“I want to talk to you about the war for the soul of Los Angeles.”

This could easily describe the current rivalry between the surging L.A. Clippers and the geriatric Los Angeles Lakers, but Gangster Squad has slightly weightier matters on its mind. The stylish 1940s and 50s cops-and-crooks saga wants to tell a story about corruption and violent men unable — or unwilling — to turn off their capacity for hurting others. Instead, the film winds up being a somewhat shallow 21st century gloss on The Untouchables. And there’s absolutely nothing wrong with that.

You need to imagine you are back in 1969. Many of you will have no idea what a different world it was back then. So many things did not exist, like computers and the internet and cable television. So much is available now that people could only fantasize about then. Now any unsupervised 10-year-old can see just about anything they want. It's hard to imagine how big a difference that is. Hiding Playboy magazines under the mattress was about as bad as it got back then. There was a huge unfulfilled demand for adult entertainment when adults couldn't find much that excited or titillated them.

“Whose move is it?”

To be honest, I’m not much of a chess player. I know how all the pieces move and I enjoy the mental challenge, but I never really committed to becoming proficient at the game. (Now, if we’re talking Connect Four, you don’t want to run into me in a dark alley.) Pawn establishes its intriguing chess motif early on, before almost completely abandoning it in favor of becoming more of a generically twisty thriller.

Ever wonder what would happen if you took all the best or most memorable parts in a sci-fi film and cut them all together?  What you get is the hodgepodge mess that is Oblivion, which unless I’m mistaken or blinked a bit too long and missed it, doesn’t have an original bone in its already weak story.  Though they say if you’re going to steal, then steal from the best; the problem is that when you play it off as your own, please be able to give us a refreshing twist on a classic scene, not just make it cool.  Sure people will say the same about Tarantino, but he owns up to it and puts a spin on it that is undeniably his own.

“I want to visit a country of dreams, imagination and magic.”

Instead of “dreams, imagination and magic”, the Africa presented in this confounding, family-friendly offering from Spanish filmmaker Jordi Llompart is a place of trippy visuals, head-scratching dialogue and horrid CGI. Magic Journey to Africa — billed as a “giant screen spectacle” — is now available for home consumption, where the film’s dazzling 3D presentation is its only saving grace.

The computer-animated feature film has reached the point where you don't have to be one of the big boys to play. While Pixar and to a lesser extent Dreamworks have dominated this feature form pretty much since its inception, there have already been a handful of independent films that have managed to leave their mark on the landscape. Now the foreign market is getting into the act as well. A Monster In Paris, or Un Monstre a' Paris, is the result of that evolution.

Sometimes a movie comes along that rises above simple entertainment and actually has something to say.  The Big Picture is the kind of movie that has profound ideas about love, family, and the pursuit of your dreams.  Is it possible to really have it all?  The perfect spouse, the perfect family and live out your lifelong passion and dream?  Many who have families, especially when starting young, can understand the idea of sacrifice for their families; it doesn’t mean they just cast their hopes and dreams aside, but once marriage and children are involved the direction your life may take was never the direction you had planned at all.

“Solving the following riddle will reveal the awful secret behind the universe, assuming you do not go utterly mad in the attempt."

Never question the importance that a title plays in the success of a film. The title is the first thing that you encounter when discovering a new movie. Let me set the scene: you are at home, bored and looking for a movie to watch so you go to a Redbox kiosk or log onto your Netflix (given that video stores are close to extinct at this point); you narrow your selection down to two titles.

“When I get a crush, it’s really bad.”

Everyone has experienced it before: you meet that special someone, and a crush sidelines you. They fill your head when you’re not with them. When they’re near, you act like an idiot. The downside comes when your crush is not reciprocated; or worse, they don’t even know you exist. Most people can move past the disappointment and heartbreak to get over a crush. But for an unlucky few, their crush can turn into a dangerous obsession.

 "If you ride like lightning you're gonna crash like thunder".

The best film that you may not get an opportunity to see this year is The Place Beyond The Pines. The film has already scored great buzz at a few film festivals and is about to see a very limited theatrical release. It's one of those films that absolutely deserves better, but somehow as you watch it you realize that this limited environment is a perfect match for the movie.