Posted in: Dare to Play the Game, News and Opinions by Michael Durr on July 8th, 2009
Rocketing Used Game Sales, Wii Hour usage and Pirate Bay Lives On? - Welcome to the column that after three years would like to issue a serious message to its fanbase and that is PBBBBTTTTT! and also known as Dare to Play the Game.
I hardly played my Xbox 360 at all this week. It was mostly used for Rock Band 2 and to get in some Cellfactor. Nothing changed in those games, no achievements were gained. What did I really do this week?
Posted in: Disc Reviews by Gino Sassani on July 7th, 2009
I tend to wince a bit when I see these films that star wrestling names and are produced in conjunction with one of the WW A-Z’s. I’ve come to believe that WW means “Won’t Wow”. Along comes John Cena and this latest cooperative film, 12 Rounds. I have to say I was somewhat surprised to find that it was a pretty good action thriller, if a bit implausible. I’m willing to overlook certain aspects of inplauability, if you take me on a thrilling enough ride and try not to totally insult my intelligence. For the most part I found that to be the case here. Cena doesn’t feel the need to work in impractical wrestling moves on his opponents. In fact most of the action is not the hand to hand tripe these movies tend to lean toward. You’ll find plenty of action sequences. There’s a pretty cool runaway rail car, plenty of car chases with the expected carnage that follows, and enough gun play to drive home the point. Renny Harlin, the director, worked on the second Die Hard film, so you know he has a good eye for this kind of action. And while no one will confuse him with John Woo, I think you’ll get enough of an adrenaline hit here to make the 2 hours worthwhile… until we get to the end. More on that later.
A sting to bring down a dangerous terrorist goes horribly awry when the fed’s informant has a sudden change of heart. The result is a lot of shooting, chasing, and dead guys on both sides of the law. Patrol officer Danny Fisher (Cena) is one of the cops drawn into the chase and eventual takedown of the chief terrorist, Miles Jackson (Gillen). In the mayhem that follows, Jackson’s wife is killed. Jackson blames Fisher for the death and vows his revenge.
Posted in: Disc Reviews by Gino Sassani on July 7th, 2009
“Believe me, that weren’t no shark.”
Sea Beast began life with the title Troglodyte, but I’m not sure what that had to do with anything on this movie. Perhaps someone just thought it was a clever name, but realizing they didn’t have a clever film to go with it, they decided on the more mundane Sea Beast. Whatever the reason and whatever the title, nothing can change the fact that this is one really bad horror film.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2009
“If you look closely, you’ll find that everything has a weak spot, where it can break….”
The same can be said for Fracture. There are plenty of flaws, and if you look hard enough you can find a lot of problems with everything from the story to the performances. Thankfully these flaws are quite minor and require the kind of scrutiny that would likely ruin almost any movie experience. I taught law for about 7 years and make it a bit of a (bad?) habit to look for the errors in court and legal procedures. I found plenty here, but they aren’t all that obvious or that detrimental to the plot. You’ll find errors in such trifles as chain of custody for evidence and the admissibility of certain types of testimony. If you’re a student of the law you’ll take note, as I did, and then hopefully move on. There’s too much compelling stuff here to allow yourself to miss out because of some rather common legal mistakes.
Posted in: Disc Reviews by David Annandale on July 6th, 2009
When Terence Malick's latest effort hit the theatres, he had trimmed it down to 135 minutes. Early critics had seen a version running 150 minutes. This version is longer yet, clocking it at 172 minutes. Most of what I said about the previous DVD release holds, and so I'm reproducing it here, with additional comments as necessary.
Virginia, 1607. English ships arrive and a colony is set up, but with considerable difficulty. Famine and disease take their toll. Captain John Smith (Colin Farrell) heads off to seek help from the Powhatan. He is captured, sentenced to death, but waved by Pocahontas (Q'orianka Kilcher, whose character is never actually given that name). So begins a fateful relationship.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2009
In the 1930’s and 40’s MGM was trying to get in on the lucrative animation game. The field was dominated at the time by Warner Brothers with their Loony Tunes shorts, and of course, the iconic cast of animated characters coming out of the Walt Disney Studio. For years they had failed to find the right property to take advantage of the market. It wasn’t until the team of William Hanna and Joseph Barbera approached the studio with their first project that the times did change, at least a little, for the fledgling animation department at MGM. The project was far from an original one even for the time. It was a very basic cat and mouse adventure featuring a cat named Tom and a mouse named Jerry. There would be almost no dialog on the shorts. It certainly didn’t look like much of a hit to the studio brass, but with no better ideas on the way, they went ahead with the new shorts of Tom And Jerry. There’s a reason why the cat and mouse pair is such a classic. It’s because it works. If you can make your characters entertaining and endearing enough, you can have a hit. MGM finally entered the major leagues, and the team of Hanna and Barbera would become one of the most successful animation teams in history. They would go on to create such cherished characters as The Flintstones, Yogi Bear, The Jetsons, and, of course, Scooby Doo.
