“1941: Germany occupies Belorussia. SS death squads and local police round up Jews. Within weeks 50,000 are murdered. 1,000,000 more await deportation and death.”

Tuvia (Craig) and Zus (Schreiber) Bielski are brothers hiding in the forest surrounding after the abovementioned invasion. They are Russian Jews, which means concentration camps or immediate execution if they are caught. They are foraging and surviving on their intimate knowledge of these surroundings they have known since they were children. Before long other Jewish refugees make their way to the Bielski camp. Unable to turn away the suffering hordes, they welcome each arrival, stretching their already limited resources to the limit. The camp eventually becomes a force of freedom fighters. They are looked down upon by the Red Army because Jews weren’t expected to fight. For several seasons the growing number of refugees makes a stand for survival and even answers a call to arms in an ultimate act of defiance. The brothers split. Zus joins the organized army while Tuvia remains to lead the camp.

Back in the 1960’s the Beatles were telling, preaching, “Can’t Buy Me Love”. Of course this wasn’t a novel concept even then, and Lennon and McCartney certainly didn’t invent the phrase. In 1993 Indecent Proposal came along to question the age old expression. The film sparked one of those cultural philosophical debates that Hollywood loves to start. It meant that people would be talking about the film, and talk about it they did. Television and radio talk shows would spend a great deal of time talking about the morality or ethical questions involved. Experts in morality and psychology would earn a living talking about the subject. It caused quite a stir, but in the end Indecent Proposal was a one trick pony. After the debate got old, the film aged quickly. Watching it again now, it seems almost impossible that it’s really only 16 years old. It seems like decades ago that like a frightening tsunami, it made its splash and disappeared almost as quickly as it had arrived.

David (Harrelson) and Diane (Moore) are a young couple very much in love. It’s the kind of ultra-sweet relationship that could send you into insulin shock if you had to watch too much of it. Thankfully the plan here is to put a serious kink into the relationship. David is budding architect, while Diane is a successful real estate broker. Both run into hard times when recession hits and they lose their jobs. Their dreams appear on the brink of disaster. Down to their final cents, David takes a loan of $5000 from his father. As he admits in the film’s narration, it wasn’t nearly enough. They needed 10 times that to get back on their feet. So what do they do? These supposedly educated smart people decide to take the 5 grand to Vegas and turn it into the 50 grand they need. (Why didn’t I think of that?) Bad luck at the tables isn’t the most dangerous thing the couple faces. They meet John Gage (Redford), international billionaire and playboy. Sort of a Bill Gates, if Bill Gates looked like… well… Robert Redford instead of Alfred E. Neuman. Gage notices Diane and is quite taken with her. He befriends the couple to get close to her. After a part one night in his suite, Gage and David are shooting some pool. The conversation turns to wealth and what it can or cannot buy. Diane makes the statement that money can’t buy people or love. Gage proposes to test the concept. He offers the couple one million dollars for one night with Diane. They immediately refuse, but their situation eats at them and they eventually agree. What it does to their lives is predictable and inevitable.

Steven Bochco has amassed quite a nice little television empire over the years. He’s one of the most award winning producers in television history. He cut his teeth on Columbo and has never looked back. You know his work, or at least you’ve heard of it: Hill Street Blues, L.A. Law, and NYPD Blue are the most famous of these works. Bochco wrote the book on the ensemble police and legal drama. He counts as his students Dick Wolf and David E. Kelley, both of whom got their start working on Bochco shows. He’s had a few misses, to be sure. Does anybody out there remember Cop Rock? I didn’t think so. But, it’s been a little while since Bochco has graced the small screen, so it was with some eager anticipation that I attacked the new DVD release of his latest series, Raising The Bar.

The series involves a group of young folks in the legal profession. Some work in the public defender’s office. Some work for the prosecution. The catch is that they were all college buddies and attempt to keep the camaraderie together outside of the courtroom. Needless to say, it doesn’t work most of the time, as their interests often conflict. The characters include: Jerry Kellerman (Gosselaar). Jerry’s a character you’ve seen a hundred times before. He’s young, rather unkempt, and too principled for his own good. Yes, the series starts out with him willing to go to jail on contempt charges before bowing down to the tyrannical judge. He often faces Michelle Ernhardt (Sagemiller) who is determined to prove she’s more than just a pretty face in the courtroom. She’s desperate for respect, so winning becomes something of an obsession. It doesn’t help that, as the series begins, Bochco has them in one of his trademark opposite sides romances that he appears to plant in every series he’s ever done. The two are often refereed by Judge Kessler (Kaczmarek). She’s a rather morally bankrupt individual with political designs of her own. She doesn’t appear to think that the courtroom is any place for such quaint ideals such as fundamental fairness or justice. Of course, that sets the stage for many of Jerry’s dramatic stands. The public defenders are led by Roz (Whitman), who is rarely in the courtroom and is more of an administrator and shoulder to cry on. Then there’s Richard Wooslsley (Sears). He’s the mandatory rich kid who is rebelling against his father’s establishment mentality. So he works in the public defender’s office instead of in his dad’s political machine. Charlie (Scarfe) is the judge’s clerk and attempts to be the conscience she doesn’t have on her own. He flirts with her to manipulate her but is secretly gay, which is going to cause its own special set of problems. It seems that Angel’s Gunn (Richards) kept the legal knowledge he received through a spell at the infamous evil law firm on Angel. He’s now Marcus McGrath, but make no mistake. He’s still Gunn. He’s the smartest of the group and the most unfeeling. He constantly wants to prove he can overlook race and poverty in his cases and so is extra tough wanting to put them all away. He’s the ace prosecutor here. The prosecutors are led by Nick Balco (Graham) who doesn’t think guilt or innocence should play a part in the equation. It’s a constant source of irritation to him that these young lawyers try so hard to be friends.

