given person. Situational. The situation I present here involves a female sports columnist and her male friends. One can only wonder if this formula created by Betsy Thomas will be what I'm looking for.

Extraordinary Measures is a moving story about family and a father’s perseverance to find a cure for his children.  John Crowley (Brendan Fraser) seeks out the help of an irritable medical researcher (Harrison Ford) whose theory cannot be fully developed without extensive funding. As the time ticks away, so does the probability of finding a cure.  This film requires an emotional investment and audiences will be surprised at how invested they become.