It's hard to believe that CBS didn't want The Carol Burnett Show. Not only didn't they want it, but they fought hard to keep it from ever happening. It was the result of a 5-year contract the actress had with the network. She had been a popular member of The Gary Moore Show, and they wanted to hold on to her services. So they made her an offer she just couldn't refuse. They gave her a not-so-standard 5-year contract that gave her the right to activate a special clause at any time in the five years.

It seems that to survive in today’s world everyone has to be at least a little tech-savvy; even grandma has to learn how to text and download images if she cares to see her grandchildren.  Unfortunately even stalking has evolved with the times; with social media more and more becoming the way we communicate, the days of peeping toms outside the bedroom window are gone and have moved on to webcam.  To some degree I think this should bring a sigh of relief, but then again stalking seems to have gotten easier, allowing more anonymity, and this is what Cyberstalker attempts to delve into.

Jersey Shore finally comes to an end. Of course, there are spinoffs and TV specials and TMZ reports and aaaarggh! We're never going to escape them are we?! This is an Uncensored version of the season so instead of 'beeps' we get to hear the versatility of the f-word and other assorted curse words that are flung across rooms and dance floors as these bronzed oddities continue their bitter stalemate against maturity and class.

I tend to shy away from films that have come out before I was born. It’s not a rule, just a habit. The reason for that being because not being from the generation that movie was produced in, I fear that there will be a lot of cultural reference that I will be unfamiliar with and I will have to Wikipedia them all. I also feel that because I am from a different era I am not qualified to render a sound opinion of an older film, because I may judge it too harshly due to my growing up within a time of special effect advancement.

“They cry, they plead, they beg, they piss themselves, they cry for their mothers. It gets embarrassing. I like to kill ‘em softly. From a distance.”

Brad Pitt demonstrates that very well during one of his execution scenes. Killing Them Softly is director Andrew Dominik’s adaptation of the 1974 novel, Cogan’s Trade by George V. Higgnins. This film is Dominik’s third go-around serving as both writer and director (the other two times being Chopper and The Assassination of Jesse James), and I must say that he seems at home with double the amount of work.

The great, central joke of Veep — HBO’s sharp, profane political comedy — is that no self-respecting politician aspires to become the Vice President of the United States. (Just like no self-respecting kid dresses up as Robin for Halloween.) It’s no accident the POTUS is completely MIA from the show, leaving his second-in-command and her beleaguered staff to deal with the countless indignities of a job described on “The Making of Veep” featurette as “so close to being important.”

It’s tradition. The night before a wedding, the groomsmen throw a party for the groom and the bridesmaids do the same for the bride. Usually, the bachelorette parties are tamer than their male counterparts. Unless, of course, the bride has the absolute worst bridesmaids in the history of weddings; like the ones Becky (Rebel Wilson, Pitch Perfect, Bridesmaids) chooses for her bridal party in Bachelorette.

Biblical strongman Samson accomplishes many amazing feats and makes many a powerful enemy along the way. None are able to defeat this champion until his action catch the eye of Delilah, and he becomes the target of her affections. Unbenounced to Samson, Delilah has been tasked to discover the source of his supernatural strength. God granted Samson amazing physical strength, but his heart and mind are weak to the machinations of this sly, deceitful woman and it is only a matter of time before she learns his greatest secret.

"Sometimes you need to do something bad to stop you from doing something worse."

If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements that dominate the landscape of Stoker. While none of the images here reach quite into the territory of Oldboy, it's hard not to plug into the disturbed nature of the film's themes and story. I left the movie with more questions than answers and a little bit lost as to how exactly I was going to approach this review.

For years it seems DreamWorks Animation has been living in the shadow of Pixar.  Sure, DreamWorks has had their success with Shrek and Ice Age, but when you stack the films next to Pixar’s library, you see Pixar just seems to be the best at what they do.  That is until The Croods came along; with the new DreamWorks release it would appear the animation studio has stepped up their game and released their best-looking 3D film to date.  My expectations were not too high with this release, but I was at least relieved I wouldn’t be watching Ice Age Ten: The Ice is Still Melting