Posted in: Disc Reviews by Archive Authors on May 26th, 2016
There are many films that depict the ferocity and cataclysmic power of the vast ocean. It is a fearsome display that cannot be imagined in any way that compares to the reality of the experience. The Perfect Storm, Life of Pi, The Guardian, and Titanic are just a few examples of disasters at sea. It is the United States Coast Guard’s job to rescue distressed people under severe emergencies at sea. The Finest Hours is a depiction of a true-life sea rescue under the most challenging and horrifying conditions. It is known as the most successful small boat rescue ever recorded. When I say small boat, it is the rescue boat I’m talking about, but the ship they were singlehandedly sent to rescue was a gigantic T2 tanker Pendleton, which had split in half on open seas. Part of the problem was that another tanker had already split in half a few hundred miles away, and all resources had already been diverted in that direction. The second tanker was an afterthought that was tackled by a relatively inexperienced crew. To repeat the true-life situation, T2 tankers SS Mercer and SS Pendleton were split in half off the New England coast. The Pendleton had lost radio communication and was only identified by an alert citizen from the shore.
The Finest Hours is a Walt Disney film, and I think Walt would be proud. The film takes place on February 18, 1952, and all of the American values that were part of this country at the time are on display. It is a very old-fashioned film in both look and approach. The only difference is that modern-day technologies are fully utilized to show an amazing true-life display of courage that would have been impossible to do in 1952.
Posted in: No Huddle Reviews by Gino Sassani on May 26th, 2016
"Everybody here knows what a spin-off is."
No doubt about it. Major Crimes has managed to do what few shows before it have been able to pull off. Shows have survived the loss of their lead, but the remaining years were usually something lesser than it once was. That's not the case when The Closer lost its lead actress/character. The title was changed, and with just a few cast tweaks the series returned as Major Crimes, and I dare say it’s a much better show than its predecessor. Is it a spinoff? I might have to go to the replay booth to answer that one.
Posted in: Disc Reviews by Archive Authors on May 26th, 2016
I have just binge-watched 34 ½ hours of television. That’s 47 episodes and two seasons’ worth. That’s a lot more episodes than most TV shows today. The binge was season three and season four of an acclaimed series from 1991 to 1996. It received eight Emmy nominations, and it is considered the first demographic hit because of its strong female viewership. It revels in all the glories of wonderful Winnetka, Illinois. The deceased father of the Reed sisters named them Alex, Teddy, Georgie, and Frankie. The father was obviously expecting boys and was severely disappointed. If you haven’t guessed yet, the show was Sisters.
Of course, no man should watch this show, because you might get an estrogen overdose. It is a maximum dose of over-the- top melodrama, humor full of corn and cheese, and lots of warm family love. Everything that can happen to four sisters is likely to happen to these sisters over six seasons. I am writing about season three this time. But check back in the very near future about more excitement from season four.
Posted in: Disc Reviews by Archive Authors on May 26th, 2016
Konstantinos Koutsolitas is a visual effects supervisor for American films like Guardians of the Galaxy and 300: The Rise of an Empire. You might have guessed by his name that he is Greek, so it is natural that his first directing effort would be Greek. The Winter is about a struggling writer who tries to hide his failures that he left behind in London from his noisy and intrusive family. Dimitri Gounaras (Vangelis Mourikis) moves back to the deserted ancestral home of his father, which has been abandoned for some time. There is madness in the house, or perhaps just in members of his family, and there are ghosts lurking, real or imagined.
The film meanders back and forth from a slacker comedy to a dreary existential nightmare. It references H.P. Lovecraft and The Shining most directly. It plays out with tenuous reality evolving into out-and-out animated dream images. The imagery is sometimes raw and sometimes playful. There are lots of making-of documentaries included which show how much care was given to the imagery.
Posted in: Contests by Gino Sassani on May 26th, 2016
Our friends at Shout Factory have given us the power to make one Upcomingdiscs reader happy. We have a copy of Power Rangers: Wild Force The Complete Series on DVD to give away. You'll get all 40 episodes in this nice collection. The only hope for the world is The Power Rangers. It's time to bring the hope home.
To win a copy of this prize, follow these instructions.
Posted in: Disc Reviews by Brent Lorentson on May 25th, 2016
Time travel films have been around for years, and with each film there are viewers who just enjoy it at face value and others who watch it to poke holes in the film’s theories. I have to admit I fall somewhere in between. With a film like Back to the Future, I don’t look at it as anything more than silly fun, but then a film like 12 Monkeys comes along, and I just go bananas over its theory and execution. So when a title like Synchronicity came along, I went into it with an open mind. I know you don’t need a giant budget to pull off a time travel film; what matters first and foremost is the story and the characters that lead the narrative tale for us.
