Posted in: Disc Reviews by Gino Sassani on June 17th, 2009
“Don’t forget that at the end of the day, it’s just a snake, a big messed up snake”.
Boy, if one word of dialog ever summed up a film before, this one does a pretty good job of it. Carnivorous is a low budget answer to the Anaconda series. Throw in the plot from Pumpkinhead and you pretty much have the entire film down, without ever having to have seen it. I wasn’t so lucky.
Posted in: Disc Reviews by Michael Durr on June 17th, 2009
U2 was formed in 1976. Back then they were just teenagers figuring out how to play their instruments. But by the mid-80’s, they were one of the best bands in the world. Currently, they have sold more than 145 million albums worldwide and have won 22 Grammy awards. Rolling Stone has them listed as #22 in the greatest artists of all time. They appear frequently at the head of many human rights causes promoting social justice like Bono’s DATA (Debt, AIDS, Trade in Africa) campaign. The Rebirth of Cool: U2 in the Third Millennium takes a look at the band from the failed release of “Pop” to their reborn commercial success in 2000 with “All That You Can’t Leave Behind” and continued superstar greatness in “How to Dismantle an Atomic Bomb” in 2004.
“Pop” was released in March of 1997. It was an attempt at combining techno, dance and eletronica with U2’s traditional hard rock sound. It was unfortunately a failure in the overall scheme of things. It sold the least among any U2 album (1+ million in the US, 2+ million worldwide) and distanced a lot of fans from the band. U2 knew they had to take a different direction. They quite simply had to reapply for the job of the best band in the world.
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on June 17th, 2009
Rock Band goes Country Tracklist, Ronnie James Dio Dropped & No Van Hagar? - Welcome to the column that sings for their dinner and any other meal too just to keep from paying known as Dare to Play the Game.
My two Arcade reviews for Wolfenstein 3d and Cellfactor: Psychokinetic Wars were posted this past weekend. In such, I played a lot of those two games. My mood of those games was a very positive experience as it was the only week I could think where I bought all of the new releases Xbox Live had to offer. In Wolfenstein 3d, I primarily played around in the opening levels of each episode getting used to the gameplay before I really try to finish. I had beaten the game a few times on PC and my goal is to ultimately beat all 6 episodes. The problem is I have a feeling it will be like Doom and might not happen right away. Then all of the sudden, I’ll get a groove and try to finish it in a couple of mad sessions.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2009
“One night stands can be murder.”
That’s the tagline for 1987’s Fatal Attraction. Perhaps it’s no coincidence that both Fatal Attraction and the later Indecent Proposal were both directed by Adrian Lyne. Both were quite controversial upon their release. Both dealt in a kind of “what if” scenario that got people talking around their water coolers and watering hole gatherings. While the latter was pretty much a morality or ethics drama, the former was a gut wrenching morality tale with a Grimm’s Fairy Tale twist. Even if you’ve never seen the film you’ve at least heard of the “Bunny Boiler”, a term that’s entered the pop culture lexicon describing a woman who is likely to go psycho on you. The film was almost never made.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2009
“Not like the brazen giant of Greek fame, with conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand a mighty woman with a torch, whose flame is the imprisoned lightning, and her name: Mother of Exiles. From her beacon-hand glows world-wide welcome; her mild eyes command the air-bridged harbor that twin cities frame . ‘Keep, ancient lands, your storied pomp!’ cries she with silent lips. Give me your tired, your poor, your huddled masses yearning to breathe free, the wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!”
The inscription above can be found inside the pedestal of The Statue Of Liberty, and while it’s not actually printed where most depictions appear to suggest, it has become somewhat of a motto for this country. I certainly have a warm spot in my own heart for this welcoming attitude to immigrants from around the world. I am a product of Italian grandparents who made the journey here in the 1930’s for a better life. But that ideal has been somewhat abused as of late. Those brave ancestors that many of us can be thankful for our American life did so at great personal sacrifice. Without ever giving up their individual cultures, beliefs, and lifestyles, they did manage to blend into the American landscape and took pride in both heritages. They did not demand that America coddle them. They never imposed their language on the already present society. They practiced their beliefs and traditions without requiring others to accommodate them. They worked hard so that their descendents might not have to labor so much. In so many ways they became models not only for their descendants, but for what good citizenship means. They cherished this new country.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2009
“William Banks has saved 257 people from addiction to drugs, sex, and gambling. He’s not a cop. He’s not a superhero. He’s just a man with a calling. This is his story.”
