“Welcome to Jurassic Park.”

With those words begin an adventure that started with the legacy of Willis O’Brien’s  The Lost World. You see, dinosaur films are nothing new; they have held our child-like fascination since the industry was born. Jurassic Park was, however, something very new when it thundered into our cineplexes and forever in our imaginations 20 years ago. The marriage of brand new CGI technology with Stan Winston’s superbly detailed animatronics models transports you back 65 million years in time.

Remakes, reboots, and sequels: these are the trends in Hollywood that seem to make fan boys groan.  Some films should be left in the past, and some franchises simply need to come to an end.  But every so often a film comes along that dares to show us something new, and the end result manages to capture some of the magic that got us to love the original film to begin with.  The new Evil Dead filmmakers managed to succeed in doing just that and deliver a film that has me excited about what is next for the Book of the Dead and all those unfortunate enough to flip through its pages.

Many small unheralded horror films are produced, and they easily slip through the cracks. The Frankenstein Theory is one. It has an interesting premise, though. In 2012, Professor Jonathan Venkenheim takes a film crew to the Arctic to document the attempt to prove that Mary Shelly's Frankenstein was a true story based on his great, great, great grandfather's letters. Venkenheim is a highly educated, nervous, and nerdy academic who is obsessed with this possibility. The documentary crew and Venkenheim's own girlfriend think his obsession is driving him a little mad, but they want the job, and Venkenheim will not be deterred.

This is a review that I’ve been dreading.  It’s been a while since a movie has gotten me so worked up over its thoughtless execution that I struggle to find something redeeming out of it.  For those unfamiliar with non-linear storytelling, a simple definition would be a story told out of order, for instance Memento or Pulp Fiction.  Those two examples are of films that execute non-linear storytelling and use the structural device as a means to further their story.  As for the filmmakers involved with The Devil’s in the Details, they took a decent story and then tore it up into shreds, tossed it in the air, and pieced it together however they saw fit.

It is truly amazing the career that Tom Green has had when you really sit back and think about it. Tom has made a career as an oddball whose antics would either make you laugh hysterically or raise a brow with suspicion of his mental state. His personality has taken him to many heights, from a Canadian Public Access show to MTV, MTV to the silver screen, but it wasn’t until he got in front of the camera and documented his battle with testicular cancer that many people would stand up and take notice of Hollywood’s strangest man.

Just how much appeal can a show have when it’s about two directionless twenty-something’s who are groundskeepers at a local park; oh yeah, and they happen to be a raccoon and a blue jay?  It came as more than a little surprise how much this show not only had me laughing but I’m certain will have heavy replay value in this household. For those that believe it’s simply a kids’ show, be warned. Though it may not be filled with the raunch one would expect from Family Guy, Regular Show does dip its paw into indecency but never seems to cross the line.

Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a few robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout.

“The important thing for a writer is to tell a good story.”

Martha Gellhorn, considered by some to be the greatest war correspondent of the 20th century, was extremely adamant about not wanting to be a footnote in someone else’s life. So I’m thinking the writer — who died in 1998 — may have had mixed feelings about Hemingway & Gellhorn. On one hand, her life story gets the prestigious (and mostly sympathetic) HBO Films treatment, and Gellhorn is played by Oscar winner Nicole Kidman in a sensational, searing turn. On the other hand

Our very good friends over at Dreamworks want to make sure your Spring gets off to a dramatic start. They've given us a copy of the award-winning Lincoln on Blu-ray for one lucky reader. One of the best films of the year, this Steven Spielberg movie features wonderful production design and a stellar performance by Daniel Day-Lewis.

To win just follow these instructions.

Timing is everything in life; being in the right place at the right time could mean great fortune. Of course the other side of that coin is that being in the wrong place at the wrong time could mean great misfortune; want to guess on which side the coin landed in Stand Off? (Hopefully you guessed misfortune; otherwise stop reading now.) Brendan Fraser leads the comedy about a botched robbery which eventually transformed to an even bigger mess. I’ve been a Brendan Fraser fan dating all the way back to Encino Man, and I was especially excited when he achieved action hero status with the The Mummy franchise