It’s inescapable to not see the influence Blade Runner has on this film; everything from the set design to the lighting simply screams at us to see the influences. Some may even pick up a familiar Dark City vibe. Setting these visual tones was for me what worked best for this film, because it at least made it visually fun to look at and to wonder if this story could be happening in the sync with the other two films; after all, the film does bring up the idea of numerous parallel universes.
Posted in: Disc Reviews by J C on May 25th, 2016
Robert De Niro and Zac Efron have a combined seven Academy Award nominations and a pair of Oscar wins to their names. So it was only a matter of time until these titans of cinema joined forces on the big screen. All joking aside, none of us were expecting Dirty Grandpa to pump up De Niro’s Oscar tally. What *is* a bit surprising — other than how truly bad this charmless, dimwitted, mean-spirited “comedy” turned out to be — is that Efron kind of outclasses his legendary counterpart.
DeNiro stars as Dick (tee-hee) Kelly, who recently lost his wife of 40 years. After attending his grandmother’s funeral, strait-laced Jason Kelly (Efron) agrees to drive his grandpa from Georgia to Boca Raton, Florida at the older man’s request. Dick and Jason used to be thick as thieves, according to the poorly Photoshopped pictures in the opening credits. The pair drifted apart after Jason abandoned his passion for photography to go to work as a corporate lawyer for his dad/Dick’s son (Dermot Mulroney, getting absolutely nothing to do). The road trip is supposed to be one last opportunity for Jason and his grandpa to bond before Jason marries his uptight, controlling fiancée Meredith (Julianne Hough, admirably leaning into her character's awfulness).
Posted in: Tuesday Round Up by J C on May 24th, 2016
I don’t know what we did, but it must have been serious. We UpcomingDiscers are generally a law-abiding bunch, so I’m a little surprised that we’ve apparently landed in such hot water. How else to explain this week’s arrival of the Major Crimes division at our door? Naturally, I’m yanking your chain…none of us here would hurt a fly. The good news is Warner Bros. was still nice enough to send us Major Crimes: Season 4, and we’ll have a review of TNT’s hit cop drama soon. Disney makes a daring rescue with The Finest Hours, while Sony hikes the Appalachian Mountains for Outsiders: Season 1. Finally, have we got a scoop for you…Lou Grant: Season 1 arrives courtesy of Shout! Factory.
One last reminder before signing off for the week: if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!
Posted in: No Huddle Reviews by Jeremy Butler on May 23rd, 2016
In my experience there are three types of comedians: 1.) Ones that are good at standup but bad at a series 2.) Those that are good in a series but not so great at stand up. 3.) Those who can do both. Want to guess which one Jim Gaffigan is? The standup comedian, known for his clean brand of comedy, gets his own series loosely based on his life. He’s a bit of a slob, he’s occasionally lazy, and he is without a doubt addicted to junk food. Rounding out the season are a group of instantly recognizable stars like Chris Rock, Steve Buscemi, Hannibal Burress, and Macaulay Culkin…or is he Macaulay Culkin? (Inside joke, you’ll get it once you watch).
Gaffigan plays a fictional version of himself, a popular standup comedian living in New York with his wife, Jeannie (Ashley Williams, How I Met Your Mother), and their five — that’s right, five — kids in a two-bedroom apartment. I’ll give you a moment to wrap your head around those cramped quarters of theirs. While balancing his career and parental responsibilities, the family searches for a larger place with the help of Jeannie’s gay best friend/former boyfriend Daniel (Michael Ian Black, Wet Hot American Summer) who is in real estate and hates Jim. Along for the ride is Jim’s immature, opinionated, insensitive best friend and fellow comedian Dave Marks (Adam Goldberg, NYC 22). This season deals with Jim’s perception in public with regards to his religion and his role with his kids, as well as vasectomies, and his obsession with junk food. There is even an It’s a Wonderful Life-themed episode.
Posted in: The Reel World by Brent Lorentson on May 21st, 2016
Writer/director Shane Black (Lethal Weapon, Iron Man 3) has a way of writing flawed characters who manage to leave more lasting impressions than the films they populate. But where he shines is when he can thrust these flawed individuals into the confines of a detective story. Most people grew their fondness for Black and his quick-wit dialogue when he first penned Lethal Weapon, but for me it goes back to The Monster Squad and The Last Boy Scout, where I found myself becoming a fan even in my early years of film watching. So is the fanboy in me excited to see what Black brings to the table this time around? You betcha!
In a summer popcorn season filled with comic book movies, sequels, and other films targeting the teenage demographic, it’s nice to have an action film that harkens back to the good old days (the '80s and early '90s) for a fun action/comedy romp that has a foul-mouthed edge.
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