These were the days of the Golden Age in Hollywood. These shorts were not being produced for television, which hadn’t been invented when they began; rather they were intended for theater goers. In those days going to the movies was much more of an inclusive experience. You always got a cartoon short along with an adventure serial, the likes of Buck Rogers, Flash Gordon, and The Lone Ranger. These multi-chaptered serials were the forerunners to the modern television series. It kept you coming back to the movies to see what would happen next. Each chapter ended in a cliffhanger. These early serials were the inspiration for such film franchises as Star Wars and Indiana Jones. Finally you got one, sometimes two movies all for the price of a single admission.
Posted in: Disc Reviews by Gino Sassani on July 6th, 2009
“Out here the rules are different.”
Corporate retreats have come a long way from the closed door seminars where you’re asked to fall backwards and trust your colleagues to catch you. Well… the backwards part still applies, but here that describes the locals at the isolated camp where 8 hapless video game company executives are planning a weekend of paintball and bonding. These locals are straight out of Deliverance. (Insert your favorite banjo lick here.)
Posted in: Disc Reviews by William O'Donnell on July 4th, 2009
At first glance, it is quite easy to see why this show has been compared to Sex and the City by many critics, and is about to again by yours truly. Mainly this comparison occurs because of the shows’ similarly humorous approach to sex, never wavering from any sort of topic therein. The first similarly I noticed though was the meta-cinematic use of our heroine Hannah (who escorts under the moniker “Belle”) when she talks to the audience directly. This device was only utilized in Sex and the City’s first season but we still see a similar mix of voice-over narration (which would take over Sex and the City) and the viewer being acknowledged (used more often than not with Secret Diary…).
This second season of Hannah’s trails dealing with having a secret life is changed in typical sitcom fashions, that is, introducing a main love interest (a man named Alex whom she mistakes for a client in the season opener) as well as a goofy pseudo-side kick by way of a young girl calling herself Bambi who wants to prostitute simply for the money. The drama revolves mainly around Hannah and Alex’s romance as Hannah loses the thrill of escorting in exchange for the desire to build something ‘real’ with Alex. At the same time, Hannah does face some moral questions throughout the season regarding her profession. Of course, these internal dilemmas (often accompanied by slow-motion shots of a Hannah/Belle looking about blankly) are mainly squashed immediately, or else the show would stop all-together. With the season lasting only 8 quick episodes, thankfully her brooding bits don't get enough time to became too tiresome to witness, although the drama certainly amplifies (less wink-at-the-camera moments) as the season passes the halfway point.
Posted in: Disc Reviews by Michael Durr on July 4th, 2009
Everwood was a fairly long running show that started in 2002 and continued until 2006 for a total of eighty-nine episodes. It ran on the WB and was a casualty of the WB/UPN merger into the CW Television Network. Years later it has shown up on ABC Family and around the globe gaining fans here and there. It's a serious drama that involves the medical practice of Dr. Andy Brown (played by Treat Williams). Set in the fictional town of Everwood, Colorado (in reality it was a few towns located in Utah), we find ourselves figuring out how a death can alter the lives of everybody in the town and how they struggle to cope.
Colin Hart (played by Mike Erwin) has died to due to a very difficult medical procedure on his brain. The procedure was performed by Dr. Andy Brown and as a result the whole town shuns Andy and his practice. Amy Abbott (played by Emily VanCamp) who was Colin's girlfriend turns her back on the good doctor and lapses into a deep depression. As a result of the aftermath, Andy's children also face scrutiny. Ephram (played Gregory Smith) finds his good friend Amy turning away from him and Delia (played Vivien Cardone) is shunned by her click of young friends and not being invited to slumber parties.
Posted in: Brain Blasters by David Annandale on July 3rd, 2009
Ishiro Honda is, of course, best known and (deservedly) beloved for his classic kaiju eiga: he not only directed the first appearances of Godzilla, Rodan, and Mothra, he also delivered many of their subsequent adventures, wrapping things up with 1975's Terror of Mechagodzilla, which would be the last such entry until the mid-80s revival. The high profile of the giant monster movies has a tendency to overshadow some of this other contributions to fantastic cinema. One such effort which shouldn't be overlooked is the inventive and grim Matango (1963).
A rich entrepreneur and his guests head off for a holiday on his yacht. When the weather turns nasty, he overrules his captain, who wants to turn back, and, in a misplaced display of machismo, orders that the course be maintained. The results are inevitable: the yacht is damaged beyond repair, and drifts aimlessly, until the unfortunate characters come across a deserted island. They soon discover that theirs is not the only shipwreck on these shores: they find a much larger ship, whose crew has vanished. Covering many of the ship's surfaces is an unpleasant fungus. Our heroes clean the ship up, make it their home, and set about scavenging food, staying away from the abundant mushrooms, which are apparently toxic. But alternatives are in scant supply. Frictions mount, betrayals multiply, and one by one, the survivors succumb to the temptation of the mushrooms. These are not only addictive, they slowly transform you into one of them.

![12 Rounds (+ Digital Copy) [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/12-rounds-digital-copy-blu-ray-medium.jpg)

![Fracture [Blu-ray] dvd cover art](https://upcomingdiscs.com/ecs_covers/fracture-blu-ray-medium.jpg)





