Posted in: The Reel World by J C on November 22nd, 2013
The most peculiar thing about The Hunger Games — both in the books and the blockbuster movie adaptations — is that the Games themselves are easily the least interesting part. The first film's staggering box office success predictably led to a much bigger budget for the rabidly-anticipated sequel. (Catching Fire cost a reported $140 million, which is nearly double the original's $78 million budget.) The extra money is on display in almost every engrossing frame, including the action-packed arena scenes filmed in Hawaii. But the real reason Catching Fire is an improvement over its predecessor is because the story's satirical, political, rebellious spirit has been placed front and center.
We catch up with scrappy heroine Katniss Everdeen (Jennifer Lawrence) a few hours before she is set to depart for her mandatory Victory Tour with Peeta Mellark (Josh Hutcherson). Katniss and Peeta bucked the system by becoming the first co-winners of the previous Hunger Games, the annual televised battle to the death meant to assert the oppressive Capitol's control over the entire nation of Panem. They survived largely by fabricating a love story that nobody bothered to tell Peeta was fabricated. Their showmance captured the nation's heart, but it irked Gale (Liam Hemsworth) — Katniss's formerly platonic hunting buddy — and the sinister President Snow (Donald Sutherland).
Posted in: The Reel World by Jeremy Butler on November 22nd, 2013
What would you do if you found out that you fathered 533 kids? Better yet, how would you handle that news on top of the news that the children you fathered are petitioning the courts to have your identity revealed? Well, that is the dilemma that Vince Vaughn is faced with in his new comedy Delivery Man. As you can figure out from the funny premise, this is a comedy, but it is not just hapless jokes without any real substance; Delivery Man actually has another side to it, a side that tugs on the heartstrings a bit.
A remake of the French-Canadian film “Starbuck,” (it is also worth mentioning that both films, original and remake share the same creator, Ken Scott) Delivery Man tells the story of David Wozniak, a truck driver for his family’s butcher shop who has big plans for his life that never quite pan out. Perhaps that is too kind a way of putting it. A better way would be to say that David has been a bit of a disappointment to his girlfriend Emily (Cobie Smulders, How I Met Your Mother) who has just informed him that she’s pregnant, his father who would most likely fire him if he wasn’t related to him, and to the family business. Not only that, he owes an immense amount of money to some unsavory characters with a penchant for drowning people who don’t pay their debts.
Posted in: The Reel World by Archive Authors on November 15th, 2013
In 1986, AIDS was all over the headlines. Now AIDS is forgotten and ignored by most, but the pandemic remains a world wide disaster. It's not like syphilis is all over the news either, but AIDS is both an insidious killer and one with a stigma all its own. Aside from the stigma is the world wide spread of HIV (the precursor to AIDS) which had reached 34 million people by 2010. Across the world, the majority of new infections are male to female. Modern pornography is exponentially more available than it has ever been and does nothing to promote safe sex, and condom use is still something that has strong opponents in society.
It's good for a movie like Dallas Buyers Club to come along to reacquaint a new generation to the terrors that AIDS brought to a previous generation. Dallas Buyer's Club is based on a true story about rodeo electrician, hard drinking gambler and rampant heterosexual Ron Woodroof. After an electrical accident sends him to the hospital, he is told that he has 30 days to live. It is impossible for Ron to comprehend how he could have the “gay” disease since his sexuality is heterosexual to the extreme.
Posted in: The Reel World by Gino Sassani on November 8th, 2013
" There is nothing more relaxing than knowing that the world is crazier than you are."
When Disney Studios bought the Marvel line, what they were buying was really a printing press that printed freshly-minted money. That doesn't mean it was automatic, however. It was done right. Starting with the first two Iron Man films, the franchise that would lead to Joss Whedon's superior Avengers film was one of creating a universe. God made the universe in seven days. It took Marvel five movies. What we end up with is not just a fine collection of treats for the geeks and fanboys. We're left with an entire world, a world that we are all invited at about the pace of two films a year to come and play within. No one is pretending that they're making serious cinema here. What they're doing is making serious cash. To do that there is only one order of the day. Thou shalt entertain. After two hours visiting with Thor: The Dark World -- I'm entertained.
Posted in: The Reel World by J C on November 8th, 2013
“For me, it was always going to be about love.”
The best time travel stories don’t endure because people really like thinking about wormholes and paradoxes. No, it’s the idea of reliving the past or getting a peek at what’s next — before realizing we’re better off just living each day to the fullest — that captures our imagination. That’s why a filmmaker like Richard Curtis, best known for writing and directing romantic comedies like Love Actually, as well as his Four Weddings and a Funeral and Notting Hill screenplays, can take on a fantastical concept like time travel so naturally. Based on Curtis’ filmography, you’d expect his take on the subject to be about a boy…standing in front of a girl…asking her to love him…by traveling back in time and finding out all the stuff she likes. But you’d only be mostly right.