What he is, is Benjamin Bratt, returning from the thespian dead as William Banks, better known to the show’s fans as The Cleaner. Bratt hasn’t been seen much since he left the gig at Law & Order. I almost didn’t recognize him here. But, he’s returned in style. The Cleaner has all the characteristics of a police procedural series with a lot more excitement. His methods are often harsh. He’s your worst nightmare of an intervention. When Banks is called in, you haven’t hit rock bottom. Rock bottom has just hit you. The character is a recovering addict himself and does this as a kind of making amends. Of course he doesn’t work alone. He’s assembled a kind of Impossible Mission Force style team that helps with each case. Together they form a private company that a family member can call when they tire of a friend or family member’s addiction. The series was based on the real life story of Warren Boyd, who also acts as one of the show’s producers.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2009
We’ve seen many instances of American television shows that have been inspired by or directly copied from British shows. This has been particularly true of comedy series and is not a new phenomenon. All In The Family and Sanford And Son from the 1970’s are great examples of American sit-coms based on British hits, Till Death Do Us Part and Steptoe And Son respectfully. Recently The Office has been a successful British import. In the inspired by category you have to include Mistresses. There’s no question that the show comes from a combination of Desperate Housewives and Sex In The City. Like those shows, this series tells the story of friends who have somewhat risqué love lives. The episodes delve into their quests for sexual excitement. It’s very much a chick thing. Unfortunately, we don’t have any members of the fairer sex here at Upcomingdiscs, so I ended up with the short straw. I got to see Mistresses.
The problem with this series is that it’s not even terribly exciting from the bedroom point of view. The plot is so slow and plodding that the girls talk a lot more than they do. If there’s one thing I learned as a writing minor in college it’s the old axiom: “Show us. Don’t tell us.” This series never took that writing class, and so I’m afraid we hear a lot more than we ever see. None of the girls are that particularly interesting. The show takes on the pace of a daily soap opera with far less installments. The whole thing is a big tease.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2009
“The power of the Sun drives the seasons, transforming our planet. Vast movements of ocean and air currents bring dramatic changes, create some of the greatest wildlife spectacles on Earth.”
The Planet Earth series from the BBC brought with it critical acclaim and 11 hours of some of the most spectacular video footage from around the globe that we’ve seen on television. It was a particular treat to anyone who was fortunate enough to catch it on an HD broadcast. Not content with that work, the same team assembled once again to create this follow-up series, Nature’s Most Amazing Events. At first I was a bit skeptical and more than a little worried when I read that the series was going to focus on the effects of global climactic phenomena. I immediately expected another propaganda piece on global warming. If that’s what you fear/hope for out of this series, it’s going to surprise you. Instead the BBC crew takes the Planet Earth cameras to some of the most extreme climactic places on Earth. The piece examines not so much the climate, but the animals that thrive under these intense conditions.
Posted in: Game Reviews by Michael Durr on June 15th, 2009
It was the summer of 1993, this little review writer was on his way to college for the first time. Among the many things I took to college with me, one of them was a computer. The computer was top of the line at the time; a 486-33mhz processor chip and an 170 meg hard drive. I said meg. Windows 3.1/Dos 6.22 was the OS combination and it had one game on it besides Solitaire. A shareware copy of Wolfenstein 3d. The game had actually been already out for a year but it was a popular game and on my pc as included software. Upon entering college, I played that game for hours and the hours turned into days. I would eventually buy the full copy of the game along with level editors and various mods. Thru the years, I have revisited the game on consoles and again on PC. Xbox Live Arcade out of the blue decided to release a port of the PC game and encourage me to play the adventures of BJ Blazkowicz once again. I’m glad they did.
It’s hard to believe that these graphics are over 15 years old for the most part. Sure, they redid parts of the title menu to make it Xbox Live friendly and added a few minor details, but it’s the same PC port brought over for the Xbox 360. Colors do seem a bit dated and there is that familiar clipping every so often, but it’s fairly easy to tell what is going on and they actually seem to move a lot cleaner and precise than on my 486. One could hope for an HD remake (or a port over of the 3do version), but this is one of the times I’m glad they didn’t.
Posted in: Game Reviews by Michael Durr on June 13th, 2009
The original Cellfactor was actually a technical demo published back in 2006 by Immersion Games. It was made for the Ageia Physx series of cards which later became a part of NVidia. This demo showed off things we in the first person shooter community took for granted, barrels and boxes. Barrels and boxes have long been staples in games for doing absolutely nothing but existing (occasionally a barrel might explode but that’s it). Thru this demo, your character could use his psychic powers to throw the items and watch as they interact with the environment. Then with help from Timeline Interactive, a PC game was produced in May 2007, available free to people who would visit their website. A couple of years later, they decided to make a Live Arcade game for the Xbox 360 using similar technology. Thus we have Cellfactor: Psychokinetic Wars. Eight hundred points later, it was worth the wait & the Live currency.
As mentioned in the above paragraph, the actual engine for this game has been around for a long time. This was a technical demo that was made to show off the graphics power for a series of PC cards. Then they went and got published with UBISoft (very well known for Unreal Tournament) and turned it into a heck of a graphical experience. Your character will fly around and the scenery compensates very well. There are minor graphical issues but nothing I felt that could be described as distracting. The seven maps included are fairly diverse and each show a wide array of color choices and palettes.



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