What if you took the Desperate Housewives and placed them on an Army base? If that thought has been keeping you awake at night, sleep tight, gentle reader. You can find out simply by picking up a copy of Army Wives on DVD. I’m not exaggerating about this at all. Army Wives has the very same soap opera plotting and tone as the ABC hit does. You gotta really be into that sort of thing if you have any hope at all of keeping up with the antics of these four friends, or of having any desire to. I’m afraid I have to confess that I am not in that group and so found the 19 episodes to be very trying indeed.

The series follows the trials and tribulations of four wives of enlisted Army personnel. They call themselves “The Tribe”. Claudia Joy (Delaney) is the unofficial head of the group. The other women are Denise Sherwood (Bell), Pamela Moran (Brannaugh), and Roxy LaBlanc (Pressman). The show often focuses on their rather emotional situations and makes a center for itself in the idea that these women are there for each other. In this second season the Army life aspect of the show was intentionally held back somewhat, and the stories dealt more intimately with the wives. Likely a good move for the target audience that would have very little interest in the military aspects of the setting.

More Project Natal, EA Fight Night MMA Year Rotation & Should Apple iPhone Games be Rated? - Welcome to the column that would be interested in a hands-only controlled game if they knew where their hands had been known as Dare to Play the Game.

A funny thing happened to me with NHL 2k9 this week, I didn’t play it. Yes, it involved World of Warcraft and yes I am ashamed. Okay, not really but it sounds good when I apologize for playing a ridiculously addicting PC based MMO and trying to get my character to level 70. I’ll explain more under Mutterings. However, I did spend the time to try out two wonderful Xbox Live Arcade demos: Wolfenstein 3d and CellFactor: Psychokinetic Wars.

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“You’ve gotta know what you’re doing when you go in. You gotta have it figured out. Those are the rules. How you get in. How you get out. How many shots you’re gonna need. Make sure you know where everybody is. Make sure nobody sees you. Don’t hang around. Don’t get interested. Then you don’t make mistakes.”

How many times have we seen some criminal looking to do that one last job that can get them out of the business forever? This time it’s a hit man known as “The Chief” or “blackbird” (Rourke). He’s an American Indian, and he’s considered one of the best in the business. He sticks religiously by his rules. As the film opens we see that he kills a young woman in the shower just because she saw his face. Unfortunately for Blackbird, the girl happened to be sleeping with the guy who hired him. That guy’s not so happy that she got killed during the job. Now the hunter’s going to become the hunted as the boss wants revenge for the girl’s death. Enter Richie Nix (Gordon-Levitt) who’s a young punk super crook wannabe. He’s been threatening a car dealer he intends to shake down. To get wheels for that job he jacks a car that happens to be driven by Blackbird. The two end up becoming somewhat kindred souls, and Blackbird needs a place to lay low, so he agrees to school Richie and help him pull off the job. Of course, that doesn’t go well, and a woman at the dealership gets a good look at them. She and her husband get away, but now Blackbird and Richie have to track them down and kill them. The couple, Wayne (Jane) and Carmen (Lane) have already had their share of problems and were about to split up when they’re forced into witness protection. The two rekindle the old romance somewhat while trying to stay alive.

Mike Riggins (Lundgren) has been languishing away in a Russian prison for many years. So he doesn’t have anything to lose when he’s approached by the CIA to help them save a young woman who has been kidnapped. The government needs Riggins’ special set of skills, namely the ability to cause a lot of carnage in a short amount of time. If he rescues the girl, he gets 20 grand and sprung from prison. Of course, everything is not what it seems to be, and the government really just wants Riggins dead. After about an hour and a half of shooting and mayhem a lot of people end up dead, but Lundgren is still technically alive. I say technically because as far as I can tell Dolph Lundgren has been brain dead since 1985 when his acting career began with A View To A Kill. But, like the energizer bunny he keeps going, and going, and going.

The plot isn’t anything all that imaginative; in fact it’s pretty simple. But the other thing that’s simple is the acting of one Dolph Lundgren. Lately we’ve been hearing a lot about torture and inhumane treatment of prisoners. There are apparently international laws on such things, but the Geneva Convention folks have turned the other way as Lundgren continues to subject audiences to what can only be described as cruel and inhuman punishment. I guess as a Constitutional scholar I could make an implied consent argument here, if you’re actually insane enough to pick up one of these films. It’s not like it’s a secret. If you watch these Lundgren films, particularly the direct to video stuff, you already know what you’re getting. I’m sure Lundgren’s folks have been opting for direct to video because too many moviegoers have been throwing stuff at the theater screens. The theory is they are less likely to act violently to their own 2 grand flat screen.

At this rate it’s going to be quite some time before you complete your collection. I’m not even sure that DVD will still be a viable format before the end of the series on DVD. It’s another half season, and the episodes continue to fly at us at a snail’s pace. But, slow and steady wins the race, and as long as the quality episodes continue to deliver that classic Mason charm and style, I guess folks like us will continue to come back for more.

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character that has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr. Burr had a commanding presence on our screens and enjoyed a well deserved 11 year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason. If you haven’t checked this show out, this is your chance. See where it all began.