Posted in: The Reel World by Jeremy Butler on November 1st, 2013
Douglas, Freeman, Kline, and De Niro: four legendary actors band together in a single film and it’s a comedy no less; it’s not the first time that this has been heard of; however, not sure that it has ever been done with such style. It’s good to see four actors who you would normally see doing serious movies goof off and have a little fun, and by the looks of it, they had plenty of fun doing it. The Flatbush Four, Billy (Michael Douglas), Patty (Robert De Niro), Archie (Morgan Freeman), and Sammy (Kevin Kline) are four friends from Brooklyn who grew up together. Their bond was unshakable, and only they were allowed to make fun of one another, a rule that was enforced by Patty on several occasions. Growing up, it was these four against the world, and eventually they would take the world by storm.
Almost sixty years later, the Flatbush Four are no more in a sense. Now all old men, the group has long since disbanded and they are separated all over the U.S: Billy is out in Malibu, living with a woman half his age, Patty lives a solitary life of misery after the death of his wife, Sammy is equally miserable and bored living in Florida with his wife, and Archie after a mild stroke is relegated to living with his son and family where he is treated like an invalid. But when Billy calls with news of his upcoming wedding to his child bride (as the others refer to her), these four reunite for the first time in years in the only place suitable to house a wedding as well as a bachelor party: Vegas, and what a legendary weekend it turned into.
Posted in: The Reel World by J C on November 1st, 2013
“In the moment when I truly understand my enemy — understand him well enough to defeat him —then in that very moment, I also love him.”
It’s no accident that both soldiers and football players are fashioned to look indistinguishable from one another on their respective battlegrounds. We create a personal detachment between ourselves and our adversaries because we believe that will make it easier to annihilate them. That’s one of the many provocative ideas in Ender’s Game, the consistently dazzling and occasionally rushed adaptation of Orson Scott Card’s beloved science fiction book. (Of course, the author himself is considerably less beloved these days.) I can mostly forgive the film for feeling a little hurried because fans have waiting a long time for this one.
Posted in: The Reel World by Gino Sassani on October 25th, 2013
"You won't see it coming".
Ridley Scott has undergone a bit of a change in his last couple of films. He has become more contemplative and philosophical. It's certainly understandable. In the middle of filming The Counsellor, his brother and producing partner Tony Scott took his own life by jumping from a bridge. Obviously production on this film was halted for a time. Credit the director for pulling it together and getting the film back on track and finally released. Still, as you watch the film, you can't help but wonder if it wasn't heavily influenced by his own personal tragedy. It's not an uplifting film at all; in fact, it's quite depressing. If Prometheus was about the meaning of life. I'd have to say that The Counsellor is about the meaning of death.
Posted in: The Reel World by J C on October 24th, 2013
“They’re gonna laugh at you. They’re all gonna laugh at you.”
The idea of remaking/reimagining/refurbishing a horror classic may have been laughable at one point, but now it’s just business as usual. Then again, I happen to think this is an especially good time to revisit 1976's Carrie. With all the attention bullying has gotten in the media these last few years, the supernatural story of a high school outsider pushed to her violent breaking point seems particularly timely. I just wish the new movie had more going for it beyond decent timing and a pair of impressive leading ladies.
Posted in: The Reel World by Archive Authors on October 19th, 2013
Journalism today is in disarray. I say that not because there aren't many, many passionate journalists who want to do the best job possible. I say it because there are just many, many, many more bloggers who don't know how live up to those standards or why it's even important. The internet changes everything in the music industry, the movie industry, and the media industry. That doesn't necessarily mean it's a bad thing. It just means that it's chaotic, and it often seems like no one is in control. The head of Amazon just bought one of the most venerable papers in the world, The Washington Post. The head of eBay is supposedly organizing a new media venture that will adhere to the strictest journalistic standards. Again, journalism today is in disarray.
The Fifth Estate is a movie about the frenzy surrounding Wikileaks and Julian Assange. The title suggests there is a successor to the fourth estate, which is the news media (don't ask about the first three estates since they are church, state and nobility which may be irrelevant now). I don't know if anybody knows what a fifth estate is yet, but Wikileaks is a big deal. It is also justifiably considered to be extremely controversial. Wikileaks is an international online organization that claims to protect the identity of any whistleblower trying to reveal classified and secret information with the hope of undermining worldwide corruption. I've seen the documentary We Steal Secrets: The Story of Wikileaks and was able to compare that to The Fifth Estate. They are quite different, but in small ways that can add up to a lot.