Posted in: Disc Reviews by David Annandale on July 2nd, 2009
Behind the on-screen title of 1968 Tunnel Rats lurks a vision of Hell. We first get to know a unit of American soldiers tasked with clearing out the networks of underground tunnels constructed by the Viet Cong. Even before the action shifts to the tunnels, the terrible toll of war is on display, with the Lieutenant (Michael Paré) ordering brutal executions and morale very low. Then the operation begins, and everything goes to horribly wrong very quickly.
I haven't noticed the sun turning black or any angels breaking seals today, but the Apocalypse must be upon us, because I have now seen a good Uwe Boll film. The picture succeeds admirably on two fronts. In the first act, as we get to know the troops, Boll turned his cast loose to improvise dialogue and come up with character back stories. While there are no fully rounded characters here, and clichés abound, there is certainly enough here to make these men recognizable human beings. One shot in particular is striking: a prolonged close-up of the sympathetic sergeant breaking down in tears. Then the real lesson about the hellishness of war kicks in, and does so with a vengeance. No character is safe from gruesome demise, and the claustrophobic horror of the setting is milked for all its worth (if you're not reduced to the cold sweats by a scene where a solider finds himself trapped in a tunnel between two corpses, you're already dead). But there are no monsters here – the Viet Cong are not faceless automatons. Instead, we see a group of people, trapped on opposite sides of a ghastly conflict, struggle to stay alive.
Posted in: Contests, Expired Contests by Gino Sassani on July 2nd, 2009
Hey Gang,
It's another month and another group of contest winners here at Upcomingdiscs.
Posted in: Disc Reviews by Gino Sassani on July 2nd, 2009
How do you like your eggs? Scrambled or easy over? Hitchcock despised eggs and thought they were absolutely disgusting, to the point of intentionally mutilating a plate in many of his films. What about Easter Eggs? No, I’m not talking about hidden features in your latest DVD or Blu-ray release. I’m talking those colored hardboiled variety left by a furry bunny during the Easter season. When I was a kid they came in all sizes and varieties, and even though I really don’t like hardboiled eggs all that much I was a whiz at finding the things, and I’d hoard them as if I suspected an approaching Armageddon and these babies might be the only food left for thousands of miles. Now the Russians. They knew a little something about their eggs, particularly the last two reigning monarchs in the famed Romanov Dynasty. They had consigned Easter Eggs from the world renowned jeweler Carl Faberge. These eggs were extraordinary examples of luxury and excess. They were adorned in precious metals and rare gems and stones. Two of these eggs play a vital role in the latest release from Revolution and First Look Studio’s The Code.
Gabriel Martin (Banderas) is a thief. In the middle of his latest job he is approached by Keith Ripley (Freeman), yet another world renowned thief. Ripley needs a partner for his latest heist. He has a buyer for two Faberge Eggs that are previously unknown and worth an estimated $40 million. The eggs are kept in a high end security vault by the appropriately named Romanov Company. Gabriel is reluctant to do the job but is eventually persuaded to join the effort. He’s helped in no small part to join by meeting Ripley’s goddaughter, Alex (Mitchell). They have an immediate attraction, much to the displeasure of the all business Ripley. Together they mastermind the heist.
Posted in: Disc Reviews by Gino Sassani on July 2nd, 2009
“Let me bring you up to speed. We know nothing. You are now up to speed.”
The Pink Panther is one of those properties that has given several generations some wonderful memories. If you were a kid, of any age, in the 1970’s you remember watching the cartoon series on Saturday mornings. It was one of the more innovative cartoons in that it had almost no dialog. The titular cat was always trying to outwit the witless Inspector Clouseau, and in true comedic fashion would always manage to escape. If you were a little bit older, you remember the truly inspired comedy films by Blake Edwards. Here it was the absolute genius of Peter Sellers who brought to life the famous bumbling detective. With his brilliant combination of physical sight gags and clever word play, Sellers would create an iconic character that would entertain through several films until his death in 1980 brought an end to the franchise…at least it should have. But MGM was too in love with the money stream the films had provided.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on July 1st, 2009
Warner gets Midway, Patcher on the Used Game Market & Console Price Drops coming? - Welcome to the column that is better than the rest because we gave the rest a very strong laxative in their morning cereal known as Dare to Play the Game.
Cellfactor was again the game of the week for me. I only gained one achievement this week, but it was perhaps the most important one left. The ArenaMaster achievement finally clicked this weekend. I went into a Training Room DeathMatch with another guy where we proceeded to have a good time. We just racked up kills and let each other get our smacks in. I ended up giving him the Slayer achievement and he gave me the Arena Master in return. This leaves two achievements, All Rewards Unlocked and Marathon. Points wise, I think I have about 505,000 points. 600,000 is All Rewards Unlocked and Marathon is a Million. Looks are deceiving since the only thing I can do for points is Multiplayer and kills are 10 points a piece. Nobody seems to do capture the flag or assault even though that is where the larger points are at. Sure there are other variables like double kills, triple kills, using abilities and arena master but if the only games being played are Deathmatch and Team Deathmatch, it kinda limits your options.
