Posted in: Disc Reviews by Michael Durr on November 3rd, 2008
Before I watched X-Men, before I watched Scooby-Doo, there were shows on my television like Sesame Street, Electric Company, and so forth. The purpose of these shows was to entertain & educate. There was also a range of 3 minute shorts that ran during Saturday morning cartoons on ABC that served a similar purpose. They were collectively called Schoolhouse Rock. From talking about Adjectives to Multiplication to our good ole Government, they helped to inform as well as entertain. In preparation for the 2008 election, Disney decided to come out with a compilation of fourteen Schoolhouse Rock shorts about everything from the Preamble to the Electoral College.
Posted in: Disc Reviews by Michael Durr on November 3rd, 2008
As I get older, I still find myself watching a lot of cartoons. New ones, blue ones, ones that I have no idea how they got made in the first place. So, with this practice I often run into cartoons that I have never seen but feel the need to give them a chance and see if they have any draw whether to kids, parents or me the cartoon nerd who enjoys such things. In my review pile, I stumbled upon one such cartoon and that was Pucca. From a critical eye, one might dismiss the odd characters and strange style rather quickly. However, to the careful eye one might find something a little more entertaining.
Posted in: Disc Reviews by Gino Sassani on November 1st, 2008
You simply know you’re in trouble when one of these video titles begins with that age old “inspired by disturbing true events” line. As I watched the film, I couldn’t find anything even remotely based on a true case. I dug deeper and found an obscure remark from writer and director Bryan Bertino that explains he was inspired by the events of the Charlie Manson murders of the 1960’s. You’ve got to be kidding me.
Posted in: Disc Reviews by Gino Sassani on November 1st, 2008
The very first thing you need to know is that this film has absolutely nothing in common with the 1980 cult classic except for the name. Everyone involved has admitted the fact, so, if you’re looking for an update on an old memory, you really are in for a disappointment. The truth is, even if you aren’t expecting the old story you’re in for a huge letdown. Everything about this film screams mundane, from the killer to the story to the acting.
Posted in: Brain Blasters by David Annandale on November 1st, 2008
Consider this column a companion piece to my review of Last House on the Beach. I mention therein that the finale of the film obviously inspired (to put it politely) that of Quentin Tarantino’s Death Proof. I shouldn’t really use this opportunity to beat up on Death Proof all over again. But what struck me even more than the similarities between the two scenes was their instructive differences.
So, if you haven’t seen either of the films yet, consider this entire column a spoiler and leave now. Thank you.
Posted in: Disc Reviews by David Annandale on November 1st, 2008
After a violent bank robbery, a trio of criminals descend upon the beach house retreat of a nun and her students. The bad guys take the women hostage, and make themselves at home, tormenting, raping and abusing to their hearts’ content, pushing their victims ever further over the edge.
Posted in: Disc Reviews by Gino Sassani on October 30th, 2008
With the ember finally burning out too soon, the 4400 has come to rest as a complete series release from
Posted in: Dare to Play the Game, News and Opinions by Michael Durr on October 29th, 2008
Game Cards, MK & DC gets the T, & National Gaming Day! - Welcome to the column that should get a national holiday just as long as it doesn’t have to divulge what nation it actually belongs to known as Dare to Play the Game.
I spent the last week in Ohio, I’ll try to refrain from any major jokes about buckeyes or Deliverance music or how freaking hilly the state is. I like my states flat, just like I like my wom…errr that just doesn’t sound right.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2008
When Miami Vice finally left the air in 1989, Don Johnson was a very hot commodity indeed. He decided to try and parlay that success into a film career that never really brought him the breakout roles and fortunes he envisioned. Not too proud to return to his roots, he signed a deal with CBS that gave him pretty much a blank check to star in whatever kind of television series he wanted. It was a rare deal that forced CBS to air, or at least pay for, whatever Johnson came up with.
Posted in: Disc Reviews by Gino Sassani on October 28th, 2008
You would think that an apparent 2 hour documentary on Bob Dylan would feature, I don’t know, maybe Bob Dylan. If you figured that’s what you’re getting here, think again. There are maybe 3-4 minutes total Dylan footage, and it’s almost always silent and looks like it came from a camcorder in the nosebleed sections of an arena. Even the constant music being played throughout these interview clips is not from Dylan, but rather the tribute band that happens to be run by the film’s producer and interviewer, Joel Gilbert.
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