Posted in: Disc Reviews by David Annandale on July 1st, 2009
Released just in time for the global financial meltdown, this hymn to designer products features Isla Fisher, who demonstrated her comedic talent by stealing Wedding Crashers from both Vince Vaughn and Owen Wilson – no small achievement. Here she plays Rebecca Bloomwood, a compulsive shopper who, while hoping to land a job working at a fashion magazine, accidentally finds herself hired on a columnist at the sister publication, a rather less glamorous financial mag. Her columns, couching financial advice in shopping metaphors, become a surprising hit, and sparks begin to fly with her editor (Hugh Dancy). Meanwhile, a relentless debt collector is dogging her heels.
Combining Sex and the City voice-overs and clothes with Bridget Jones insecurities, the film sets out to be, I suppose, some sort of female fantasy. And sure, just as we are expected to buy Seth Rogen as a babe magnet in the male POV rom-coms, one can be fairly asked to do some heavy suspension of disbelief exercises when it comes to the match here, too. But why, as seems to be so often the case, are the female characters presented as ADD idiots? It becomes very hard to like Rebecca when, with her career (and quite possibly that of the man who is giving her a shot at the journalistic brass ring) hanging in the balance, she would rather rampage at a sample sale then do her work. Fisher throws herself into the part with enormous energy, but she is working with empty, predictable, numbing material.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2009
“Do you believe in miracles?”
Al Michaels’ famous coda to the 1980 Olympic Hockey Championship Game provides the title of this Walt Disney film based on the incredible feat. I have to admit that I’ve never been a big fan of the Olympic games. I’ve more times than not been annoyed at how much television time is preempted, and it dominates the headlines for over 2 weeks each time the games are played. Still, it was hard not to feel a little excited about this particular game. As Americans, we love those underdog stories. Just look at our most popular sports films and you’ll find characters like Rocky Balboa crawling up from nothing to take on the world. The story gets even better when we, the Americans, are the underdogs. It’s a role we seldom really see ourselves in. Call it arrogance. Call it nationalism. Whatever name you give it, it’s a position we don’t consider to apply to us whether deservedly or not. Finally, the traditional kind of story is all the more powerful when it’s based on a true event, and one that many of us can still recall. Put the Disney imprint on such a tale and you have the makings of a truly remarkable film…except when you don’t.
Posted in: Disc Reviews by Gino Sassani on June 29th, 2009
“A long time ago in a land far, far away, way East of Chicago, in a place called Brooklyn, actually, a great man named Mel Brooks was born. And, that man begat this and that, and then some, and then he did this…”
This, was Spaceballs. Brooks had tackled pretty much every genre of film before Spaceballs. He took on horror films with Young Frankenstein. He tore up the old West and the Western with Blazing Saddles. He was bold enough to offer us a take up on the Silent Movie. On television he took on James Bond by giving us Agent 86 in Get Smart. With the success of Star Wars and the consistent top box office performance of the science fiction films, it was only a matter of time before he turned his trademark Jewish wit towards the space opera. While Spaceballs aims primarily at the first Star Wars franchise, there is plenty of fun poked at everything from Star Trek to Alien. Certainly there have been quite a few such spoofs since then, but most of them have been the standard dry slapstick in the Airplane mold. With Brooks there’s always a certain amount of class to go with your comedy. He always gives you a little meat to go with all of that cheese.
Posted in: Disc Reviews by Michael Durr on June 29th, 2009
Teenagers go through a lot. They hit puberty and a multitude of decisions at the same time. Some of them take on adult decisions way too soon such as sex, pregnancy, drugs and just figuring how to fit in. ABC Family is the home of a teenage drama called The Secret Life of the American Teenager which is made by the same people as 7th Heaven which lasted 11 seasons. The show has gained more viewers episode by episode and a copy of the 2nd season showed up in my mailbox to review. We'll see if the show is complete cheese or hopefully it has a good dose of story telling and family values.
As Season Two opens, Amy Juergens (played by Shailene Woodley) is fifteen & very pregnant. Her boyfriend is Ben Boykewich (played by Kenny Baumann) is also fifteen and not the father of the child. The father of the prospective child is Ricky Underwood (played by Daren Kagasoff), the school bad boy who had a one-night stand with Amy.
Posted in: Disc Reviews by Michael Durr on June 29th, 2009
Transformers are something near and dear to my heart. I grew up with them, watched all of the episodes, read many of the comics and watched the animated movie more times than I care to think about. When the original Rhino DVD set came out a few years back, I bought all of the volumes despite the hardship that roughly $50 a volume would cost me. Now, with the 25th anniversary of Transformers upon us, Shout Factory has gained the rights to the series and has re-released the first season to coincide with the release of the second live-action film. Is this simply an attempt to cash in on the mega movie hit of the summer? We shall see.
A civil war is ongoing on the planet of Cybertron. Fierce battles between the Autobots and the Decepticons have tore the planet apart and the energy sources at critical levels. The heroic Autobots decide to go to the planet Earth on the theory that these resources exist there for them to be able to use. However, the Decepticons decide to follow. Once in space, the Decepticons attack under the leadership of Megatron. Optimus Prime and the Autobots try to hold them off but soon both sides crash into the Earth.


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